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지리산과 한국어문학 ; 현대소설에 나타난 "지리산"의 문학적 형상화와 그 의미 -『지리산』, 『태백산맥』, 『피아골』을 중심으로-
Literary Configuration and the Meaning of "Jirisan" in Modern Novels -Focusing on 『Piagol』, 『Jirisan』 and 『Taebaeksanmaek』-
조구호 ( Gu Ho Jo )
어문론총 47권 225-249(25pages)
UCI I410-ECN-0102-2009-810-008433854

As seen before, Jirisan was the grounds of the people`s lives and the base of the struggle against inhuman unjust force and it was the people`s graves that those who believed in the victory of history buried their bodies. Like these, as Jirisan which is a natural object is configured as the literary space, its meaning was recognized variously and the lives of the people connected to it were also newly recognized. In 『Piagol』, Jirisan reflects the recognitions that it is the grounds of the people`s lives inseparable from the people and the altar of the nation where numerous souls sacrificed unjustly during a dynamic period in history sleep. These recognitions request new introspection into the history of people`s joys and sorrows and suffering. In 『Jirisan』, Jirisan is suggested as the space of escape to resist against injustice in the first half of the work and it is suggested as the object of yearning in the second half. This means that the writer recognizes Jirisan as a symbol of will not only a descriptive space. As the literary space is a construct constituted according to the direction of recognition not a real space, Jirisan was recognized and configured as a symbol of will to endure hardships of the nation in the first half of the work, and in the second half, it was suggested as the object of yearning as the Jirisan in Bogwangdang days operated based on human trust in order to criticize the Communist Party by bringing its negative aspects into relief. In 『Taebaeksanmaek』, Jirisan is not only the space of death in partisan but also the space of history. It is emphasized that although partisan meet with a tragic end not gaining a victory, the partisan`s struggle for people`s liberation will survive in the future history. This represents the writer`s historical consciousness that people is the subject of history and it also configures Jirisan as a symbol of people who resist against unjust force to suppress their human lives in a geographical space of Jirisan, a natural object. Like these, Jirisan, a natural object, is newly recognized by being configured as the grounds of people`s lives and the base of the struggle against unjust force to enforce inhuman lives and the space of history to believe in tomorrow`s victory.

[자료제공 : 네이버학술정보]
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