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> 한국영미문학페미니즘학회 > 영미문학페미니즘 > 11권 1호

『피네간의 경야』: 「여울목의 빨래하는 아낙네들」에 나타난 여성적 글쓰기의 완성

Accomplishment of Women`s Writing in "Anna Livia Plurabelle" of Finnegans Wake

박윤기 ( Park Yun Gi )

- 발행기관 : 한국영미문학페미니즘학회

- 발행년도 : 2003

- 간행물 : 영미문학페미니즘, 11권 1호

- 페이지 : pp.97-119 ( 총 23 페이지 )


학술발표대회집, 워크숍 자료집 중 1,2 페이지 논문은 ‘요약’만 제공되는 경우가 있으니,

구매 전에 간행물명, 페이지 수 확인 부탁 드립니다.

6,300
논문제목
초록(외국어)
The purpose of this paper is to define "women`s writing" accomplished in "Anna Livia Plurabelle" of Finnegans Wake by James Joyce. Women`s writing, initiated by such diverse critics as Julia Kristeva, Helene Cixous, Luce Irigaray, Alice Jardine, and Toril Moi, is a new technique Joyce substitutes for the limited "male-oriented writing". Women`s language, therefore, is not only threatening to a predominantly patriarchal culture, but also a medium through which women may be creative in new ways. Joyce makes use of the diffusive, changeable writing technique for his purpose of creating the characters, Molly in Ulysses and Anna in Finnegan`s Wake. They are both river-women and can re-live in the works. "Anna livia Plurabelle" of Finnegan Wake can be a linguistic subversion of the name and the law of the Father, a revolution of the word that disrupts the traditional symbolic order and challenges male-oriented writing practices. Anna Livia, always "yea-saying", embodies the "women creature" who speaks fluidly and remains free. The narrative of her, shaped by the voyeuristic voices of the washerwomen on the banks of the river Liffey, refuses closure and begins again and again-but with a difference. Anna`s womb/delta(A) is rife with words and with many children. She is differentiated from Maria, a virginal, loveless, childless little old maid, in "Clay" of Dubliners. The relationship between the washerwomen of "Clay" and those of "Anna Livia Plurabelle" must not be overlooked. The two representations of washerwomen, in "Clay" and in "Anna Livia Plurabelle", intricately inverted structural relationship between them. The washerwomen`s speech, repressed and silenced in "Clay", is restored to the central one in "Anna Livia Plurabelle". It reveals the hidden, repressed, and suppressed desires of women that forge women`s writing. According to this, I insist that James Joyce considers women`s potential as the ultimate source of new writing.

논문정보
  • - 주제 : 어문학분야 > 영문학
  • - 발행기관 : 한국영미문학페미니즘학회
  • - 간행물 : 영미문학페미니즘, 11권 1호
  • - 발행년도 : 2003
  • - 페이지 : pp.97-119 ( 총 23 페이지 )
  • - UCI(KEPA) : I410-ECN-0102-2009-840-003120683
저널정보
  • - 주제 : 어문학분야 > 영문학
  • - 성격 : 학술지
  • - 간기 : 연3회
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1226-9689
  • - 수록범위 : 1995–2020
  • - 수록 논문수 : 491