The current paper is sort of interiorized or aesthetic self-examination on the significance of reading Joyce with his native cultural and literary backgrounds and perhaps implicitly in its neighboring East Asian countries like China and Japan. It is basically planned and pursued according to the expectations of comparative literature. More specifically, the writer examines some of the more familiar aspects of his native literary assets that show aesthetic kinship with some characteristic qualities of Joyce. Korean aesthetic temper found in such writers as Kim Satkat and such genres like pansori and some times such Eastern beliefs and correspondences drawn from Iching et al are implicated in comparison with some counterpart styles of writing or emotional features in Joyce. Historical experiences of Korea are sometimes cited along with comparable phases or characteristics of Japan and China and Ireland marginally, for the writer`s ultimate purpose of discussing the status of Korean readership is to sound for the possibility of creating beyond the national boundary a meaningful community of readers in East Asia although such prospect is not so much discussed as suggested.