3.141.100.120
3.141.100.120
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대중문화콘텐츠의 서사 전략 연구: <개그콘서트>의 서사 전략을 중심으로
The study on the strategies of mass culture contents' narrative: focusing on the strategies of < Gag Concert >’s narrative
박기수 ( Park Gi-su )
언어와 문화 1권 1호 141-169(29pages)
UCI I410-ECN-0102-2021-000-001109255

Successful contents, < Gag Concert >, made their success by giving enjoyment the most big preference. To maximize the enjoyment, < Gag Concert > gave up the gagmen's popularity or rate of reputation, the completion of narrative, the united message of narrative, the independence or identity of each corner, and the authority of originality. They pulled down every boundary if they could maximize the enjoyment. It was by reinforcing the participatory practice. It is possible to give various cultural meaning like the mutual characteristic of text, indication of itself, the frankness of post-modernity to this process. Though, I concentrated on how they contribute to maximize the enjoyment. The Examined characteristics of < Gag Concert >'s narrative like 1) the overall use of non narrative element, 2) the abandonment of self completion, 3) the opening to systematic narrative are the strategies to maximize the enjoyment. It is worth of paying attention to these elements; raising the conversational characteristic by including the form of concert to narrative, weakening the restrictive strength of narrative with intention to make the parody and the individual skill - which can reinforce the characteristic of play - easy, making the narrative a play of signifiant which is out of contents and depth by eliminating the characteristics of attack or criticism in sarcasm and reinforcing the characteristics of improvisation or moment, and maximizing the enjoyment by activating walking. (Hanyang University)

1. 대중문화콘텐츠 서사의 실천적 논의를 위하여
2. 향유의 즐거움
3. <개그콘서트> 서사구조에 나타난 서사 전략
4. <개그콘서트> 서사의 의의와 한계
참고 문헌
[자료제공 : 네이버학술정보]
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