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KCI 후보
항일운동 시기 중국인의 눈에 비친 "조선의 어머니" 형상 -양한생(陽翰笙)의 역사극 『무궁화의 노래(槿花之歌)』를 중심으로
A Mother Shape of Joseon Dynasty in the resist-Japanese movement time - From Chinese Drama writer`s sight
김영미 ( Young Mi Kim )
UCI I410-ECN-0102-2009-800-000381388

This Article deals with a Chinese drama writer, Yang Han Sheng`s [A rose of Sharon`s song] which focuses on a Mother Shape in the Joseon dynasty. The writer puts the 1919 [Samil] Independence Movement (of Korea) on this work, and makes the mother as a narrater. First, he analyzes the 1919 [Samil] Independence Movement (of Korea) from a Nationalism. That means he consider this movement a people`s movement. Mother was a typical example of this people. Because he thought Mother represents the weak in the peoples group. Second, he understands Mother, especially mother during Joseon Dynasty, suffers from the patriarchy named "Confucianism". Mother never has any formal contact with the outside world and an independent position, in other word, she can not but approach informal and separated from outside manic world. Mother has to choose informal religion, "Ch`ondoism", and resists to Japanese with nonviolence. Like a shady spot, the mother`s calming action metaphorically became `a rose of Sharon` which easily broken by powerful man and `Songs` which have no any power. It was mother`s own way, and also it was stronger than any other violent way. It can call this the people`s indirect way under the colonial policy. So at this work, mother could stand for a symbol of the weak during this resist-Japanese time.

[자료제공 : 네이버학술정보]
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