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논문검색은 역시 페이퍼서치

한국언어문화검색

Journal of Korean Language and Culture


  • - 주제 : 어문학분야 > 언어학
  • - 성격 : 학술지
  • - 간기: 연3회
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-1576
  • - 간행물명 변경 사항 : 한양어문(~2001) → 한국언어문화(2001~)
논문제목
수록 범위 : 49권 0호 (2012)

연암 박지원의 장소의 발견

박수밀 ( Park Su-mil )
6,800
초록보기
This thesis is to research for the meaning of space and location in classical literature, in terms of the theory of space and location in anthropogeography. Especially, it reveals, through Yeon Am, Park, Ji Won`s location experience, how space is to be localized by one man`s experience and what really means the location experience. Yeon Am looked at China with a point of view of an watcher. On the basis of it, this study focuses on three main spaces of representing his location experience, among spaces of diplomatic journey. The first space is Hwang Keum Dae. Hwang Keum Dae was a historical and ritual space of adoration by the nobles of Chosun Dynasty. However, for Yeon Am, it was just a location of criticizing the old dogmatism of Confucians of Chosun. He claimed and criticized the emptiness of Confucians that Hwang Keum Dae was just a ruined soil dummy, and the gold (Hwang Keum) sought by the nobles of Chosun was a symbol of revenge. The second is Liulichang of Peking. It was a space like market full of materialism and desire. Liulichang was considered as a Persian market for the travelers of Chosun. They were emotionally fascinated by the superficial aspects of Liulichang and intentionally turned away from it. However, Yeon Am felt lonely in the middle of Liulichang. His lonliness is a urban sensibility, a solitude among thong, an anonymity. The third is Ko Buk Ku, an unprecedented space. Ko Buk Ku was a place of revealing Yeon Am`s affection to the location. Ko Buk Ku, a physical space, became a personal location for Yeon Am, by making the marks on the wall of the castle. Only by Yeon Am, Ko Buk Ku became known to the people of Chosun, a meaningful `location` from the simple physical space. On the basis of this, this study reveals the meaning of location experience of Yeon Am. By his case, this study considers location experience in literature and the real meaning of location experience. Yeon Am`s spatial imagination and location experience is a kind of `rhizome`, freely spreading out unto each space of experience.

연표·지도 밖의 유랑자와 비장소의 시학 - 배수아의 소설을 중심으로

우미영 ( Woo Mi-yeong )
6,800
초록보기
This paper aimed to investigate the aspects of `vagarious life` shown in the recent fictions of Bae Sua, < Bukyeok >, < Mujong > and < Low Hills in Seoul > through the viewpoints of identity and place. The way to recognize the world and existence as well as the concepts of travel, places and identity are differentiated from existing ones in those works. The travel in those fictions are the ceaseless daily life itself, not the deviation and expansion of recognition. It`s not just a matter of economic capacity. Such life is the result of progressive selection by characters. In this aspect, the characters selectively rebuilt their identity as the `vagabond-tourist`. The travel by `vagabond-tourist` is not the travel of self-expansion through the experience in the expansive continuity in the modern times. Furthermore, it is far from the conventional travel narration which depends on the fixed place, starts from a hometown, experiences something strange as something unique in such relationship and returns to a hometown. `Vagabond-tourist` rejects or denies the return. This paper examined their attitudes through the viewpoint of travel narration of return-Odysseia of a man and the negative narration of return-Odysseia of a woman around the fiction < Low Hills in Seoul. > < Low Hills in Seoul > showed the aspects of change even in the recognition of places in detail. The city where there is a real life, the mechanic organism, is not the `place` where human value is implemented. The travel is based on the vagabond group named `Kharakorum". "Kharakorum" is the capital city in Mongolia Empire in the ancient times. Being a member of "Kharakorum`" means to lease an ancient city as the base of life for a while. In that travel, a place was changed from a rented room to a rented room in reality, but the place was the achievement of life in the times of tribe when the humane life was enabled in the aspect of symbol. Such process of symbolization along with the recognition on `walking` can be interpreted as the effort to change the city of non-place to the city of place. Through this process, the recent fictions of Bae Sua examined in this paper demonstrated the attempt to restore the place of reality space which was lost in humane aspects in the aspects of symbol and literature.

신경림의 시에 나타난 현장의 의미

강정구 ( Kang Jeong-gu ) , 김종회 ( Kim Jong-hoi )
6,500
초록보기
Shin, Kyeong-rim is known as the poet for minjung[民衆] those are oppressed but resistant. This concept of minjung has been discussed by progressive national literacy scholar[進步的 民族文學論者] such as Beak, Nak-cheong. Beak, Nak-cheong insists that minjung with the intellectuals have to resist against state authority power and the Capitalists. In this situations, Shin, Kyeong-rim shows poems of another nature of minjung. He writes new minjung poetry. Minjung in his poems is close to other. Other is not oppressed and not resistant. Other is absolute other, not alter ego by Kozin[柄谷行人]. Minjung as other is different from minjung discussed by progressive national literacy scholar. The scene in this essay represents this thought vividly. The scene in Shin, Kyeong-rim`s poems shows the method that subject meets minjung as other. When poetic ego meet neighbors in his house and village, Poet isn`t identical with poetic ego and neighbor. All the more neighbors appear other, for neighbors possess absolute difference. And this dissertation analyzes dire(speaking) and retorique(rhetoric). The retorique is based subject`s logic and ideology, but the dire appears other`s strangeness and infinity. Shin, Kyeong-rim shows this dire in his poems. So poetic ego in his poems listens attentively to other`s talk and consoles other`s life. Also the scene in his poems is a spot that poetic ego meets tier(the third person) who lives abroad in. The poetic ego can`t understand the tier`s pains. The tier is absolute other. This essay shows that other in his poem is different thing with subject absolutely. This essay says that the scene in his poem is real and cognizant place which shows other. Shin, Kyeong-rim`s poems are poems for other.

SNS 이야기의 원형성과 그 의미

고운기
6,300
초록보기
この文では、新しくされる物語の倉庫として、ニュ一メディアの文字メッセ一ジに關して論じた。文字がニュ一メディアで躍進する現象をよく見て、このような現狀の肯定的で否定的な面を分析しながら、答弁文字(デッグル)につながって、物語になる機制の原型性を提示した。ニュ一メディアの中に文章に具現された、完成された話ではなくそれの原型ソ一スとしての性格を究明したのだ。文字はニュ一メディアの主役で浮び上がっている。新しい樣相の通話が始まると思わなければならない。活發な文字通信を通じて、おこる新しい書き?み形態を誘發した。文字卽ち書くのが言葉の代わりをするのだ。言葉は流れてしまうが、文字は記錄で殘る。この轉移はニュ一メディアの擴大普及で世代を廣げて、多樣な通信言語機能に載せられて日常化された。まさにここで物語は生まれる。一方、SNSはニュ一メディアの寵兒である。ニュ一メディアに具現されるSNSは、現代版`パルレト(洗濯場)`の役目をする。パルレトと一緖に、話が作られて流通する機制が、SNSで越えて來た。携帶電話の單純な文字メッセ一ジは、SNSの集團協業、協力と參加という機能から擴がったフレ一ムを持って、その役目を育てた。しかし、ニュ一メディアの中のこんな機能を通じて、人?は簡單に孤獨感を解消しながら、孤獨感にぶつかって根本的に解決するけんかを回避する否定的な性向を現わす。個人メ一ルや文字メッセ一ジが持ったこのような短所は、SNSに來て可なり直したが、いくらなんでも SNSだと言っても、問題に對する正面對決を回避する以上、解決は不可能だ。未來社會を見越す論議では、`社會的に有益なストリテルリングコンテンツ`と`世の中を肯定的に變化させるゲ一ム`が注目される。ここにはそれぞれ`社會的に有益な`と`世の中を肯定的に變化させる`という修飾語が前に付いている。これは無益(ストリテルリング)するとか、否定的(ゲ一ム)である方向に流れる可能性があることを警告するのだ。それで多い關心と支援が必要だ。しかしこのような關心と支援が官制で流れてはいけない。

시조 텍스트를 이용한 글쓰기 협력학습 전략

김상진 ( Kim Sang-jean )
6,600
초록보기
Recently, growing interest in collaborative learning. So in this study, read the text in college classes to take advantage of the sijo collaborative learning and seek ways to continue writing. I had to first review the discussion of deployment features of collaborative learning. The biggest feature is the center of collaborative learning to the students. not professor. In addition, to take advantage of the text read sijo issues had an interest. Utilizing sijo writing to collaborative learning requires systematic order, and separated the individual writing. Its order to this paper was divided into four steps. The first step is, group organizing and presenting sijo text. The next, that is plots presented and role-sharing. This is a process that is not available in the individual writing. In other words, that features of collaborative learning. The third is to complete the first step, a draft of writing. This process is divided into `Summary` and `Narrative Writing`. And collaborative learning is a sub-activities. The last step and the second writing, writing is a step to complete. This process includes rewrite. By using this sijo collaborative learning will finished as a complete writing. In this study, writing process as collaborative learning target was placed on the Use of the sijo. Therefore, collaborative learning writing common way, for example, evaluation etc, to receive help from existing studies.
6,600
초록보기
Kim Suyoung, Kim Chunsoo and Kim Jongsam were the citizens who experienced the turbulent period of colony and the Korean war. 1950s was the time that they started literature activities. During that period, the society was filled with war`s wound, despair, dangerous and loss. At that time, most people used variety ways in order to overcome the reality in ruins. The three poets didn`t face the tragic reality aggressively, but evadingly looked for themselves. The escape was a defensive measure to claim to be withdrew. This split mind have become the meaning of escape in poem creation and also have the feature of the three poets` poem exploration and connectivity. This study on Kim Suyoung, Kim Chunsoo and Kim Jongsam`s Imagination of Escapeness is try to find the meaning of composition, and how to form it in the history in 1950s. We want to escape from the tragic incidents such as colony, war, and national division, but we can`t forget it easily. The three poets` poetic mind use the 1950s as the background, stirred and extended from the beginning. It can be found the period situation which created the poems that were different to understand. According to the poets, 1950s was the stage of hiding oneself and also it was the period that to explore the new poems. Their imagination of escapeness was always with the establishment of new poem system. Three poets` escape and the emotion towards pure poems from the beginning of historical/individual wound are connected with experiment process. Kim Suyoung, Kim Chunsoo and Kim Jongsam`s experiment reason was started from the self-awareness and new expression. Their unique language selectness and application of expression were created from the spirit research. Accompanying with ambiguity and uncertainty, their esoteric poems pursue the originality. The spirit of experiment also was called as poetic tension.

전후세대 `언어`의 문제와 모더니티 -박인환의 경우

김용희 ( Kim Yong Hee )
6,200
초록보기
The reality faced by the postwar generation writers was a situation of an ideological confrontation between linguistic hybrids and cultural boundaries. After the experience of extreme fear called a war, a thorough denial of the existing values took place. Within the existential worries, the writers of modernism became immersed in an agony about the “modernity” of having to establish anew a modern era not by using traditional parochial languages but with a new language of “intelligence.” It can be argued that, more than anything, Park In-hwan came to encounter a lot of modern books as he ran Mariseosa Bookstore and that his agony about the “modernity” became more intense. However, living in an era of dual languages of Korean and Japanese, his poems were fraught with crude style translations, in other words, Japanese style Chinese characters. Moreover, his worship of the Western books drove his ideology to “notions” and a “world of discernment,” his poetry soon became filled with notational and abstract words. However, the Korean language as such an artificial language and translation-style language was an “intellectual” pursuit of succeeding into the history of Korean literature the new culture of the time as a new “cultural language.”Kanji translations, new notational language and the world of discernment, and the expansion of ambiguous symbols and images illustrate to us a new aesthetic modernity as a resistance to the world of traditional poetry of the time. The symbolic world and decadent mood have become an opportunity for drawing in Park In-hwan`s poetry into a world of aesthetics and the site of secular simultaneity of poetry. Ultimately, through all this, Park In-hwan wanted to secure modernity of poetry within a changing society.

이정호의 ≪노인정 산조≫에 나타난 노년 여성의 정체성

박선애 ( Park Sun-ae ) , 김정석 ( Kim Cheong-seok )
6,700
초록보기
The rapid population aging and issues of old age have much attention from the soceity and the government. Interest in elderly people and concern on their problems has also reflected in various forms of liberal arts. More recently, novels of old age has put its lights on the lives of and in old age This paper examines how the novel depcits identity in old woman with the case of "Blues of Senior Citizen`s Center". Its writer, Jun-Ho Lee, who entered old age herself tries to describe the idetnty as an onl woman in contemporary Korean society. Majority of main figures in the novel are women in old age whose daily lives are viewed from the perspective of observers. In particular the writer through the focal narrator `woman in Apt, Number 301`illustrates autonomous life in old age. At the same time, this woman objectifies her neighbors bearing eyes on the others. The writer considers the woman as a case of successful aging. On the surface, the figures are in the similar situation. They live in the same apartment complex and sharing social status. Nonetheless, their lives differ by conflict with family members in different generation, psychical and psychological aging, economic independence. There appears clear differentiation among the elderly women in their community. Despite its success to deliver differentiated lives of women in old age, the novel is not free from the critics that it lists many different facets of problems in old age. It does not gain full insights into the mentality and consciousness authentic to old age. Furthermorem, by limiting the current situation of the elderly women, it fails to hold the comprehensvie understanding covering their past.

주류문학으로 수용된 스릴러 서사의 양상과 의미

박진 ( Park Jin )
6,300
초록보기
A thriller is one of the representative genres actively flowed in mainstream literature. The thriller narrative induces consumer to absorption through the feelings of suspense and thrilling. Moreover it expresses the social anger by dealing with the problems of violence, evil, truth, justice and so on. Actually recent novels applied thriller narrative are making attempts to combine features of genre narrative and social subjects. In this way, thriller narrative changes more complicatedly and opens the vision of reality distinguished from the mode of realistic representation. Ghosts by Kang Hee-Jin and The Bleaching by Chang Kang-Myong include the consecutive murder/suicide incidents. These novels transformed the anger and frustration diffused in the consumption capitalism society and the post-IMF generation into criminal avenges. A by Ha Seong-Ran and Ash and Red by Pyeon Hye-Young changed the narrative structure of thriller more flexibly and expanded the width of meaning they made. Also they bring out the problems sharply about family system, the alternative community, the mode of operation of law-violence, the system of bio-politics etc. Besides they treat also contradiction and duplicity which are being tied in the problems. These novels suggest the possibility of literary adoption of popular genre narrative beyond the tactics of commercialism and storytelling.

김춘수 전기시에 나타난 감각의 운용

서안나 ( Seo An-na )
6,400
초록보기
The purpose of this study is to reveal the sense of this parameter appear in the poem, separated Chunsu Kim electricity. Sense of the operating characteristics of the electricity of the artist in the first half of the poem appear comparable sense of the subject and the subject that is not related to the principal sensory control target standing on the predominance of sensory target by assimilation and. To select the target senses the sense of the subject`s visual dominance by the fixed target in the visual field by focusing on a single target, showing horizons of inelastic own. Enhanced sense of the subject, also personified natural objects visually mediated target ideation and. At this time, the way in which the auditory and tactile visual wigyehwa when placed in the auditory or tactile jueobu and predicate represents the change in the parameters of the function. Auditory or tactile jueobu when circumstances of time and space, the ability to enhance the appearance of the depicting the target or the behavior of the target formula. Position when on the other hand, the predicate and the subject of emotional empathy that parameter. Virtue of sadness, especially through hearing the `crying` deepen and strengthen`s idealized sense of the target. Has been heightened by ideation and sorrows of virtue personified the device for the non-polar to build. On the other hand, the second half of the poem works electric jeongyeonghwa visual visual Chang`an, unlike the work of the first half to solidify a single target, rather than the subject`s gaze moved visual chapters resilient. The overlap of the scenes involved with the securitization of the sense of the subject`s gaze is to give the poem a sense of depth. Partially exposed in-depth sense of being strengthened wigyehwa auditory and tactile and visual motility and sensory properties of the target specifically is revealed. Crack visual, tactile Final gestation reveals vision `visual auditory and tactile` visual `aspect. Than the bias of the visual, auditory, tactile, kinesthetic, kinesthetic sense of the variety of individual expression and by combining dynamic sensory experience of the subject has been implemented.
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