《Guazhi-er》 and 《Shange》 are the folk song books complied by Feng Menglong and they reflect various views and thoughts on the female entertainers’ love in the late Ming Dynasty. The female entertains satisfied the customers’ desire for entertainments and solidified their position as ‘legal date’. However, people were cautious on the love with the female entertainers. In the late Ming Dynasty, the cities and school of mind developed and the female entertainers did not belong to governmental offices anymore. As a result, the female entertainer groups pursuing own interests flourished during that time. The female entertainers were often blamed for untruthful interest and love for wealth. In the folk song books complied by Feng Menglong, the love of female entertainers was described as one of the ‘personal love[私情]’ and the songs were skeptical about their ‘sincere emotion[眞情]’. Therefore, in 《Guazhi-er》 and 《Shange》, the songs about the female entertainer’s love were doubted and changed by the critical remarks.