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논문검색은 역시 페이퍼서치

한국언어문화검색

Journal of Korean Language and Culture


  • - 주제 : 어문학분야 > 언어학
  • - 성격 : 학술지
  • - 간기: 연3회
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-1576
  • - 간행물명 변경 사항 : 한양어문(~2001) → 한국언어문화(2001~)
논문제목
수록 범위 : 36권 0호 (2008)
초록보기
The Gaebyuk(開闢)`s feature articles `pride of Chosun` is very important to analysis Korean modern cultural change. The change of middle of 1920` in the recognition of self and other, condition of the public, media, and culture is as follows. The first, as the relationship with the others, from sense of inferiority caused by civilization to cultural diversity and particularity. The second, decline of historical philosophy or progressive prospect. The third, as the subject of discourse(opinion-leader), the change from the enlightenment intelligentsia to professional. The fourth, as the communication with the mass of people in writing, from intellectual monopolistic writing to public discourse of mass media. I will call this change metaphor `from school to market`. In my thought, this naming is useful to exposition the inner change of colonial modernity and avoid circular reasoning of `imperial and colonial`.
6,600
초록보기
本文對韓國古典小說代表作品≪春香傳≫與中國古代戱曲的代表作元雜劇≪竇娥寃≫進行了比較硏究。≪春香傳≫和≪竇娥寃≫具有非常進似的人物形象和情節結構。美麗善良女人的遇難-暴虐的貪官汚吏(社會的丑惡勢力)的驕橫跋扈和暴行-擁有强大權利的淸官出現-驅除暴虐的貪官(惡勢力被毁滅),善與美最終取得勝利,這是兩部作品共同的情節結構。還有,支撑這種情節的人物形象,卽春香和竇娥、李夢龍和竇天章、月梅和蔡婆、卞學道和桃올及張驢兒等人物的性格,也有흔多相近之處。盡管兩部作品的情節和人物形象具有如此相近的進似性,但타們在對美的追求和道德价値觀方面,又有着較大的差異。如果說≪春香傳≫是以善的勝利爲最終的結局,表現了底層階級出身的主人公渴望改變命運,實現身빈上升的主題,而≪竇娥怨≫則是以惡勢力的破滅和正義的勝利,來反映揭露幷평擊黑暗的現實社會的大主題。這種情結與主題的差異,是由兩部作品不同的社會背景和創作過程所決定的。

공간 텍스트로서 도시 "부천"의 텍스트성 분석 -"둘리의 거리"와 "한국만화박물관"을 중심으로-

김영순 ( Young Soon Kim ) , 정미강 ( Mi Khang Chung )
6,800
초록보기
In this paper, we analyze the textuality of urban space in order to understand contemporary city spaces. Ultimately, this is for production of communicative space. City can be text that sends some messages to human. However, contemporary cities produce meaningless spaces through imprudent development inclining to function and investment. Therefore, this paper studies what is the attributes which give a space communicative competence and meaning. For this, we represent the concept and characteristics of the space text based on the textlinguistics, and apply Beaugrande and Dressler(1981)`s 7 textualities -cohesion, coherence, intentionality, acceptability, informativity, situationality and intertextuality-to space. And as a case study, we analyze the `Street of Dooly` and `Korea Comics Museum` in Bucheon, and represent that communicative competence of space can be increased by consideration of the space textuality. Urban space will be not any more meaningless but abundant meaningful place to human if it has textualities that are the essential attributes to communicative text.

금기설화의 구조와 상징적 의미 연구

김용덕 ( Yong Suk Kim )
6,800
초록보기
This paper is written with the object of analyzing the structure of a taboo tale and newly pursue its symbolic meaning. The structure of this paper comprises of `Examination of history of studies`, `Fundamentals and meaning of taboo`, `Structural distinctions of taboo tales` and `Symbolic meaning of taboo tale`. For `Examination of history of studies`, I`ve summed up studies about Korean taboo tales, organized and analyzed them in order to search for imperfections and set a direction for this study. I`ve come to a conclusion as follows in `Fundamentals and meaning of taboo`. I made it certain that a taboo has a ritual function, required when performing a ritual such as a rite of passage in the ancient religion. I`ve found out that a taboo has a restraining characteristic for instinctive desire(i.e., incest) from a psychological desire aspect. I`ve also learned that the purpose of a taboo is shown in the willingness, expressed paradoxically in duplication, to protect oneself from transcendental power or terror of mysterious supernatural power. In `Structural distinctions of taboo tales`, I`ve examined (1)Expressions of a taboo motif, and (2)narrative structure of taboo tales. There are ①negative instructions such as "Don`t do (blank)" and ②positive instructions such as "If you do (blank), (blank) will happen" for taboo expressions. The effect of negative instructions is that it makes the scenes of the story more real by not warning about the result of punishment beforehand. As for the content of taboo, there are unconcealed taboos such as ③"Don`t (blank)" and ④hidden taboos which is not expressed in the writing but can be inferred from the result. In the ④hidden taboos, more weight is given to the in-depth moral punishment rather than superficial punishment where the result of punishment is directly linked to curiosity or inquisitiveness. `Narrative structure of taboo tales` evolves by explaining the tragic ending met by destroying taboos. The basic structure of taboo tales comprises of three parts, A. deficiency and settlement of deficiency, B. taboo and destruction of taboo and C. punishment and attempt to escape. In `Symbolic meaning of taboo tales`, I`ve traced and analyzed the symbolic meaning from aspects of religious ritual, psychological desire and societal system. A taboo from a ritual aspect is a symbolic expression of worldly human being`s desire to challenge the world to obtain sacredness across the board, aspiration and challenge in other words. From a psychological desire aspect, a taboo tale is a cultural phenomenon which reveals human`s old latent unconsciousness and has a function of restraining instinctive desire while taboos were created and settled in ethics and morality. From a societal system aspect, a taboo tale is perceived as a symbol of attempt to escape to a sacred world, away from the constraint of a worldly society.

목월시에 나타난 상징계 읽기

이승훈 ( Seung Hoon Lee )
5,700
초록보기
The purpose of this essay is to analyze Mok-Wol`s Poetry in terms of the French psychologists J. Lacan`s concept of the symbolic. The research starts as an investigation of the imaginary and the symbolic in Lacan`s thought. On this level the imaginary exerts a captivating power over the subject, founded in the specular image, and the Symbolic dimension of language is that of the signifier; a dimension in which elements have no positive existence but which are constituted purely by virtue of their mutual differences. Applying these concept in the analysis of Mok-Wol`s Poetry means talking an approach which identification-alienation(the imaginary) and the Other-alienation(the symbolic). Lacan`s concept of alienation consist in the subject`s causation by the Other`s desire, separation consist in the attempt by the alienated subject to come to grips with that Other`s desire. Separation implies a situation in which both the subject and the Other are excluded. But this separation, in Mok-wol`s poetry, is substituted by christianity.

목월시의 의경과 한시적 미감

정민 ( Min Jung )
6,100
초록보기
The mood of Park, Mok-Woel`s early poetry is surprisingly similar to the way of expression in Chinese poetry. The poet delivers the meaning in a way of showing, not speaking directly. His early poetry, in which we see the structure of introduction, development, turn and conclusion with rhythm of 7.5 meter, reminds of the quatrain with five Chinese characters in each line, of Wang-Yoo of Chinese Dang dynasty. The most characteristics of Mok-Woel`s early poetry are substantive description without a modifier, simplicity of structure and complete objectification having no subjectivity. This study is to make a comparison of Mok-Woel`s poems with Chung, Ji-Yong`s, Cho, Ji-Hun`s, and Seo, Chung-Joo`s works which consist of Chinese poetry`s structure, a structure of introduction, development, turn and conclusion. It`s found that Park, Mok-Woel made more clear objectification of image than Chung, Ji-Yong, and his world of poetry is completely different from Cho, Ji-Hun and Seo, Chung-Joo who infiltrate the subjectivity. Park, Mok-Woel`s early poetry is at the height which any other Korean poems have never tried to. And there is a deep sense of Chinese poetry on the basis of his early poetry. This study casts a question to the problem of viewing his poetry only in a way of modernity.

무궁화 축제의 현황과 발전방안 연구

김영만 ( Young Mann Kim ) , 박상천 ( Sang Chun Park )
6,700
초록보기
Festivals have a sociocultural function of promoting social integration and solidifying the existing order. This is in correspondence with the purpose fulfilled by the nation`s symbol for the sake of the country`s perpetuity. The national flower of Korea is the rose of Sharon. The Festival of Rose of Sharon is the one and only festival which is themed with the nation`s symbol. Although the festival has little history so far and its conditions do not meet the standard of a festival, it is decided that such business is essential both in terms of our cultural identity and national dimension. The development scheme for the festival of Rose of Sharon, the national flower, is as follows. The purpose of holding the festival should be oriented to consumers not suppliers, and the body of the festival should be a voluntary private organization. In addition, it should be based on a specific regional area and provide spectacles as well as programs to visitors such as a hill of Rose of Sharon in a massive scale that go beyond their daily experience. The adequate period to hold the festival is considered to be around the time of Liberation Day, in the period of which flowers blossom and social interests are high on national affection. However, the Arbor Day can also be a consideration to facilitate more people involvement. In order to draw out voluntary participation, which is regarded as a critical factor in festivals, some illusionary outcomes different from reality should be acquired through the play of festival, and more attention should be paid to the nature of the festival, that is, its role as a social integration of a community.

박목월 시어의 현대성

김용희 ( Yong Hee Kim )
6,600
초록보기
Mokwol tried to find modern daily life through poem language in the reality of post-war full of nihilism, excessive existence and intellectual humanism. A poet tries to make experiment of the modernity of poem language in the rivalry between tradition and modern. The meaning of `tradition` to Mokwol is `how to survive the modern time` and the recognition of modern subject is the road to realization of concrete experience world after making every day of modern times to be recovered from abstraction. When the member of <The latter half of the year> showed the self-shutting up, Mokwol created modern sensitivity by `translating` a native tongue of traditional food into poem language. He suggested the issue of `personal taste` by concretization of `collective native tongue` into `sensuous` thing. By making `what is trivial`, `what is vulgar` and `subjective experience of person` concrete, the traditional aesthetics works as `a modern subjective personal signature`. By reproducing `colloquial style` and `oral situation`, he tried to show `the feeling` and `sympathy` of our language as a native tongue. However the sensuous `dialect` is awakening the sense of modernity, an ear for music and the sense of sound symbol. Finally the poet reveals aesthetic self-consciousness with modern subject as searching for identity and self-reflection as a poet. He makes experiment of his meta method by calling his own name as a common noun and showing his writing. The symbolizing of tradition food symbol, colloquial style and dialect means the birth of strange native tongue against literary style. It is `the native tongue` and `collectively colloquial style` found out just by the birth of modern language and cultural language. The method of `symbolizing in a strange way what is familiar` is the one which reveals aesthetic autonomy of modern poem language. Additionally it reveals modern retrospective self-consciousness and crock by calling the name of poet out of text as a poem language inside text. It can be considered to be a modern experiment of self-consciousness. Eliot said that modernity is `the present of the past` and can be said to be the process in which tradition and modernity interfere together in the most organic way. On the basis of it, `the modernity of poem` can jump out of the schematism and limit of tradition severance theory and tradition absence theory. It is, the fact the tradition language is called as a modern strange poem language and the process to find `native tongue` composed of new the other through the other called modern times, can be shown. Mokwol tried to express in a creative way that modern poem language is the process of symbolization of language, creative individuality and sensational process of ego.

소리와 영상콘텐츠 -악기(樂記)의 소리론을 바탕으로-

최민성 ( Min Sung Choi )
6,100
초록보기
This work has started with the propose of trying to explore the property of sound in move by methodology of <Ak-Gi>. Internalization and centralization of sound was made auditory sense ontological peculiarity compared with other sense. Traditional artistic theory, <Ak-Gi> developed esthetics centering around sound. According to <Ak-Gi>, sound has three horizon. There are voice(聲), sound(音), harmony(樂). This work has annalized movie`s sound by degrees of Three horizon. This way was brief and to the point and easy of acess to the power of sound compare with existing Western way. And by methodology of <Ak-Gi> that was ontological artistic theory, it could of approach to the immernent power of sound.

서사를 활용한 문화콘텐츠 간 One Source Multi Use 활성화 방안 연구

박기수 ( Ki Soo Park )
6,300
초록보기
This article is about researching the strategy for activating One Source Multi Use(OSMU) utilizing storytelling. OSMU is defined as the marketing activity, such as diversifying windows of one source, adapting genre, selling concerned products, and effect of creating brand, for maximizing value added in this article. On that base it is to be examined to activate OSMU with storytelling, dividing parts as to windowing, genre adaptation, merchandising, and creating brand strategically. The most suitable windowing should be found by the advent of new media and the change of revenue structure, and the strategic compression and expansion of storytelling is to be observed to actualize windowing in the process. The order and scope should be decided by discrimination of genre, embodying media, enjoyer, and the condition and scale of market in adapting genre with storytelling. It is also needed acutely to merchandise with systemic interrelation between macro contents and micro contents and plan, develop storytelling based on creating brand. The practical strategy is to be prepared by concrete case-study at this point of time, when the demand on strategy for activating OSMU using storytelling is increasing rapidly.
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