This article has tried to reveal the method and poetic intention to figure comedically sexual-loves in poems of Jung-Joo Soe after his early poetry. He embossed three aspects of sexual-loves to figure comedically them as women who had marvelous strengths, women who had magical powers, and masculinity that was deprived of its diadem. He exaggerated feminine bodies or physical powers with grotesque figures deviated from generally expected beauties of belles. This discordance with our expects to feminine beauties was to have an effect of making laughs. And physical powers of women who had marvelous powers in his poetry were often appeared as expressions of their magical powers. Their superhuman powers that had been indebted to poetic speakers for obscene expressions have helped partly to produce comedic situations. Meanwhile, males who emerged from his poems concerning to sexual-loves were appeared as degraded figures different to women who had marvelous powers. But it is needed to focus on the fact that most of the males were figures who had higher abilities and statuses than them of common people. He made our laughs by figuring non-common males into his poetic objects and degrading them with a process that had deprived their diadems. By this figuring comedically sexual-loves, he removed tight oppositions between the feminity and the masculinity, the aging and the youth, and the ruling and the ruled. In other words, he intented not only to radiate instincts that had stripped themselves of hypocrisies of moral temperance by erasing common ideas about feminine beauties and innovating the aging but also to return to women their joys and pleasures that had freed their oppressive feelings about the authority and dignity of males or rulers. This method was acquired by not explaining but figuring sexual-loves into comedies. This contained the poet`s intention of trying to relax stiff conditions of life by making laughs and to get freer consciousness.