It is interesting that some connections can be found between literary images in Uncle Tom’s Cabin and visual images of emblem, illustration, and sculpture which are associated with angels, goddess, Jesus, and shackled male or female slaves. The visual images in which black slaves like Tom supplicate freedom or emancipation from the whites, were popularized in the early and mid-19th century, and the images strongly influenced the expansion of slave emancipation movement. Undergoing the abolitionist movement, intriguingly, the women began to realize that they were simply like white domestic slaves. Consequently, it turns out that the movement played an important bridging role in enabling the women to regain their voices in the subsequent women``s rights movement. For the purpose of this study, this paper is to deal with three ways. First, a history of the slavery emblem has been briefly reviewed, and then, an investigation has been made, using visual images like emblem and illustration in Uncle Tom’s Cabin, to know how Eva is represented as a religious and abolitionist symbol and how Tom is represented as a symbol of martyr and Jesus. Finally, a study of sculptures of Hiram Power’s and Howard Roberts’ has been made to reveal the relationship between women’s anti-slavery movement and women’s emancipation movement. Broadly speaking, this study is an intertextual and interdisciplinary research to investigate how literature and visual arts are interlinked and interconnected.