3D animation < White Snake(白蛇: 緣起) >(2019), which was produced as the source narrative as one of the four major Chinese old story, is considered to have successfully implemented the artistic status of traditional Chinese aesthetics. In this study, we analyzed the aesthetic sensibility that this animation embodies, focusing on the ‘Yi-xiang(意象)’ and ‘Yi-jing(意境)’ of ‘Piao-yi(飄逸)’ as the Chinese traditional aesthetics concept, which are based on the Taoist ideology. This study is a consideration of the artistic landscape pursued by traditional Chinese aesthetics and the way its aesthetics combine with modern high technology, and a basic work for the systematicization and modern application of traditional Chinese aesthetics. The aesthetic concept of the term ‘Piao-yi(飄逸)’ followed the theorem of Ye-Lang(葉朗), a Chinese philosopher. He showed that the concept evolved from the mental horizon of 《Zhuan-zi(莊子)》 philosophy’s concept ‘You(遊)’ to the artistic aesthetic sense of ‘Yi(逸)’ and shaped specifically in poetry of Tang dynasty(唐詩) and a landscape drawn in black and white(水墨山水畵). 3D animation < White Snake(白蛇: 緣起) > succeeded in shaping the traditional Chinese aesthetic concept mainly through the harmony of the character’s shape and spatial background. Through this analysis, we could also confirm that the concept of traditional Chinese aesthetics serves as a major driver of artistic creation even in China’s modern popular culture.