The central television watching experience.-The purpose of this study is to find out the transfiguration of poetic cognition appeared in the 90`s poetry. For this purpose this study analyzed 90`s poetry, as a mirror of television watching experience. The mirror means self reflection. As a result of analyzing poetic cognition of 90`s poetry to divide the first and after stage. The first stage poetry, Ha jai-bong and Ham min-bock`s poetry, revealed a special poetic cognition. Their television experience are essential cultural impact. The aspects of situation. Ha`s poetry, appeared as can`t control imagination. and he accepted that as the name of passive receive. Meanwhile, Ham`s poetry revealed cognition to a mirror of capitalism. It is means to learn lifestyle of consumption. This condition was very dangerous change. The after stage, for example Seo jung hak and Yean wang mo`s poetry, have a distinguishing features to compare with former poetry. The first, they have not a mirror of self reflection. The second, their poetry disappeared a boundary in between cyber and reality. Expecially, seo`s poetry revealed aspect in confusion mechanic feature and humanity. According to these differences, the after stage poetry consisted on very special poetic cognition. It is to incline non humanity. In conclusion, the first stage in 90`s poetry revealed as problem of imagination change. Thus their television experience are very practice. But the after stage in 90`s poetry include aspect in confusion mechanic feature and humanity. As result, their television experience are very amusement.