This paper aims to examine Yeon-am`s political prospective through Hwanhuigi which is a writing of the description with a historical consideration of magic arts, based on the twenty kinds of magic arts which Yeon-am watched in Qing. Focusing on the structure and narrative style of Hwanhuigi which extends the attributes of magic arts to the power, this paper shows how to Yeon-am`s political allegory reveals the way of changing norm and the regime of upper class as situational justification for one`s selfish interests and desires and inspects the way of revealing a critical reflection ultimately. ?Yeolhailgi(熱河日記)?is not just a record of the experience through Yeonhaeng(燕行), but minutely organized writing with literary allegory and symbolic expression. Expecially, Hwanhuigi in ?Yeolhailgi?does not just describe magic arts as cultural object, but deals with them as a symbolic media for expression of his opinion about practical administrating for relieving people´s suffering. In Hwanhuigi, before and after the description of magic arts, the -the prelude of Hwanhuigi and -the epilogue of Hwanhuigi are edited. Enumerating the examples of magic arts, Yeon-am make reader reconsider the similarity of operating principle of magic arts connected with that of political situations, describing the transience of secular values through the change of phenomenon. In other words, Yeon-am criticizes the rampant situation of empty justification and intrigue like magic arts and urges to take practical attitude reform the reality in Hwanhuigi.