The kernel of this study is coding process of dance and its communication through a dance. I think that communication process of dance as art language is different from other non-verbal messages. Communication channel of Korean dance that has continuous vagueness and does not consider techniques important was right inside of human body. Dancer`s breath does not mean simple flow of time that tying and untying processes are repeated in, but fight against himself/ herself and outer world. Its communication with wide meaning, not about an individual, was impressive. This means de-communication over fixed form of the signifier and the signified by analyzing data about dance. Generation of newly-changed code escaped from existing code is an element to play core part on leading dance art to virtual world. Dance`s meaning of de-communication was contributing to formation of collective and ideological myth with message of universe and communication that was more than simple mixture of divided meanings consisted of individual moves. Nowadays loads of analysises are performed and artistic definitions are established about dance moves. But it was the Salpuri Dance that made me realize what kind of form and artistic ideology the communication with stage, audience, himself/ herself, and world could be sublimated in.