The concept of Glocalizaton - a compound expression of global and local - is still undetermined. It can be interpreted as a meaning of subordination or as a meaning of resistance depending on what it intends. Moreover, it can suggest a sublation of confrontation and a mutual direction of reciprocal harmony. The root of the tale itself is however mixed, and it is a story. The regional features sympathize each other. It awakes a new truth and only sympathizing in it. It means that those become the material in mixed imagining. This paper studies corruption and falsehood of the concept of glocalizaton, and examines the direction of glocalization centering on the analysis of Park Sang-ryung`s Simcheongi - Namdo 3 as well as the general characteristics of his novels. This paper first reviews the direction of glocalization, investigates narrative meanings of Simcheongi within the passage of collaborative works of Namdo, and then explores Simcheongi within the microscopic perspectives. The argument to transform our tales into western myths can only be controversial per se. The categorical problem of the two concepts should be set aside because they can only be independent stories from the beginning. Accordingly, glocalization is only a direction for all activities of humans delving into literature or truth. Hence, our interest should be in the truth per se along with the methodology. This paper attempts to find the method by way of Park Sang-ryung`s Simcheongi.