Symbol is not the object itself but it takes the place of the object or event so it has a lot in common with fiction of day. But, play symbols have something different from literature symbols, and it is because play is made by direct showing, therefore play symbols s h d be objects as well as symbols. Therefore, in order to how perfect feature of meaning reaction in play symbols, we should study on two times of meaning reaction For this, it was studied each by metaphor and metonymy on linear meaning reaction which produces story shown in Toe of Tae-seok Oh and on secondary meaning reaction which produce subject of play. Above all, material of Tae is Sejo`s usurping throne. Because this material is famous a story, spectators are thinking of historical event related with Danjong and Sejo only with existence of Danjong who is appearing on the stage at the same time with opening. Like this, histnrical material of this play fulfills a meaning reaction by metonymy in the point that it makes us remind events related with it. Metonymy like this is a basis or background of metaphor. The purpose of Tae is not to estimate historical event after objective view. Because Sejo is appearing as absolutely different character from that person in the history through secondary meaning reaction though metaphor. Sejo is clinging to blood vessel, and shows as a character who is longing for continuity of life. Tae is denying metonymy which acts on stage space by not showing any concrete and practical space on real stage space even though it is on background of concrete time and space. But, this non-reappearing empty space is transcending time and space while it is doing a role of functional stage space which can show any kinds of space, and at the same time, it shows aspect of change of Sejo, with King`s feature, to an individual who is longing continuity of life clinging to blood vessel. As the result, the stage space of Tae is to show human`s original intention to succeed of life.