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논문검색은 역시 페이퍼서치

한국언어문화검색

Journal of Korean Language and Culture


  • - 주제 : 어문학분야 > 언어학
  • - 성격 : 학술지
  • - 간기: 연3회
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-1576
  • - 간행물명 변경 사항 : 한양어문(~2001) → 한국언어문화(2001~)
논문제목
수록 범위 : 40권 0호 (2009)
6,400
초록보기
In this study, differents caracteristics of intonation in Cheju Dialect are analyzed and described by experimental phonetic method(PCquirerX). Cheju Dialect speakers older than 70 are informants (8 female speakers) and their discourse in conversational situation are used as corpus for this study. 6 Intonation patterns which are frequently realized in Cheju Dialect are presented as typical Cheju Dialect Intonation patterns: /(rising pattern), ∨(emphasis rising pattern), \(falling pattern), ¬(emphasis falling pattern1), ∧(emphasis falling pattern2), ∩(emphasis falling pattern3). These patterns play important roles for organization of conversational discourse by mutual influence and by mutual contrast. Speakers use intonation pattern`s variability as their expression tool and in terms of discourse strategy. Differents aspects of Cheju Dialect Intonation patterns are also analyzed, discribed and interpreted to reveal dynamism and richness of this dialect, one of Korean dialects, spoken in Cheju Island.

≪리진≫에 나타난 편지의 수사학과 근대적 주체의 욕망

김영성 ( Young Sung Kim )
6,100
초록보기
In Shin Gyeong-suk`s novels, letters are used for very special applications. It is used as a means to confess innermost desires of the narrator. We can be confirmed these characteristics in Lee Jin. Because of these characteristics, Lee Jin is clearly distinguished from the other historical novel. While reading the novel, we are aware of the modernity. And, we will see such a modernity that is independent of the official historical records. Shin Gyeong-suk describe desire of modern subject by unique style of letter. According to the letter in `Lee Jin`, modernity is only the expression of desire that is not considerate of alterity. We can verify this fact that Lee Jin was not included in modern subject of `we`. Lee Jin will want to own as `we` desire. Because of this desire, she can not send a letter to the queen. But soon, she will be recognized the fact that is a spectacle of `we`. Realizing this fact, she needed to true communicate with a queen. So, she returns to their own country instead of sending the letter did not. Through these returnees, she realized that is necessary for real communication. letter are used as a means to show these enlightenment. Rhetoric of the letter that was used in the previous novel is still being repeated.
7,100
초록보기
The material to create global cultural contents with means the item of universal cultural archetype. In this study <Geser>, the Mongolian epic poem, will be concentrated as the material to create the global cultural contents, which can be produced with Korean capital and planning ability in the trend of global cultural contents. Then its value as the cultural contents is analyzed, and the possibility, if it can be utilized in the cultural contents business, will be found. The epic such as <Geser> was formed on the basement of cultural, practical and ideological elements such as custom, faith, and the view of the world in the area It has long narrative like hero`s life and adventure story, and it has the solid class of readers as it was recognized that it has academic and literary value. It was also on every one`s lips for such a long time, that it became the universal cultural archetype item, concentrated as the main material which can be utilized in the cultural contents business, such as film, game, and animation in the cyberspace like internet Likewise <Beowulf>, the case of that the epic was adapted into the cultural contents successfully, <Geser> can be the new work with chance of success in the view of the cultural contents business, if it is adapted into the cultural contents properly. That is to say it is to be reorganized and reconstructed with the techniques such as the storytelling, the skill of statement in the cultural contents, time-space with real time, multisense for embodiment, and reciprocal action for communication. And it also should be considered to break the national concept of original source and remake it with the strategic view for glocalization in the process of adapting it into cultural contents. As stated previously, the matter who will hold and utilize the cultural material is more important, not that which country has the cultural material in the age of cultural globalization without border of cultural contents. Therefore the Mongolian epic <Geser> can definitely be the item to create the global cultural contents, which can create high value property If it is reconstructed creatively with the effective storytelling methods stated above, developed and utilized with Korean capital and planning ability, it will be expected to be the global cultural contents item above the boundary of race and nation.

개화기의 "공부"와 욕망의 발견 -<혈의 누>를 중심으로

양선정 ( Sun Jung Yang )
6,200
초록보기
The purpose of this study was to examine the behavior and awareness of `Gongbu` in the novels written in the enlightenment period in a bid to shed light on the meaning and characteristics of it during that period. The word `Gongbu` was not a new term that emerged in the enlightenment period. That was mentioned in the teaching of saints in the medieval times. But the `Gongbu` of the enlightenment period was especially noteworthy not only because that served to stir up the spread of new education to create a new intellectual hegemony, but because that made a contribution to nurturing those who took the initiative in early modern times. There were various circumstances that were different from those of medieval education and stepped up `Gongbu` among contemporary people. First, practice and pragmatism were emphasized. `Gongbu` was created in a backlash to medieval education that was just ideal and a far cry from reality. Second, the logic of competition was implicitly stressed. Confucian education of the past merely focused on character building of individuals without paying attention to `competition,` but the concept of competition came into spotlight. Third, contemporary individuals were stimulated to seek after their own desire and lead an individual life instead of just sticking to the ideology of the nation. One of the leading new novels titled `Hyeoleui Noo` described the modern nature of `Gongbu` on that theoretical basis, but that wasn`t exactly portrayed as the author intended, who originally planned to write an enlightening narrative. As the new paradigm `Gongbu` was created in and after the enlightenment period, the author unconsciously unveiled his personal desire of being a modern individual while he was ostensibly in pursuit of an enlightening narrative.

서정주 시에 나타난 성애의 희극적 형상화 방식과 시적 의도

엄경희 ( Kyoung Hee Eum )
6,100
초록보기
This article has tried to reveal the method and poetic intention to figure comedically sexual-loves in poems of Jung-Joo Soe after his early poetry. He embossed three aspects of sexual-loves to figure comedically them as women who had marvelous strengths, women who had magical powers, and masculinity that was deprived of its diadem. He exaggerated feminine bodies or physical powers with grotesque figures deviated from generally expected beauties of belles. This discordance with our expects to feminine beauties was to have an effect of making laughs. And physical powers of women who had marvelous powers in his poetry were often appeared as expressions of their magical powers. Their superhuman powers that had been indebted to poetic speakers for obscene expressions have helped partly to produce comedic situations. Meanwhile, males who emerged from his poems concerning to sexual-loves were appeared as degraded figures different to women who had marvelous powers. But it is needed to focus on the fact that most of the males were figures who had higher abilities and statuses than them of common people. He made our laughs by figuring non-common males into his poetic objects and degrading them with a process that had deprived their diadems. By this figuring comedically sexual-loves, he removed tight oppositions between the feminity and the masculinity, the aging and the youth, and the ruling and the ruled. In other words, he intented not only to radiate instincts that had stripped themselves of hypocrisies of moral temperance by erasing common ideas about feminine beauties and innovating the aging but also to return to women their joys and pleasures that had freed their oppressive feelings about the authority and dignity of males or rulers. This method was acquired by not explaining but figuring sexual-loves into comedies. This contained the poet`s intention of trying to relax stiff conditions of life by making laughs and to get freer consciousness.

조지훈 시의 청각적 이미지와 시의식

오형엽 ( Hyung Yup Oh )
7,200
초록보기
This writing investigated correlating `aural image` and `poetic conciousness` in Cho Ji-Hoon`s poetry. We analyzed "Wanhwasam(<완화삼>)" deeply for this, and divided Cho Ji-Hoon`s poetry by `sound of nature(inanimate object/animal)` order, `sound of musical instrument` order, `silence` order. And we investigated and analyzes aural image and poetic conciousness in each order. In Cho Ji-Hoon`s poetry, `sound of inanimate object` order shows flicker of existence, that is, practical suffering and sorrow momentary, and `cry of animal` order shows that purifies practical discord spiritually and rises to the ultimate infinite world with it`s limit. In Cho Ji-Hoon`s poetry, `sound of musical instrument` order is similar with `cry of animal` order from point that show will that purifies practical troubles and sublimates and rises to the world of ultimate life. `Sound of musical instrument sound` is in sympathy mutually with `cry of an animal` in most Cho Ji-Hoon`s poetry. In Cho Ji-Hoon`s poetry, `silence` order is involved with `quiet` of `traveler` and `eternity`, and form harmony with universal infinity ultimately. `silence` and `laugh` of `ministry` hints the world of ultimate life, this world keeps foundation in original and infinite conciousness of time that transcend modernistic consciousness of time that provide cause in wandering of `traveler`. Also, this writing could extract important some image orders in Cho Ji-Hoon`s poetry. First, it is image of purity nature, or ideal value that is represented as `blue mountain` `faraway mountain`. Second, it is the ultimate essence of life, or universal infinite world that is represented as `universe that is annihilated naturally` `infinity`. Third, it is image of joy and summit which is manifest substance of life, or image of association that enter to the ultimate essence of life or universal infinite world that is represented as `petal` `star` `candlelight`. Fourth, it is image of time background that enter to the ultimate infinite world and existent condition of poetic-self that is represented as `night`.
6,500
초록보기
This paper is an attempt to trace back the emergence and the formation (the constitutive factors) of the discourse on women in Taekeukhakbo during the Korea`s enlightenment period, more precisely, in 1905-1910. Taekeukhakbo is the major academic journal during that time. In order to examine the socio-historical conditions and the constitutive factors of women`s discourse in Taekeukhakbo, this work should be understood/dealt within the context of the making of modern `nation-state` discourse and civilization-enlightenment. Obviously, they are the major dominant discourses during that time. This paper will mainly deal with the following topics: how they define `women`; what is to be women; what are women`s duties and positions in the social reality of the time; what is a good mother and wife; in what context, the discourse of good mother and wise wife are produced and mostly needed; how `real` women writers as historical beings acted and reacted to those dominant female`s values and social norms. Initially, the discourse of women in Taekeukhakbo operates in the framework of the concepts and ideologies on modern nation-state and civilization-enlightenment. Within doing so, Korean `women` emerged as new gungmin(國民, the citizen of nation-state) in the public communication world of Korea. Korean women are identified as gungmin (identification). To create the new identity of modern women, they often utilize a series of contrasts; duality, opposition, and symmetry. In this sense, western women are modernized (civilized women) and educated, which are the representations of ideal women. In this discourse, Korean women are often described as slave for or inferiors to Korean men. More importantly, the discourse of Korean women and its constitutive principles often present paradoxes. For example, Korean women are equal as gungmin like men. They, however, are to be gendered gungmin such as wise mothers and good wives excluded from the society. The women`s discourse in Taekeukhakbo are constructed through either the difference or equality of gender.

화전민 연구 -화전마을 복원을 위한 제언

윤석산 ( Suk San Yoon )
6,200
초록보기
This is a study about slash-and-burn field and slash-and burn farmers. The slash-and burn field was the poor`s way of life. They had many problems about the tax and forest with government. Therefore they had social problem sometimes. And they lived in unique style of living, because they lived the remote place. So we could find many folklores and valuable history of life that had disappeared nowaday. The motive to become a slash-and burn farmer is poverty, and they don`t have any farm field. But someone of them become a slash-and burn farmer by social and cultural cause. And the Donghak believers lived in hiding at the burn farmer`s village, and they became slash-and burn farmers. Sometimes the fighter of national independence lived in hiding at burn farmer`s village. This paper will concentrate upon various aspect of slash-and burn farmer. Therefore I investigated the slash-and burn farmer`s life and the real condition. And I suggest some opinions about restored burn farmer`s village which the local government push ahead.

토론에서 상대의 주장에 대한 반박 전략

육영주 ( Young Joo Yook )
6,600
초록보기
A debate consists of two acts. One is an insistent act in which some have their own opinions or views on the topics. Another is a contradictory act in which the other argue those are wrong and false. Above all, the insistent and contradictory act aims at persuading people who are involved in the debate. Indeed, the debaters have a goal strategy. This is that they firstly insist on their own opinions with persuasiveness, after that they point out their opponents` unpersuasive insistence. In order to show the opponents` unpersuasiveness, the most effective way is to mention their contents. It is a contradictory strategy that I would like to study. Considering the reasonability of the contents, they are looked into by categorizing as a basis of insistence, insistence content itself and the entailment of insistence in contents. In a way with a basis of insistence, a debater can deny the basis or presupposition of insistence, examining the fact and validity in the basis or presupposition. Regarding insistence itself, a debater can be against the core of the insistence itself or a portion of the proposition of the insistence. Lastly, when it comes to the entailment of insistence, a debater can contradict the implied insistence of the opponents.

중세성,근대성,탈현대성의 개념과 차이

이도흠 ( Do Heum Lee )
6,700
초록보기
I researched meanings of medievality, modernity, and post-modernity through the thought of difference. The medieval age is a society that God governs all the realm of man. The modern age is a society that human beings make the world and change the world for their visions and purposes. In the post-modern society people think that the anthropo-centrism causes worldwide environmental crisis. The medieval age was governed by divinity. The God was the idea, and deviating from the divinity was the heresy. In the modern society, however, man thinks that he can investigate thoroughly the idea and decides his actions by his reason according to the principle of rationality. But the post-modern society realizes that the reason is instrumentalized and man can`t reach to the idea by his reason. The post-modern world realizes that the truth can not be definite nor we can reach it, this society deconstructs these kinds of modern thoughts and chases after the relative truth. The medieval society was the garden of incantation governed by superstition and savageness, as we can see in the witch-hunting and alchemy. Then Modern society tried to escape from it and closely examine the truth with scientific method. The post-modern society is the era of self-reflection on the modernist actions; ideologizing and instrumentalizing of science. This society realizes the uncertainty of examining the scientific truth and looks the world through in the viewpoint of the chaos rather than in that of the cosmos. The medieval art did not have any autonomous purpose but belonged to God. The art was the way of embodiment of God or religion, ideological ideal in the ages. On the other hand, modern art is separated from the yoke of God. It is secularized to seek for the beauty of art itself, its autonomy. The post-modern art deconstructs the modern art and searches for the heterogenity and hybridity. In the middle age, the self belonged to God. The medieval man can only find his vitality and happy life under the love and concern of God. However, modern man has escaped from the restriction of God, formed his own subjects and constructed his own world. The modern world is following by subject`s will. However, modern subjects formed their identity and opened the new age of wars, massacres and violence while producing the discourse of exclusion of the others. Regretting these results, the philosophers who pursue the post-modern age, criticize the thought of identity and try to look at human beings and society with the view of difference, inter-subjectivity and alterity. The medieval life was a space opposed to heaven. The real aim of life was to obtain eternal salvation in the next world, not in a real space of life. On the contrary, the modern age recognizes a present space and time as reality. The modern age sees reality as three things: "the work and the object that is happening now as the fact," "existence that is existing objectively," "something that is applicable to the original." In the post-modern age this is overturned. Past, present, and future are overlapped to "now." Present is a mere representation of past and future. What is thought as existence that is existing objectively, in fact, is virtual reality and what is thought as original is a copy. There was a clear transition in Choson Dynasty in the era of 18-19 centuries. Those transition is a variety of modernity that is different from the western modernization.
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