「富嶽百景」と「黃金風景」と通じて、《苦惱》を再解釋してみた。富士山に對する〈私〉の氣持ちが相當に搖れ動いて いる作品であったが、《苦惱》を自慢している<私>が富士山で何人かの女性たちに出會う。その出會いから富士山に對 し、《光》のような《月見草》が嘯いていると、周圍のことを明るく解釋し、感じ、變わっていることが分かった。太 宰の中期が「素朴」「自然簡潔な」ことを指向していたことはよく周知の上で、希望を失っていた前期とは違い、自分と 向き合い、正直になり、希望を取り汰せたかのように、《苦痛》が《光》に變わっている作品であった。

And 「Fugaku Hyakke」 through the 「golden landscape」, I tried to re-interpretation of 《distress》. By my feelings, feelings against Fuji had wavered. Had a "distress" is by her who I met in there, become a presence, such as 《light》, Fuji had changed as 《nightshade》 and 《evening primrose》. So, is 「Fugaku」of the 「golden」 and 「hundreds of views」, 「landscape」 is human 「hundreds of views」, it was a story that became a 「landscape」. This should be of Dazai in the medium-term is a 《single representation》 《rustic》 《natural》 《concise》 《sharpness》 of is met, Ariel in the attitude of Dazai in the medium-term. However, rather than this just a matter of, facing the people, will be honest, the effort to meet the new myself go, it is was let go. Medium-term Unlike the previous year, which had lost hope of Dazai, style changes as if regain hope, 《distress》 is 《light》, and is earnest facing the people and myself, solidified awareness is a work, it is was thought the meaning of re-interpretation.