Mokwol tried to find modern daily life through poem language in the reality of post-war full of nihilism, excessive existence and intellectual humanism. A poet tries to make experiment of the modernity of poem language in the rivalry between tradition and modern. The meaning of `tradition` to Mokwol is `how to survive the modern time` and the recognition of modern subject is the road to realization of concrete experience world after making every day of modern times to be recovered from abstraction. When the member of ＜The latter half of the year＞ showed the self-shutting up, Mokwol created modern sensitivity by `translating` a native tongue of traditional food into poem language. He suggested the issue of `personal taste` by concretization of `collective native tongue` into `sensuous` thing. By making `what is trivial`, `what is vulgar` and `subjective experience of person` concrete, the traditional aesthetics works as `a modern subjective personal signature`. By reproducing `colloquial style` and `oral situation`, he tried to show `the feeling` and `sympathy` of our language as a native tongue. However the sensuous `dialect` is awakening the sense of modernity, an ear for music and the sense of sound symbol. Finally the poet reveals aesthetic self-consciousness with modern subject as searching for identity and self-reflection as a poet. He makes experiment of his meta method by calling his own name as a common noun and showing his writing. The symbolizing of tradition food symbol, colloquial style and dialect means the birth of strange native tongue against literary style. It is `the native tongue` and `collectively colloquial style` found out just by the birth of modern language and cultural language. The method of `symbolizing in a strange way what is familiar` is the one which reveals aesthetic autonomy of modern poem language. Additionally it reveals modern retrospective self-consciousness and crock by calling the name of poet out of text as a poem language inside text. It can be considered to be a modern experiment of self-consciousness. Eliot said that modernity is `the present of the past` and can be said to be the process in which tradition and modernity interfere together in the most organic way. On the basis of it, `the modernity of poem` can jump out of the schematism and limit of tradition severance theory and tradition absence theory. It is, the fact the tradition language is called as a modern strange poem language and the process to find `native tongue` composed of new the other through the other called modern times, can be shown. Mokwol tried to express in a creative way that modern poem language is the process of symbolization of language, creative individuality and sensational process of ego.