In this thesis, I examined the various absurdities currently undergoing in Taiwan society by reading the socially provocative Taiwanese movie No Puedo Vivir Sin Ti(不能沒有?). First, this paper shows that this paper shows that the film is proceeding to reflect on the social indifference that is spreading in Taiwan society by tracing the main character Li Wu Xiong hanging on the overpass. Secondly, through the historical interpretation of the imagery of Li Wu Xiong/hakan/father, try to reveal the oppressiveness of Taiwanese or Locality that is the main theme of Taiwanese nationalism, to show the self-circulation of Taiwan national imagination by reading the romantic love of father/Li Wu Xiong.