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논문검색은 역시 페이퍼서치

한국언어문화검색

Journal of Korean Language and Culture


  • - 주제 : 어문학분야 > 언어학
  • - 성격 : 학술지
  • - 간기: 연3회
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-1576
  • - 간행물명 변경 사항 : 한양어문(~2001) → 한국언어문화(2001~)
논문제목
수록 범위 : 55권 0호 (2014)

중국어 모어 화자의 한국어 종성 발음 오류에 관한 연구

박초롱 ( Cho Rong Park ) , 김태경 ( Tae Kyung Kim )
7,000
초록보기
This study observed the pronunciation error patterns in Korean syllable coda by native Chinese speakers, and investigated the effects of adjoining sound on the target sound. The examinees were Chinese students enrolled at language school in Korea, including 13 beginners and 13 intermediate learners. Our data indicate that the error rates were high in the order of /t/(81%), /k/(64%), /n/(32%), /m/(25%), /l/(24%), /ŋ/(15%), and /p/(12%). In addition, the pronunciation errors were relatively frequent when the coda consonant was followed by an onset consonant. Considering that only /n/ and /ŋ/ can be placed at coda position in the examinees’ first language, it was an unexpected result that pronunciation errors for /p/ were fewer than those for /n/ or /ŋ/. These results indicate that the phonological correspondence between first language(L1) and second language(L2) can not account for all of the observed errors. The examinees were influenced by the articulatory difficulty of the target sound of L2 itself, although the phonemic system of L1 may influence the pronunciation of L2. These support Markedness Differential Hypothesis which suggest that certain linguistic elements are more basic, natural, and frequent(“unmarked”) than others which are referred to as “marked”.

타자 지향의 시교육 방향 연구

문선영 ( Seon Yeong Mun )
6,600
초록보기
The purpose of this research is to present the concept and direction of the other-oriented education which can be applied to the poetry education. The implication of a literature work is realized through the character’s life as embodied by the author. Therefore, recognizing the conditions under which the character is situated and his thoughts and sentiments are primary objects in the literature education. The literary works become a medium providing a wide range of ways of life that one might not be able to experience in reality. The learner assumes the other as a being distinct from self and forms a sense of identity, escaping from egocentric self-identity and accepting different people living in their own life-styles. From this perspective, the other-oriented education that the literature education must pursue can be established to go further from simply understanding the other to having the other-oriented attitude. And through this, three directions can be set for the other-oriented poetry education. First, the subject discovers the significant other through the shared situation. Next, the subject can come close to the other by building sympathy. By the series of this process, the subject reaches to understand the other as restructuring the context of the other’s life. After all, the learner comprehends the other in the course of interconnecting with the life of the other and establishes a sense of identity oriented toward the other through the other’s perspectives.

광고 언어에 대한 코퍼스 언어학적 분석 시고

임근석 ( Geun Seok Lim )
6,400
초록보기
This paper aims to examine and evaluate the preceding literature on advertising language, and suggest a new methodology of analysing advertising language in terms of Corpus Linguistics. In section 2, the characteristics of preceding literatures are reviewed according to 4 distinctive linguistic domains-phonology, morphology/ lexicology, syntax and stylistics. After that, some points of dispute are raised with their alternatives. In section 4, using TV CF texts and Sejong Corpus, I tried to reveal a specific property of advertising language, or colloquial style, which has been argued by some preceding articles and books. According to the stochastic analysis based on the current data and Sejong Corpus, it’s hard to say that advertising language is a typical colloquial style. The stochastic result leads to the conclusion that advertising language would be placed between colloquial corpus and written corpus in terms of colloquiality.

녹족부인 서사의 친자(親子) 탐색 모티프 연구

강상대 ( Kang Sang Dae )
6,600
초록보기
This study focused on the biological child explorative motif of Lady Nokjok’s Narration and looked into its narrative pattern and meaning. The journey of for the sons that Lady Nokjok has lost is consistent with the explorative narration portraying the journey of hero looking for the results. Lady Nokjok, the subject of quest, is a woman who has the animal image of deer and has the existential characteristics that can reveal half man-half beast deity or heroic nature. The object of her quest is the sons who were born abnormally and abandoned. The quest process consists of the action by the sons who were grown into great commanders or generals in China and invade their homeland and that Lady Nokjok meets her sons and verify whether they are her biological children. In this process, Lady Nokjok goes through the adversities and obtains assistance from helper, the general elements of explorative narration. Then, the results of quest show Lady Nokjok’s reunion with her sons and formation of happy family and her role spearheading the effort to overcome national crisis. This explorative journey of Lady Nokjok can be defined as a ‘mother’s search for her sons’. The story of Lady Nokjok shows that the sons born with abnormalities are brought to the verge of being abandoned into the river or sea and killed, and that they receive assistance from helper to overcome adversities and finally meet their mother so as to become happy. Through this heroic narration structure, the characteristics of the narration, ‘mother’s search for her sons’, are revealed. As an explorative narration, the particularly noticeable parts in Lady Nokjok’s Story as an explorative narration relate to the pattern and meaning of the 3 types of biological child verification procedures for validating that they are her real sons following her encounter with them and substantiation through the identity perception office. That represents the narration led by maternal subject based on the breast-feeding behavior symbolized by ①‘breast’, and confirms that Lady Nokjok and her sons are sacred existence through the animal image of ‘②deer,’ and highlight heroic quality of Lady Nokjok’s sons based on the divine symbol of ③‘wing’ and ‘seven-star spots’. Such biological child quest motif in Lady Nokjok’s Story is considered to be rare and highly characteristic in our family explorative narration. The partition and reunion between Lady Nokjok and her sons, which form the core of Lady Nokjok’s Narration, contains the emotion of joy, anger, sorrow, and pleasure, leading the public to feel fun and deep impression and actively participate in communication for a long time. The abundant mythological motif and original form characteristics, revealed by Lady Nokjok’s Narration such as half man-half beast, starvation, quest, etc, are converged to the scene of partition and reunion between mother and sons. Here, the element of vitality in Lady Nokjok’s Story can be found. Therefore, the Lady Nokjok’s Story should be handled as the narrative material that expands and deepens the value as ethnic cultural asset, rather than remaining as folk legend of Pyeongyang and Anju region of the North Korea. This research hopes that academic discussion and literature related to Lady Nokjok’s Story and its expansion into the cultural text domain would be further stimulated.

생태학 관점의 국어 능력 개념화 방향 -“창의성” 영역을 중심으로-

김규훈 ( Kyoo Hoon Kim ) , 김혜숙 ( Hye Souk Kim )
6,500
초록보기
This study is a basic work for conceptualizing the Korean language ability which is a key concept of Korean language education by adopting an ecological perspectives. Especially it is focusing on the “creativity” domain of Korean language ability based on the “sustainability literacy” in Ecology. It has a meaning that it opens a new way of conceptualization of Korean creativity with related study, Ecology. Concretely, the sustainability literacy’s core thesis is “emergence”. This emergence in education discourses includes “contexts, guided learning, and complex activity”. It originated from a fundamental relationship between human and environment. This study systematizes emergence to “various linguistic problems, environments with rich semiotic sources, perception and integration, guided activity, and the whole problem-solving”. And these five elements fuse with Korean creativity’s existing elements. So Korean creativity based on sustainability literacy is re-conceptualized followed below. “Korean creativity is the whole problem-solving ability with creativity thoughts responding to various language environments. This ability emerges from an integrated Korean language activity guiding to the whole problem-solving from perceiving problems in environments with rich semiotic sources.”
6,400
초록보기
The evaluations on the Korean novels in 1990s have different voices. The voice from one side gave a favorable comment to the works restoring the territory for the individuals having been isolated for the past. The opposite side criticised literature for rupturing the chains of communications between individuals and the society. Shin Gyung-Sook, one of the recognized novelists, representing the 1990s also has received different evaluations. , one of her finest works, evoked different criticisms from both sides. However, they agreed on the way to understand desire in the novel. They regarded that desire can cause conflict with others so that it should be oppressed to be solved. They also understood that the narrator’s desire ends toward a runaway match with her lover. The premise that ‘the woman’ desire goes to ‘the narrator’s father is responsible for their understanding the structure of the desires in the novel. This study disputed the premise on the desire understood by the previous studies. This paper showed that desire can be understood as a starting point to establish the self-identity and the premise of the previous studies should be corrected. ‘The woman’ desire doesn’t stay only within the inner layer of an individual, but is connected to the desire for recognition. So is the narrator’s desire. They grow to be an ethical subject by reflecting their desire. Therefore, is the itinerary to recognize the reality of her desire through the other’s desire and establish herself as an ethical subject. The conclusion that reflecting desire can lead to becoming an ethical subject gives us another approach to see desire in literature.

아동의 명사형 어미 “-기”의 습득 연구

김정선 ( Jung Sun Kim ) , 이필영 ( Phil Young Lee )
7,000
초록보기
This study conducted an investigation on the children of age from 24 months to 6 years to explore the development aspect of nominalizer ‘-gi’ appearing in spoken language. Children’s use of nominalizer ‘-gi’ began to be developed around 30 months old and it was used more frequently than noun-derived suffix. The aspect of syntactical development for nominalizer ‘-gi’ was analyzed focusing on the characteristics appearing according to each location of noun combined with ‘-gi’ in a sentence. First, at the locations of subjects, the predicates expressing emotion assessment and the predicates expressing probability were found to be co-described with nominalizer ‘-gi’, and at the locations of objects, ‘-hada’ appeared with very high frequency as a superior predicate of nominalizer ‘-gi’. Even at the locations of both subjects and objects, postpositional particles were omitted very frequently. At the locations of predicates, there appeared various forms such as ‘-gi-ida’ form, ‘-gi’ terminating form and auxiliary predicate form composition. At the locations of adnominal phrase, nominalizing ending ‘-gi’ that performs a function to modify the nouns ‘ddaemun, jeon’ was found. At the locations of adverbial phrase, there appeared a form combined with adverbial postposition. The appearing locations in a sentence showed a specific developmental order. In the vertical data, the first appearance was at the locations of objects and predicates with very high frequency. It was followed by the locations of subjects, lastly by the locations of adnominal phrase and adverbial phrase with not much frequency. In the horizontal data, it showed the most frequency at the locations of predicates and followed by subject, object, adverbial phrase and adnominal phrase. Particularly, the appearance of nominalizer ‘-gi’ at the location of predicate also showed a characteristic that the number of speakers who used this nominalizer increased as their age increased.

<러브레터> 기억의 소환, 상실의 지연

박기수 ( Ki Soo Park )
6,000
초록보기
This article aims at researching the storytelling strategy on Iwai Shunji’s film, . The might seem to be developed from the high concept, ‘if one writes to dead lover’. But it shows such a multi-layered aspect, when analyzed the narrative. It develops the motif of two persons with the same name, and another motif of look-alike person in the past and present layers side by side. And the efforts to escape from the memory and the trial to find the memory permeate each other mutually, as it embodies the healing process with centrifugal and centripetal force based on the loss and sharing. The ironic premise, that one writes to the dead, lets the one recall the memory on the other one and make statement on oneself. It seems to be self-contradictory aspect. The film embodies longing for the first love recognized too late and uneasiness effectively at the same time, as seen as unstable camera’s walk, developing the past and present in juxtaposition, and a character in a double role based on the Iwai Shunji’s own lyricism.

현대시의 디지털 매체 수용과 시적 패러다임 변화 양상

서안나 ( An Na Seo )
6,100
초록보기
While analog media pivot on linearity emphasizing the law of causality, digital media are based on the hypertextual characteristics. Unlike the characteristics of the existing printed media, hypertextual digital media are characterized by non-linearity and the strengthened interactivity resulting from the extension of the readers’ activity area. This paper analyzes the poetic works handling verse materials such as a personal computer, Internet, or computer games, and examines different poetic aspects related to the selection and use of contents in these works. The reasons for analysis are that these works develop on cyberspace, Inter-Space, or Hyper-Space unlike the existing literary texts and show the divisions of points of time in terms of poetic subjects. Interestingly, divided subjects commute between a physical space and a cyberspace, and are represented as cybertic body images in a real physical space. In particular, computer games are the texts that have the limitless possibility of transformation and interactivity, and they show the divisions of poetic subjects such as a player’s point of time or a character’s point of time. These divisions imply a peculiarity different from the texts of the existing printed media. In other words, the change in the poetic paradigm can be analyzed through the media receptiveness and recognition according to what contents to be approached. The existing way of interpreting literature is not easy to completely extract the media characteristics such as non-linearity and interactivity shown in the works of contemporary poetry receiving media. Therefore, by broadening the existing analytic framework for interpreting literature and detecting the experiences and characteristics of digital media, it is required to study on the expanded poetic denotation and individuality of contemporary poetry released since the 1990’s. The paper examines the media receptiveness and the aspects of the poetic paradigm focusing on the poetic works that Ha Jae Bong, Choi Young Mi, Lee Won, Kim Young San, Yeo Jung, Bae Yong Jae have released since the 1990’s. The reasons for analysis are that these works deal with the digital media such as a personal computer, Internet (i.e. Web site), or computer games and have individual characteristics different from those of the existing poetry in terms of the aspects of receptiveness arising from the media experience.

지각의 방식과 예술의 형식 -이청준의 <시간의 문>을 중심으로

이재복 ( Jae Bok Lee )
6,000
초록보기
Lee Cheong-Jun makes an argument of the way human and arts exist. In this process he considers of that the way how human exists can be shown as the way arts exist. He thinks that the existence is shown by the perception. In order to show a variety of features of human being perfectly, someone tries with instrumental relationship such as notion or idea. But it cannot but fail. Lee shows this fact with pictures taken by a camera absolutely. Recognizing that the picture is destined to stop the object when it shows it, he falls in more serious consideration. However he doesn’t give up and finds the method at the end. It’s embodying the place of perception by moving body. The method he suggests is like the surface of the earth, which encompasses both of life and arts. Shown in the flow of time he refers, the past doesn’t exist only as itself, but includes the concept of continuity from the past to the present and the future. He goes into the sea where tragic disaster happens by moving the body. As a result it becomes the chance to find the door to future. In addition it is also trace coming from the past, not disappearing, and left. If he intends to say it, the method as escaping and hiding the ‘Gwangju Democratic Uprising’, left as injury and debt in his mind, is embodied as an art. It says that his viewpoint about human, history and arts is not experiential, physical, but phenomenological. The matter about the form of perception and the mode of arts, and the way human exists and the form arts exist is a force of his literature. And it is also in the time that flows to the future of Korean literature.
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