글로버메뉴 바로가기 본문 바로가기 하단메뉴 바로가기

논문검색은 역시 페이퍼서치

한국언어문화검색

Journal of Korean Language and Culture


  • - 주제 : 어문학분야 > 언어학
  • - 성격 : 학술지
  • - 간기: 연3회
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-1576
  • - 간행물명 변경 사항 : 한양어문(~2001) → 한국언어문화(2001~)
논문제목
수록 범위 : 47권 0호 (2012)

놀이, 신명, 몸 - 한국문화의 정체성을 찾아서 -

이재복 ( Lee Jae-bok )
6,600
초록보기
The playful characteristic of mask dance, called Sinmyoung, is caused by mask, dance and place, which are elements of this genre. A performer can arouse the desire on Sinmyoung with hidden playful characteristic through the power of mask. Dance means real play, acted by body. The performers live each own subjective and independent life in every action of mask dance. At last they experience absolute sense of freedom and liberty. The performer and audience can communicate naturally in the place of mask dance. As the audience also has multiple or almighty views, and the performer`s action changes the map of the drama, it makes the drama opened and dynamic. The playful characteristic of mask dance, Sinmyoung performance, is different with any other drama in Asian and Western countries. Western drama pursues catharsis, Indian drama, rasa, and Korean drama tries aesthetic effect, Sinmyoung. As seen in the comparison with Western and Indian drama, the mask dance has unique characteristic and structure of Korean drama among other genres. It shows that Korean thought and philosophy are in the principal of the mask dance. The mask dance maximizes the playful characteristic, called Sinmyoung or Sinmyoung performance. And it is not only one of the popular plays, but it also has the essence of Korean culture that tries to communicate with human, world, and universe (the gods of heaven and earth) through Sinmyoung.

놀이로서의 `은유`의 재발견 - `퍼소나(persona)의 역할`을 중심으로 -

백인덕 ( Palk In-deog )
6,000
초록보기
Poem `play` in terms of access, the language itself is a kind of play utilizing metaphors from Languages through play at various levels, ranging from creativity in education is accessible. The base of the poet (旣 知) Use of the things unknown (未知) to visualize the world. The `metaphor` as the target of one point it was noted that refers to a different destination. In this paper, a poet who, what, and that is playing with the `play` aspect of the attention to certain characteristics were seen. For this first `peosona` and `metaphor` of the poetic phase has reviewed. In modern poetry `peosona` poetic unity and individuality in the work are revealed. However, the mode of reacting to stimuli differing by the presence instantaneous descent, has been shrinking. On the other hand, a "metaphor" a metaphor or a simile and a contrasting message that increases the effectiveness of the concept of rhetorical devices away from the increasingly can illuminate the target in a new relationship between the rise in the concept of cognitive tools, reveals a tendency to expand. Eventually, the reduced `peosona` an extended `metaphor` in the poet would be playing `play` aspect of that will. The `peosona` useless to the play over is releasing his own ontological characteristics. It can be classified into three different directions. Externalization, internalization, transcendence is a requirement in this direction at the same time the formation of peosonaui `self` is also a requirement. Eventually, poet in the `play` means of `be-self` characteristics for the trial-has. The significance of these studies` peosona the concept of `change and implicitly the difference between the characteristics of modern "self-becoming` desire analogy can be found in the fact that it reveals.
7,800
초록보기
The purpose of this study to analysis the characteristics of spatial significant change along with space and place, perception of space in Kim Jung-hyeok`s novels based on the method of human geography and a theory of Henri Lefebvre. First, reinterpreting some of the things, on the theory of Yi-Fu Tuan, Edward Relph, explains the correlation of `space` and `place`, while the former reveals character of universality, the latter takes a ply of personality and sensibility, in other words of the two suggestions, the latter seems more humane. The modern city is produced by the compositeness of social relation, an hegemony and social element by every period and social element. These phenomenon can be explained by Sociological theory like Lefebvre`s Production of Space. His theory can summarize by representation of space, representational spaces and spatial practice. Therefore, it can be analyzed by the representation support of the space and the activity of the space to be represented. The human geographers, including Henri Lefebvre suggest an alternative on the restoration of places, one`s arguments from the acceptance of difference and otherness. Furthermore, Kim Jung-hyeok`s novels positively accepts understanding of place to apply in perception of space. The heteronomy of spatial structure appears through the representation of spaces produced according to the logic of gospel of efficiency and commercialism, thus reducing the particularity of places and increasing placelessness. On the other hand, Kim Jung-hyeok`s novels also shows the modes of resistance for possibility of new awareness of space filled with otherness and restoration of geographical ability. For the purpose of proposing such practices, this study has been striving to analyze the characters in Kim Jung-hyeok`s novels through the method of `Representational spaces` and `espace approprie` of Lefebvre. And then this study has tried to draw the clue about how to overcome the status of exclusion and efficiency by considering their spatial movements.

`놀이`로서의 TV드라마 시청 방식 고찰

윤석진 ( Yun Suk Jin )
7,300
초록보기
The study shows the results on the method of viewing TV dramas as play by analysing opinions posted on internet cafes or blogs centering on the three miniseries showing off high viewer ratings in the early 2000s when the internet-based media environment began growing in earnest. According to the results, Korean viewers tended to enjoy TV dramas in a way of being immersed or involved in a dramatic situation by sharing characters` feelings. That is, they watched TV dramas by actively participating in the reality of TV drama or showing a critical attitude towards the program. Such a viewing method could be considered `play` departed from ordinary or real life in that it is a voluntary action, not complying with any instructions. Viewers have watched TV dramas to find out imaginative pleasure which could not be obtained in their ordinary life, which is similar to the attitude of the audience enjoying Korean traditional dramatic arts. `TV viewers`, in common with `the audience` of Korean traditional dramatic arts, have been directly or indirectly involved in the drama text by playing a leading role of creating meaning of the text. The involvement of TV viewers in the drama text has been activated since the early 2000s when the internet reached the stage of commercialization. Two-way communication, one of digital media features, has brought in the active involvement of TV viewers in the drama text to start `viewing TV dramas` as `play` in earnest. Meanwhile, the method of `viewing TV dramas` as `play` has shown diverse aspects depending upon the attitude of viewers which varies with genres. The attitude of TV drama viewers certainly varied with genres, which means the play method of TV viewers could be diversified upon drama genres. Even if the attitude of viewers are diverse upon genres, it doesn`t mean adhering to a certain way of viewing TV dramas. On the whole, the recent TV dramas tend to be mixed with the characteristics of each genre, breaking away from sticking to a pure blood genre, for getting high viewer ratings. In addition, TV viewers have tended the mixing of genres for granted in order to relieve or heighten dramatic tension under the full recognition of `genre`, a clue to informing them of the general mood and composition of TV drama. However, whatever the case, it was certain that TV viewers has enjoyed a dramatic situation and created a new meaning and pleasure for themselves by departing from their current life.
6,300
초록보기
The world has been a society in which various cultures coexist for a long time, and Korean society today is also rapidly changing into a multicultural and a multiracial community. Korean society, which has been understood as a racially homogeneous nation, is no exception for this multicultural phenomenon. In addition, as international marriages by Korean men sharply increase, the international marriage migrant women and their children from multicultural families gain a lot of concerns, emerging as a new group in our society. Especially, the nationalities of those children from the multicultural families are Korean, but as they grow in the double culture in which values and attitudes toward life of father and mother are different after their birth, they experience many conflicts and confusions, showing different characteristics from those in general families. When they reach a school age, the social strife they experience and its consequences and maladjusted conditions are aggravated. The emotional chaos and the negative formation of self that take place under the cognition that they are different from others are the social problem we must work on together; we should look for some ways to help them establish self identity and form positive egos in educational aspects. Therefore, in the sense of urgency of helping the children form positive self identity, the purpose of this study is to use traditional fairy tales in aspects of contents, and integrate Korean traditional games into educational theaters in methodology, providing the foothold to motivate the children to learn and deepen interests, so that the positive identity formation takes place. The `dramatic play` suggested as a way of Korean teaching learning in this paper is: The material of Korean language education the current study is to deal with is traditional fairy tales; the suggested specific material is `A Tale of Gang Gam chan,` an imulgyogu tale (a tale of sexual copulation between man and heterogeneous thing). Of course there are some negative views on `A Tale of Gang Gam chan,` because it`s the imulgyogu tale and its narration may strongly give the children from multicultural families the idea that they are different from others. However, I believe that the text of the tale keeps a good understanding with that of the children, and I take notice of this point; the children has the potential power to start with the fact that they are different from others, not denying it, change many hardships they suffer in positive ways and finally overcome them. Also, as the teaching method, the study presents the technique called a `dramatic play` by using Korean traditional games as preliminary stages of each procedure of the instructional process, based upon the existing methods and contents of educational theaters; this is the technique that arranges our traditional games in the step before a class and shows friendliness to the children from multicultural families so that they can express themselves to their hearts` content.

<완판 열녀춘향수절가>의 주제 일고

강현모 ( Kang Hyen-mo )
6,300
초록보기
This study searches a theme of the Wanpan(完板) < The Faithfulness Story of Vituous Woman, Chunhyang(열녀춘향수절가) >. ChunHyang, this story`s hero, receives education like the middle-class home wife and child, but, her identity is coming to inform as the parasitism which is humble. In him to be obvious LeeMongLyong is having a high identity with the nobility house self-control. Chunhyang and MongLyong will put in birth only to lead and the south was foreseen. ChunHyang gives the body and a mind to MongLyong to easy. Direction it knows that it combines because LeeMongLyong is the nobility appears to be loving in true feelings. On the other side, when seeing the action from the play, LeeMongLyong regarded ChunHyang as a lover of the moment. LeeMongLyong it sees a past after leaving, it remains alone and ChunHyang the direction is caused by with the ByeonHakDo who assumes a new post newly and pain. Chunhyang, The direction defends the promise of this MongLyong and even from obstacle and possibility of the hazard ByeonHakDo it refuses a love. The ByeonHakDo with actual law and department system ChunHyang direction pressure but, ChunHyang the direction stands the study abroad ideology when ostensibly and it refuses. ChunHyang`s actions is a Confucian faithful woman, and distinguishes the love which is pure simultaneously. The theme of ChunHyangJeon is showing the power of the pure love. The power of the pure love make that LeeMongLyong who didn`t love loves ChunHyang. Also, it has superior location than rule or system that time, and ruined a corrupt official, ByeonHakDo. And an alignment secondary cause on direction the king must maintain a social order and a court rank destroyed a system and ChunHyang to under the staff sargeant it made.

한글의 기원 및 창제 원리로서의 `상형`과 `고전 모방`의 재검토

김영환 ( Kim Yeong Hawn )
5,900
초록보기
According to Hunminjeongeum, Hangeul was created on the principle of depiction of the outlines(象形) and imitation of Old Seal (倣古篆). Each of the five basic consonant letters is made according to the shape of the speech organs. The basic letters of the vowel were first created in the image of the sky, land, and man. For example, ` ` resembles the roundness of the sky, ` ` represents the flat earth and ` ` is the image of a standing man. But it can`t be true because letters of an alphabet are meaningless in itself, abstract formal signs, which can not be natural symbols or images. Arbitrariness of alphabetic sign excludes any kinds of imitation between alphabetic sign and other objects. There are not any motivation between an alphabetic letter and its signified. Alphabet has been created by means of formal abstraction from pictograms. But Chinese character used the method of composition from simple Chinese characters in creating new characters. The principle of depiction outlines and imitation of Old Seal implies iconic character or motivation between the signifier and the signified. In the traditional Korean society. Korean alphabet was disparaged as Eonmun which means script for vernacular language. So Hangeul was excluded from official use for centuries. The expression "dialect(方言)". which referred to Korean language, presupposes traditional Sino-centric world order. Korean alphabet was of little value for scholars and government officials, because it was different from Chinese characters. The so-called origin or principle of invention in creating Korean alphabet expressed in Hunminjeongeum is quite misleading or unnecessary apology.

초중고생 사용 어휘의 의미 분류

이삼형 ( Lee Sam-hyung ) , 김정선 ( Kim Jung-sun )
6,500
초록보기
This study is intended to establish the system for meaning classification of the vocabularies, thereby identifying the characteristics represented in the meaning of the vocabularies in verbal language used by the students. To that end, review of existing meaning classification system was carried out and as a result, meaning classification system was presented from two different standpoints. First, as meaning classification from ontological viewpoint, it`s sub-categorized into `things, movement, stationariness, space, time, number and relation" Second, as meaning classification from subjective standpoint, it`s sub-categorized into "human and human relation, family relatives, job and workplace, body physiological function treatment, sense and sensory organ, thought emotion personality attitude, clothing, residing and eating, education school life learning, arts hobby play game sports, politics society economy, natural phenomenon, information and communication, language, religion and belief. In this study, specific vocabularies in the category of "things" and the category of "education school life learning, arts hobby play game sports" are presented based on above systems and the characteristics are analyzed.

박목월 후기시 연구

손정순 ( Son Jeong-soon )
5,900
초록보기
Park Mokwol was a poet pursuing will of life. He aimed at moralism or religion rather than technicalism. Poetic achievements made by Park Mokwol in Korean modern poetry history were pursuing changes and consistence at the same time. He had established his own world from his poems in early period to his later period, as he unceasingly had changed poetic emotion and overtones. Like this, the position of Park Mokwol`s poems in Korean literature history was found in context succeeded from Kim Sowol and Kim Youngrang to Park Mokwol. He embodied the most ordinary opportunities of life, in which he fervently showed metaphysical seeking spirit indicating joys and sorrows of life. The seeking attitude and ontological awareness condensed existential sense, thought and emotion of contemporaries, then they enabled the thought on ontological solitude and perpetuality. The through-composed poem Saryeokjil(砂礫質) showed representative trend in his later poems. These poems containing the heavy abstraction and ideality``s root showed philosophy of nihil and enlightenment of soul through extinction and destruction of humans and things. This seeking spirit has been interpreted as metaphysical sublimating courses of the modernity until now.

정조의 신화 인식과 그 의미

이건호 ( Lee Gun-ho )
7,300
초록보기
The recognition of a myths influences even state institutions, and changes appearing due to recognition stamp the myth on society and culture through the process of national formalization. In studies about Korean myths, discussions about the effect of state institutions go back to the King Jeongjo period of the late Joseon Dynasty. King Jeongjo was a sovereign with a Confucian view of the world, who did not deal with grotesque ghosts indiscriminately. However, he had a high opinion of the divinities in the ancient Korean myths, unlike previous sovereigns in the Joseon dynasty, and was dedicated to supporting rituals for heroes in the myths at a national level. Moving the grand center not into real China, but into ideal space, the ancient Korean myths were seen no more than barbaric stories, which did not belong to the grand center on equal terms with the ancient Chinese myths: according to King Jeongjo, there were common points between the ancient myths of the Joseon dynasty and those from ancient China. In this way, King Jeongjo compared his own status as an academic and a sovereign to that of the holy men of ancient China. He used the ancient myths of Korea to construe the Confucian orthodoxy of Chu Hsi Philosophy as a king respecting a theory, regarding ancient history from the point of view of the self-consciousness of “little China,” and formulating it by means of national rituals. This was a logical conclusion from King Jeongjo perspective he did not separate ideologies and politics, but unified them, and aimed to take personal responsibility for everything in the Joseon dynasty, like the holy men in ancient China. As King Jeongjo recognized the myths and arranged the country`s ritual system, the myths became officially recognized by the government. Changes occurring during this period, when ideologies and politics were not accurately separated, might have had a great effect on the contemporary reinterpretation of ancient history.
1 2 >