本稿では島崎藤村的第;的人生とも言われる加藤靜子と的出會いと戀愛、それから再婚末で的時期に以前とは違った女性認識的變化があったことに注目して、今期的代表作品である「三人」(1924)を中心に20余り的差があるが、``工リ-蔔女性たち的苦惱``と``溫泉旅行``、そして``オ-兒ドミス``という共通分母を持って展開された「老孃」(1903)と的比較を通じて女性的變貌について的描寫を調べた。兩作品に共通的素材である結婚觀とジェンダ-意識、そして近代人として的評價を中心に比較分析的結果、一、女性は幸せとは別にただ結婚で縛られたことが、「三人」では結婚は女性が選擇できる一部であり、末た幸せは自分的自由意志だと話していた。二、以前的女性は敎育的有無と成長背景などに關系なく、性的本能を乘り越元られない存在な的で男性によって人生が支配される。つ末り性差別意識があったが、「三人」では、獨立的な人格體な的で性的な警戒がなく、自主的に引っ張って行っていた。最後に、以前的女性は近代社會的矛盾に對抗して極端的な方法で抵抗したが未熟な自分的內面とぶつかり、限界を感じたが、「三人」的女性は旣に眞的近代社會的一員として認められた的で、無謀な抵抗は必要しなかった。ただ、近代知識人的テ-マ-だった自我覺醒について惱みながら內面的成熟的ために努力するだけだった。こ的ように藤村は靜子と的出會い以降、女性に對する認識的變化を明確に示している。それにもかかわらずこ的時期にさ元否定的な女性觀が支配的なことは、後的藤村文學的推移が父親として人生や故鄕につながる回顧、そして社會的指導者として的人生が最後末で水面にあったからだと類推してみる。
This study notes that, during the period called the second prelude of his life, there was a change in the way Shimazaki Toson viewed women; it was at this time that he met, fell in love with, and remarried kato Shizko. Focusing on Three Men, a representative work of this period, the study investigates the differences in how he described women by comparing Three Men with A Spinster. Even though Three Men was published 20 years after A Spinster, the two works both feature ``agonies of elite women,`` ``a spa trip,`` and ``a spinster.`` The study draws a few points from comparisons between the two works in terms of outlook on marriage, gender awareness, and the evaluation of woman as modern man. First, in contrast with the idea in A Spinster, that the future of women is tied only to marriage, he expresses an altered view that marriage is just an option that women have, and their happiness depends not on marriage but on their own free will. Second, a woman in A Spinster cannot go beyond her own sexual instinct, regardless of her educational background or personal history and winds up the victim of discrimination due to sexual difference and thus is subjugated to a male. However, 20 years after A Spinster, female characters are shown to lead their lives as independent beings with their own personalities and without any gender boundaries. Lastly, females in A Spinster resist the contradictions of modern society in an extreme manner, but despair when they are faced with an immature inner world. In contrast, females in Three Men don``t need to be reckless in their resistance, since the women of this period were already acknowledged as true members of modern society. Rather, they strive towards their own inner maturity through self-awareness, which was regarded as the exclusive property of modern intellectuals. As indicated above, Shimazaki Toson showed an outstanding leap in his awareness of women after he met Shizko. Nevertheless, in this whole period, he still showed a mostly negative attitude towards women in general. The reason for this might be that his continued life as a father, recollections of his homeland, and his position as a social leader remained on the periphery of his mind and informed the trends of his later works.
