In this paper, I examined the representation of the Korean licensed quarter(朝鮮人 遊廓) described in Atsushi Nakajima(中島敦)``s Puuru No Sobade(「プウルの傍で 」,besides the pool). Puuru No Sobade describes, through the eye of a junioro highschool boy, Sanzo(三造), the reality of the Korean licensed quarter that could be only known by someone who had experienced a colony. In this sense, Puuru No Sobade could be read as a work that revealed the prostitution issues in colonies. However, Sanzo``s experience was described in a style of recalling narrative as onetime ``sexual adventure`` of a boy, in other words, an attempted whoredom, and we cannot regard it getting to the heart of the discriminations in a colony or exploitations of women``s sexuality by prostitutions.