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KCI 등재
東方女性文學 : 性別、 身分與情的書寫 -論馬湘蘭與梁孟昭的曲
화위
중국어문학지 39권 147-173(27pages)
UCI I410-ECN-0102-2012-720-003072131

This article analyzed Qu works of Ma Xianglan and Liang Mengzhao. Liang Mengzhao made Qu to entertain herself, so the motive of writing is relatively simple. On the contrary, Ma Xianglan was a well-known ``Ji(妓)``, as a performer, her works were not restricted in the private realm. She had to ``perform`` her literary taste to maintain her special status as a ``ji``, so this condition made it difficult to understand the real meanings of her works. Her expressions of feeeling are made for male readers/audiences. And through her works, she introduced the male readers/audiences into a female`s secret rooms and made them have direct/indirect conversation with female. Her works are made to entertain others, so full of aspiration for love and marriage. And they express feelings very directly. But works of Liang Mengzhao are different. Her works don`t expect male readers. She expressed feelings and desires of female freely, and her expressions are indirect and euphemistic.

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