Based on the statistical methodology for stylistics put forward by Leech and Short, this paper analyzes two translations of Cathedral, an American English short story by Raymond Carver, focusing on stylistic features and their effect in the source and target texts. As a follow-up of the authors` previous study, the main focus of this paper has been placed on providing statistical evidence of `style` in the source and the target texts. Drawing upon one of the stylistic categories, context and cohesion, provided by Leech and Short, the frequent use of the noun phrase headed by “blind man” and the relatively less frequent use of the proper noun “Robert”, both referring to one of the important characters in the story, were identified as significant stylistic features in the source text. How they were rendered in the target texts were calculated in relation to the source text and between the two target texts. According to the statistical result of the analysis, the two translated texts show clear difference in rendering the referential expressions. The authors conclude that the different uses of the referential expressions create different stylistic effects in translated texts.