This paper explores Theresa Hak Kyung Cha`s experimental poems, visual poems coupled with moving images, which are tools to express her identity as Korean American. Writer, artist, video artist, and filmmaker, Teresa Hak Kyung Cha`s avant-garde, multi-genre visual poems challenge the monolithic, linear, and logic-driven meaning that is produced by languages by using experimental poetic techniques. Cha also tries to combine social contents that History embraces and poetic forms in her poems to express her in-between identify as a Korean American. For her, History is a record of the Western dominant class and has suppressed the voice of underprivileged groups such as Asian Americans. Therefore, Cha tries to reveal their authentic voice through their personal records or memories, which have been ignored by History. (Berkeley Christian College and Seminary)