The traditional dance moves of Korea demonstrate the commonalities in general. To be more specific, the animal imitating dance to worship holy animals, the move that takes the form of left-turning dance(左回舞) that signifies the transmigration of souls, and the dance that takes the lowly-squatting form by regarding the earth as the matrix to pursue this world manifest the same symbolic implications. In this context, the world view that our dance symbolically pursues is displayed in the dance moves of a circular form. The usage of relatively same terminology with respect to the circular form and the formation of a circular dance that is explicitly expressed in the work fully demonstrate the aesthetic element in the Korean dance. Therefore, this study has looked into the symbolic implications by lumping the circular forms shown in the Korean dance and discusses the ideology of the Korean dance contained in a circle in the aesthetic form. In other words, the aesthetic interpretation of a circular form shown in the Korean dance has been analyzed centered on the terminology on the dance moves or the morphology of the circular form displayed in the dance work. Most notably, this study pays close attention to the general terms that are regarded common in the Korean dance moves which pursue curve lines and the circular forms shown in dance works so as to penetrate into the symbolic implications that are to the core and universal.