This paper tries to illuminate certain aspects of Walt Whitman’s views onnature. While most writers have an inclination to focus on specific places intheir writings of nature, Whitman appears so universal that natural objects inhis depictions may be presented in any setting or against any background.Yet, starting from his hometown Long Island and New York areas, and thenstretching towards the North American continent as well as the world ingeneral, Whitman travels and exhibits his vast knowledge and understandingof their inhabitants as well as specific natural objects. That is his democraticvision, in which each natural object shares the same spirituality with othernatural objects. This paper, therefore, unravels Whitman’s pantheistictreatment of various places and natural objects and suggests how thattreatment develops into a democratic pantheism.