Poem `play` in terms of access, the language itself is a kind of play utilizing metaphors from Languages through play at various levels, ranging from creativity in education is accessible. The base of the poet (旣 知) Use of the things unknown (未知) to visualize the world. The `metaphor` as the target of one point it was noted that refers to a different destination. In this paper, a poet who, what, and that is playing with the `play` aspect of the attention to certain characteristics were seen. For this first `peosona` and `metaphor` of the poetic phase has reviewed. In modern poetry `peosona` poetic unity and individuality in the work are revealed. However, the mode of reacting to stimuli differing by the presence instantaneous descent, has been shrinking. On the other hand, a "metaphor" a metaphor or a simile and a contrasting message that increases the effectiveness of the concept of rhetorical devices away from the increasingly can illuminate the target in a new relationship between the rise in the concept of cognitive tools, reveals a tendency to expand. Eventually, the reduced `peosona` an extended `metaphor` in the poet would be playing `play` aspect of that will. The `peosona` useless to the play over is releasing his own ontological characteristics. It can be classified into three different directions. Externalization, internalization, transcendence is a requirement in this direction at the same time the formation of peosonaui `self` is also a requirement. Eventually, poet in the `play` means of `be-self` characteristics for the trial-has. The significance of these studies` peosona the concept of `change and implicitly the difference between the characteristics of modern "self-becoming` desire analogy can be found in the fact that it reveals.