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논문검색은 역시 페이퍼서치

한국언어문화검색

Journal of Korean Language and Culture


  • - 주제 : 어문학분야 > 언어학
  • - 성격 : 학술지
  • - 간기: 연3회
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-1576
  • - 간행물명 변경 사항 : 한양어문(~2001) → 한국언어문화(2001~)
논문제목
수록 범위 : 60권 0호 (2016)

≪열하일기≫<황교문답>에 나타난 대화법과 그 의미

강영주 ( Kang Yeong Ju )
6,800
초록보기
Observe Qing’s situations was an important duty to Choson embassy. But the Choson emissaries in 18C were difficult in conversations with the Chinese in Qing. As they travel to Beijing, they remember and celebrate the Ming dynasty on the basis of loyalty to Ming and Chun-Qiu(春秋). Hwan’gyo mundap(黃敎問答) expands the problem of observing foreign situations to the problem of consideration for others, not the problem of diplomatic works. Pak Chiwon deal with it by Neo-Confucian’s sights. For this reason, the problem of proper conversations is upgraded to the problem of Li (禮). As Pak Chiwon talks about the Yellow Hats[黃敎, Lamaism], he did not struggle for his stance. Pak in Hwan’gyo mundap(黃敎問答) transformed his emotion situationally, not loosing his temper. The proper courtesy for others in conversations ultimately led to saving Pak’s face and it results in his prominent position. Eventually, such a method of conversations led others in conversations to having touched feelings. Simultaneously, it led Pak to conjecture others’ understandings of their society.

한국어 ‘맛있다’ 범주 어휘 및 표현 유형에 관한 연구

김미형 ( Kim Mi Hyoung )
11,700
초록보기
In this research, various expressions of ‘delicious’ in Korean are studied, and how deliciousness is expressed in cooking books by cooking specialists, essays by writers, and food shows by tasters is examined. Adjectives with the meaning of deliciousness comprise 8.7% of all tasty adjectives. In Korean, expression ‘Delicious’ is very rare; therefore, ‘delicious’ is expressed in many different ways. Categories of expression for deliciousness are set after investigating and gathering real examples. The categories are “use of core words for deliciousness (taste, tongue, drivel, spit, salivary gland, home-made taste, appetite, aftertaste, sincerity, scent, fragrance, sweet, flavor), sense description (gustatory, olfactory, algesia, vision), cooking and cooking material description, tasting sample and appetite description, recognition and emotion description, figurative situation and rhetorical description (analogy, metaphor, metonymy, allegory, personification), selectivity description, quantitative description, relationship description, integral description. The deliciousness expression method is studied as examples of these ten categories are presented. In the category of gustatory, words for sweet, sour, salty, spicy, and bitter tastes are used for describing deliciousness in context to provide the most objective information of taste. In addition, expressions related to olfactory, algesia, and vision are also used. The integration of two palates and that of one or more categories also appear in various forms. Recently, food shows have become very popular in television. In these shows, tasters(mostly celebrities)’ expressions of deliciousness often seem to lack richness. If casts in many TV shows can express deliciousness in more diverse fashion when tasting samples, the consensus with viewers will broaden more.

김승옥 소설의 ‘개인’에 담긴 남성성/들

김영임 ( Kim Young Im )
6,600
초록보기
This paper is aimed at explaining the identity of ‘Individual’ in the novels of Kim Seung-Oak’s, Writer of the 1960s, from the layer of masculinities in the 1960s’ Korean society. The dominant discourses of the 1960s’ Korean society as well as the field of literature endeavored to establish the image of modern individual participating in the new era who could role for the nation modernization and demanded that each individual would be a historical subject of the time. However, the signifier of ‘Individual’ for the moment was equivalent to male excluding female. So masculinities had double structure meaning the general identity desexualized and the sexual identity at the same time. But the identified relation between male and individual came to be ruptured and led to leakage of gender hierarchy. Through this process male as a sexual being hided behind the discourses on modern subject became revealed. Most male characters in Kim Seung-Oak’s Novels are described as men refusing or failing to achieve the hegemonic masculinities that were regarded as the ideal identities requested by the Korean society in the 1960s. They chose different ways to form their masculinities that were represented as otherization of women or homosocial desire. Such masculinities based on the horizontal relationship are distant from the vertical relationship of patriarchal system. This approach suggests that we could read Kim’s novels sorted as ‘after A Trip to Mujin’ in another way.

The Success Factors of Hallyu with focus on K-Pop

( Kenneth Chi Ho Kim )
5,700
초록보기
2016년 한국드라마, “태양의 후예”는 국내에서 시청률 38.8%를 넘었다. 한편 중국에서는 동시에 중국의 아이치이(iQIYI)에서 스트리밍이 되었으며 23억뷰를 기록하였다. 이드라마는 지난 20년간 성장해온 한류의 좋은 사례이기도 하다. 많은 전문가는 한류의 시작이 1997년 중국의 CCTV에 “사랑이 뭐 길래?”가 방송되면서 였다고 한다. 한국드라마에 이어서 K-Pop 또한 한류의 인기를 확대하였다. 초기인 2000년에는 H.O.T가 베이징에서 성공적으로 콘서트를 개최하였다. 슈퍼주니어, 빅뱅과 EXO는 합산하여 소셜네트워크에 팔로워가 1천만 명이 넘는다. 이렇게 성공한 한류는 국내에 문화적으로나 경제적으로 다양한 긍정적인 영향을 미치기도 하였다. 한편 한류, 특히 K-Pop의 성공요인에 대해서는 다양한 연구가 진행되어 왔다. 최근까지 일부 학자들은 분석에 국가 경쟁력을 평가하는 모델을 적용하였고, 다른 학자들은 제작과 소비의 관점 연구를 위해 문화다이아몬드를 선택하였다. 대부분의 연구는 의미 있는 결과를 제시하고 있으나, 추가적으로 외부환경 및 고객 중심의 시장에 대한 이슈를 고려한 연구도 되어야 한다고 판단된다. 본고에서는 온라인 환경과 고객 중심의 시장에 보다 적합하다고 제시된 Kotler의 마케팅 믹스인 4C 모델을 적용하여 K-Pop을 분석하고, 추가적인 외부환경에 대한 요인을 확인하였다. 나아가 글로벌 팬의 이해를 통해 미래의 리저널 전략을 고민하고, 마지막으로 향후의 한류와 K-Pop의 성공을 위해 요구되는 핵심요인들을 제안하였다.

왕가위 영화에 드러난 여성성의 이중적 층위

박기수 ( Park Kisoo )
6,000
초록보기
This article examines the femininity aspect shown in Wong Kar-wai films within the frame work of grammar of the films. The attraction of his film come from dissemination of uncertainty by isolated characters who can not communicate. Wong Kar-wai films create competing struggling field of double sided or contradictory elements. Also the films attempt collage not logical series by disturbing traditional meaning narrative that connect time and space aligning the bits. Wong Kar-wai’s continuous attempts in his films are provocative as Sergei Eisenstein claim that essence of film is the relationship between the images not the messages. The female images of his films were interpellation as independent agent not object or opposite agent for male characters. femininity from his films is rather independents settling in places not nomad searches. Julia Kristeva clams that femininity is realized by continuous changed of categories and meaning of femininity. Females from his films are stronger in independence rather than distinct domain, but they show characteristics which can not be capture by words or reason. Modern characters show acceptance and caring femininity based on morality based on the differences, femininity by Wong Kar-wai aim for differentiating phallocentric masculinity and femininity while accepting traditional femininity at extreme level so that modern meanings are called for. Femininity from Wong Kar-wai films is independent being that can not communicate. It’s free domain beyond languages and reasons based on the specifics rather than the opponent of masculinity. It’s also independently realized variation in the link of meaningless time, not a duty aim for nurture, caring and peace.

문화콘텐츠의 ‘즐거움’와 ‘재미’에 관한 연구

박상천 ( Park Sangchun )
6,500
초록보기
Sociocultural paradigm shift is closely related to the changes from the modern to the postmodern society. The modern paradigm of reason has changed to the paradigm of emotion while modern human view of homo sapiens has changed to stressing the importance of homo ludens. Moreover, the development of technologies and emergence of various media made better environment to enjoy culture contents in daily lives. These contents provided by various media became the new type of play culture as well as core of popular culture. Culture contents which are the play of this time as well as the key to popular culture must be open to the public at all times and must provide fun and enjoyment. In this article, the study will be focused on enjoyment and fun of culture contents in above aspect. First, the distinction of enjoyment and fun from linguistic aspect will be reviewed the term which number of researchers are still indiscriminately using. With the result, tend to reach the bottom of the generation principle of enjoyment and fun.

심화 전문용어의 조어분석과 그 실제 - 물리 분야를 중심으로 -

신중진 ( Shin Jung Jin ) , 엄태경 ( Eom Tae Kyoung )
6,600
초록보기
This paper aims to analyze word-formation patterns of inter-Korean advanced scientific terminology in physics. First of all, we discuss the purpose and necessity of word-formation analysis in advanced terminology. Next, we discuss a method for extracting advanced terms in textbooks at the university of South Korea. And to check the North Korean term that corresponds to the South Korean term. Finally, we analyze the terms of inter-korean and examine its morphological characteristics. This study could be used ad a ways to integrate the terminology in inter-korean. Then, it can be also utilized to provide the reference.

동학의 공공성과 21세기 생활공동체의 전망

윤석산 ( Yoon Suk San )
6,800
초록보기
The purpose of this paper is to research the common behaviors and practices as well as the prospect of life of the Donghak religion. The focus of this study is to examine the group and the individual welfare of the Donghak community. The primary beliefs of the Donghak religion is Sicheonju. (侍天主, I serve God within me.) Sicheonju advocates equality, “treat and respect human beings as you would treat God”(事人如天), honoring the three (三敬), Heaven eats Heaven (以天食天), expand the cosmic value of life that the individual will be made whole through the heavenly virtues, and practice openly. The community of Donghak is a universal community to ‘serve God within me (侍天主)’, ‘treat and respect human beings as you would treat God (事人如天)’, ‘honoring the three (三敬)’, ‘Heaven eats Heaven (以天食天)’ and human beings must live together with all creations and nature. The universal community of Donghak was formed as an alternative to overcome the crisis of modern society.

최근 출간된 시 전집의 체재 검토와 새로운 시 전집의 상상

이경수 ( Lee Kyung Soo )
6,300
초록보기
This study examined the principles and criteria behind text selection and inclusion after exploring the characteristics and systems of each of four corpus of poems republished in the 2010s― Baek Seok’s Poems to be Read Once Again-The Corpus of Baek Seok’s Poems, The Corpus of Lee Yong-ak’s Poems, The Corpus I of Jeong Ji-yong’s Poems, The Corpus of Midang Seo Jeong-ju’s Poems. Based on this, the study examined what is expected with regard to the matters of text selection and readers’ choice. Although the corpuses of poems from well-known poets were published several times, but indeed they were little difference from simple collections of all the poems from poets. This does not fully satisfy the criterion that the corpus of poems should include confirmed original copies. However, it is encouraging that the corpuses of poems published in the 2010s and examined in this study made various meaningful attempts instead of following conventional practice on the publication of the corpus of poems. As seen in this study, the publication of the corpus of poems should be carried out in combination with research on the confirmation of original copies. For this, the corpuses of poems which include original copies along with copies of different version are needed and criticisms of original copies should be vigorously researched. Furthermore, a dictionary of poetic terms in a new form like Dictionary of Poetic Terms in Baek Seok’s Poems should be made along with the publication of the corpus of poems and research on criticisms of original versions. The features and conditions of research in Korea virtually hinder research on original copies and the publication of the corpus of poems in a right way, but still efforts should be made to carry out such research and publication. Research on Korean modern poems can make a genuine advancement when more researchers imagine and realize new types of corpus of poems which strengthen the foundation for research on Korean modern poems.
7,600
초록보기
Korean TV dramas have sticked to blood ties, which is difficult to be seen from western or other Asian TV dramas. Secret of Birth, for example, the target for revenge is revealed to be a family member or a loved one is a half brother/sister have been handled in Korean TV dramas. As a result, expectation for Korean TV dramas and their dramatic level have declined, of course, and the negative recognition that “Korean TV dramas always form their dramatic conflicts in a similar way and also end in a similar way” has been reinforced. With the flooding of Secret of Birth, impure works reinforcing distorted notion continued to be created, which is also a problem. Now, such an easy composition of drama relying on the repetition of particular theme must be stopped for the future of Korean TV dramas. Creator’s sense of responsibility that TV dramas represent public sentiment should also be strengthened.
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