This study aims to explain the problem of mode of perception in picture images of the YouTube times, perception of technology and visual system in modern picture images based on the theory of Paul Virilio and Susan Sontag. Advancement in digital technical environment makes revolutionary change of the relations between consumer of visual recognition and picture images. This mechanism is very important analytical concept as the process which is composed consumer of visual recognition that indiscriminately accepts excessive picture images in recent years. The growth of technology and the popularity of internet, social networking, YouTube and video sites have changed the media landscape. As shown in this study``s examples, consumers are voyeuristically bewildered by unidentified picture images. It is important for main agents of visual recognition to gain an insight on unidentified picture images. Therefore, this study tried to analyse the Brian De Palma film . Many of the scenes are filmed in style of hand-held camcorder, digital camera, smart-phone camera, webcam, CCTV, mass media coverage, multimedia’s pictures. This movie is the montage of stories about U.S. soldiers fighting in the Iraq conflict, focusing on the modern forms of media covering the war. Brian de Palma’s Redacted ups the ante of protest films, fictionally recounting the rape and murder of a 14-year old Iraqi girl by U.S. soldiers in 2006. Using hand-held camera surveillance footage, internet videos, excerpts from a French documentary and an Arab TV channel, Islamic fundamentalist websites, and the fictional camcorder diary of a young U.S. private, Redacted lets us know not only about the atrocities of war but about the unreliability of the way in which information is presented in the media and how we cannot trust what we see, even in his film. This text are shown that ventilation of our situation and ethical question about technological advancements and visual system.