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> 한국중국학회 > 중국학보 > 80권 0호

槪念隱喩視角下的溫庭筠詞

A Study on the Ci of Wen Ting-Yun from the Perspective of Conceptual Metaphor Theory

변성규 ( Byun Sunggyu )

- 발행기관 : 한국중국학회

- 발행년도 : 2017

- 간행물 : 중국학보, 80권 0호

- 페이지 : pp.51-67 ( 총 17 페이지 )


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5,700
논문제목
초록(한국어)
溫庭筠是晩唐大力作詞的第一人,他開創了五代、宋詞的盛況,后人都尊他爲花間鼻祖。 我們在讀溫庭筠的詞的時候,可以發現他的詞中大多是一些意象的羅列,他的詞在給讀者一種强烈的感官印象的同時,又能讓讀者産生豊富的聯想,體會到詞內部豊富的情感世界。之所以能有這樣的效果,槪念隱喩起了?大的作用。這些槪念隱喩讓讀者産生了豊富的聯想,而且讓詞的情感世界變得豊富,是構建溫庭筠詞的情感內容的重要手段。 槪念隱喩理論是Lakoff和Johnson提出的,該理論認爲隱喩不僅是一種普遍的語言現象,更是一種人們認知社會和世界的方式和手段,卽用一個認知域的經驗來理解?一個認知域的經驗。本文運用槪念隱喩理論,以后蜀趙崇祚編的≪花間集≫收錄的溫庭筠詞66首爲硏究對象,選取對溫庭筠詞情感內容構建有重要作用的槪念隱喩幷結合作品進行了分析。 通過分析,我們可以發現溫詞中在詞人是女子這一槪念隱喩主線下,還主要包括人的情感是自然景物,人是植物,分離和阻斷是簾,絶望是夢等基本槪念隱喩,?們共同作用,構建了溫庭筠詞的情感內容。以此爲基礎,詞人通過拓展對應關系、整合多個隱喩、增加細節描述 、質疑常規隱喩這四種方法對基本槪念隱喩進行了拓展創新,構建出詩性隱喩,從而使其詞具有了文學性。 詞人用槪念隱喩使內心的感受和抽象的槪念圖像化和具體化,從而幇助讀者更容易理解詞人在作品中要表現的深層意蘊,同時源域和目標域之間的張力使讀者産生了豊富的聯想,增强了作品的藝術感染力,使作品更具有趣味性和可讀性。
초록(외국어)
Wen Ting-Yun is a lyricist of the late Tang Dynasty, He led the development of Song and Wudai lyrics, was later revered as the originator of Huajian. Reading Wen Ting-Yun`s lyrics, we can find that most of Wen`s words are lists of images. These images give a strong impression of the senses while giving rich associations and make readers feel the rich emotional world in the work. Why it is possible to have such an effect is because Wen Ting-Yun use a lot of conceptual metaphors. And these conceptual metaphors which allow readers a wealth of association enrich emotional world of lyrics and these are an important means to build the emotional content of the lyrical poems. The conceptual metaphor theory is proposed by Lakoff and Johnson, which argues that metaphor is not only a general language phenomenon, but also a way of recognizing society and the world, that is, using an experience of one cognitive domain to understand an experience of another cognitive domain. Some characteristics of the source domain are projected to the target domain, which is partially understood by the former. This paper uses the conceptual metaphor theory to analyze 66 poems of Wen Ting-Yun collected by HouZuozhang`s “HuajianJi”. And the conceptual metaphors which has an important effect on the construction of emotional content of Wen Ting-Yun`s poems, are selected and analyzed. Through the analysis, we can find the main axis of conceptual metaphor of Wen Ting-Yun `s poems, that is to say women are poet himself. Under this big conceptual metaphor, there are some small conceptual metaphors which together build the emotional content of Wen Ting-Yun`s poems. So we can find four basic conceptual metaphors that the natural scenery is the human emotion, plants are people, the curtain is separated and blocked, the dream is despair. Based on this, the poet has expanded and innovated the basic conceptual metaphor through these four methods of expanding the corresponding relationship, elaborating description, composing multiple metaphors and questioning the conventional metaphor, and constructed the poetic metaphor, so that the work gains literary value. The conceptual metaphor of the poet makes the inner feelings and abstract concepts visualized and embodied, which helps the reader to understand the deeper implication of the poet in his works, and the tension between the source domain and the target domain enables the reader to produce rich association, and enhance the artistic appeal of the work, so that make the work more interesting and readable.

논문정보
  • - 주제 : 어문학분야 > 중어중문학
  • - 발행기관 : 한국중국학회
  • - 간행물 : 중국학보, 80권 0호
  • - 발행년도 : 2017
  • - 페이지 : pp.51-67 ( 총 17 페이지 )
  • - UCI(KEPA) : I410-ECN-0102-2018-900-000621043
저널정보
  • - 주제 : 어문학분야 > 중어중문학
  • - 성격 : 학술지
  • - 간기 : 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1226-850x
  • - 수록범위 : 1963–2021
  • - 수록 논문수 : 1566