Ha, Jong-oh’s poem is beyond the simple diaspora literature since it shows that the situation of in-depth origins of the Republic of Korea is not much different than the surface through the vague voices of immigrant workers because even ethnic narrative related to the origin in ‘Trans space’ is questioned. In other words, it was shown that immigrant workers drawn by him are not the subjects welcomed in Korea as multi-cultural guests, but rather that self-evident ethnic origin is just the ‘flowing surface’ by separating the character of the state from the nation state, Republic of Korea. That is, their ‘external character’ rescales the Republic of Korea. The results of the study are as follows: First, he reveals through the gaze of immigrant workers who show ``curiosity`` about Korea that Korea is not a place only for Korean anymore but also a place which can be ‘used’ by occupiers. Second, this question was implemented as a cross-question about Korea``s National Ethics while comparing the lives of immigrant workers with the lives of animals. That was a question about globalism concerning manifold forms of violence, in other words, it was a question about the laws of Korea. Third, the poet knew that the national history of Korea was a place in conjunction with the ``transnational history`` of immigrants as a random narrative. If the first one was nothing but the nation’s rhetoric, the two were not opposing but related in parallel. That means that existing Korea was softened by setting Korea as a new space: through looking not at ``citizens / non-citizens``, but as ``occupiers``, he tries to set both histories as one joint ethic. Ha, Jong-oh’s poem is a ‘Trance Nation literature’ by trying to show that Korea’s ‘being Korea’ is not a matter of noble ethnicity, but consists of a ‘nation effect’. This new ‘sovereign place’, which has been used only by Koreans, is now used by ‘occupants’. This leads to global publicity which is the possibility of sovereign occupation of the immigrant workers and new publicity and universality.