The purpose of this paper is to suggest of possibility that `Muaejihee` is a model of puppet play as `Guakdokhee`. If `Muaejihee` is accepted as a model of puppet play as `Guakdokhee`, it can fill up a vacancy on the history of east asia puppet play. So I made the discussion on the theme of this paper through three aspects tool, form and purpose of `Muaejihee` with various documents of Korea and China. As a result, I could conclude my assumption that `Muaejihee` is a model of puppet play as `Guakdokhee` is very reasonable. In many aspects, there is no difference in the meanings of gourd as equipment for `Muaejihee` and a word `Gokdu` and `Guakdok`. Both of `Muaejihee` and `Guakdokhee` have the same form of performance dancing and singing. And both of them have the same purpose of performance an idea of emptiness too. Finally, I thought if my suggestion is reasonable the historical value of `Muaejihee` must be re-perceived and re-estimated.