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KCI 후보
할미마당의 갈등구조와 할미의 인간상
The Conflict Structure and the Hag's Personality from the Hag Section
전신재 ( Jeon Shin-jae )
구비문학연구 9권 207-229(23pages)
UCI I410-ECN-0102-2018-700-003726358
* 발행 기관의 요청으로 이용이 불가한 자료입니다.

Mask plays which are transmitted in around the Korea have included the hag section. An old wife(hag), an old husband(the hag's husband) and a concubine are shown in the hag section. The conflict among them are expressed differently according to regions. Kasan Ogwangdae(Five Actors) : Where the hag and son dominated home discipline are presided, the old husband and the young concubine are against them. Their hostality against the hag and son dominated home discipline has resulted the death of the old husband by the ancestor god. Tongyoung Ogwangdae,Kosung Ogwangdae : The hag drops in to see the old husband who is settled down with the concubine. Trying to take the concubine's son as her child, she is killed by the concubine. Suyong Dulnorum, Dongrae Dulnorum(Field Play) : While the hag leaves the house wondering around and the old husband is settled down with the concubine, the hag is killed by the old husband. Bongsan Talchum(Mask Dance) : While the hag wonders around alone and the old husband wonders around with the concubine, the hag is killed by the old husband. Yangju Sandaenori, Songpa Sandaenori(Play) : By the hag's death, the scattered families have got together and the spirit of the dead hag prays for the families'well-being. As the above, the family is continuously collapsing and the hag is trying to keep the home discipline.

1. 머리말
2. <가산오광대>
3. <통영오광대>와 <고성오광대>
4. <수영들놀음>과 <동래들놀음>
5. <봉산탈춤>
6. <양주별산대놀이>와 <송파산대놀이>
7. 맺음말
[자료제공 : 네이버학술정보]
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