The purpose of the paper is to analyze in detail on what is apparent in early poetry of Kim Chun Su`s attempt to search for an essential existence. Initially, he was strongly attracted to Rilke`s idealistic poetry; then he strived to search for the existence by aspiring for an ideological world. However, contrary to his expectations, his efforts could not come to fruition at the outset due to his language limitation. During this period, he became aware of the existence which exists beyond language. He then realized; in order to grasp the outer existence properly, it would not be possible by the preexisting language order; that was because of the moment a subject (the Real) was to be grasped as a language signifier, there was something which could not be the signifier and was to be omitted. Ever since, he came to believe that in order to grasp the Real, it was possible only through a form of poetry. On the contrary to his aspirations, grasping the Real through poetry is not an easy task. He expresses well about his aspirations and disappointments in his poetry, "The Flower II"(「꽃·II」) and "The Prelude for the Flower,"(「꽃을 위한 서시」) etc. Based on this viewpoint, his most important poem, "The Flower"(「꽃」) is a significant piece of work, because the poem reveals the clues to which are the omitted parts while in the process of grasping the Real, and to which approach is needed in order to catch it. Of course, it is difficult to say that he had accomplished successfully his endeavors on desired meaning of the Real into the signifier, just based on this contents only. Nevertheless, he is acknowledged for approaching a clue to the problem solving if we perceive the meaning of his texts, ``a gesture`` or ``a hue or a scent,`` etc., from a different angle. In the process of the analysis of the paper, I refer to the discussion of the Real by Lacan, and Kristeva`s assertion on chora of the Semiotic, as well as the theory of the bodily drive.