This study proposes to examine the poetic embodiment of ``Samda`` and ``Dolharbang``. The examined poets, through their artistic imagination, shift the meaning of ``Samda`` from the common sense to newly embodied figures. The fresh meanings are as follows. ``Stone`` is the object living for the weak, the origin from which human longings are sustained and the guard of the island. ``Wind`` is the central force that frees modern men from their inner exclusiveness and shutdown. ``Wind`` is also ``han``(regrets) which Chejuean people bear. Also, Chejuean wind plays a role in curing 4·3`s pain. Chejuean women or ``haenya``(woman divers) is described as the subject of production. In the poetic description of ``Dolharbang,`` it is the guardian god. It is also seen as the object dauntlessly protecting itself regardless of social change, which symbolizes Chejuean people waiting for something. The appearance of ``Dolharbang`` sometimes gives them humor and laugh.