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논문검색은 역시 페이퍼서치

어문론총검색

Eo Mun Lon chong ( Korean Language and Literature )


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1225-3928
  • - 간행물명 변경 사항 : 어문논집(~1963)→어문론총(1964~)
논문제목
수록 범위 : 48권 0호 (2008)

한국어 교육용 유의어 사전 편찬을 위한 표제어 선정 및 기술 방안에 대한 연구

송현주 ( Hyeon Ju Song ) , 최준 ( Jun Choi )
6,100
초록보기
The purpose of this study is to select a synonym list and to discuss methods of describing synonyms for Korean learners. For selection of the synonym list, we will use lerner error corpus. Also we will select the list that abstracts errors of lexical replacement in same parts of speech from types of lexical errors, and compare the list with some lists of preceding studies and dictionaries. What is more, we will classify the list into two types according to cause of the creation of each error. The first type is semantical similarities. The second type is differences of registers.

국어 사전의 사용역 정보에 관한 연구 -중사전을 중심으로-

안의정 ( Eui Jeong Ahn ) , 이종희 ( Jong Hee Lee )
6,900
초록보기
This study aims at examining of the function and necessity of marking of register in Korean Dictionary focusing on middle-scale dictionary, and how to mark the register label into headwords in objective ways. Register can be specified to honorific, humbleness, argot, slang, vulgar, and spoken. The register label is the very useful information for users, compilers, scholars of dictionary. It is very important to mark the register label. In spite of the importance, it is a fact that the standards dividing the register label and metalanguage are vague. However, we presented to classify these according to the objective standards shown up in the speech situation and use.

중세,근대 국어 {하다}, {만□다}, {크다}의 유의 분석

홍사만 ( Sah Man Hong )
7,000
초록보기
The synonymy relationships among {하다}, {만□다}, and {크다} in Middle and Modern Korean were investigated in this study, and their historical changes were described from the ecological aspects. Their semantic similarities could be readily proved by investigating their common antonymy relationships with {젹다}, and in a sense their semantic similarities could be suggested from the meaning of their mutual permutations and corresponding Chinese characters as well. Their semantic similarities are directly shown in {하다}-{만□다} and {하다}-{크다}, but indirectly in {만□다}-{크다}. The polysemiy of {하다} in Middle Korean is appeared as two sememes, “多” and “大”, but from the viewpoint of distribution denotation, the meaning of “多” was broader than that of “大”. Describing the synonymy relationships of {하다}-{만□다} and {하다}-{크다} are also available by comparing {한} with {만□} and {큰} which are their conjugation forms respectively, and by comparing their derivative adverbs {해(하)} with {만히} and {키} which are their derivative adverbs respectively too. In Middle Korean {해} had the role of universal stative adverbs whose succeeding predicates were action verbs, but {하} had the role of degree adverbs by usually modifying stative verbs. Therefore, {많이}, stative adverb of Present Korean, is transferred into the function of degree of adverbs as {하} in Middle Korean was. Adverb {해} couldn`t have two meanings of "多“ and "大” completely, so {해} couldn`t have two meanings relationship with the derivative adverb, {키} perfectly. Because historically adjective lexeme {하다} had two meanings of “多” and “大”, it was at a disadvantage in synonymy clash competition with {만□다} and {크다} which had only one simple meaning. As a result, “多”, sememe of {하다} has been unified with {만□다} and "大” has been unified with {크게}. And also by disappearance of “ㆍ” ({□다}>{하다}) in a verb, {□다}(爲), its word form became a obsolescent word through a homonymy clash.

「호질(虎叱)」 창작의 연원(淵源)과 배경(背景)

최천집 ( Chun Jib Choi )
7,100
초록보기
This article intentionally attempts to look for the working origin and background in the work`s production. In the production of the work, the influence of the story in which appeared the tiger that was prevalent to the commoners of the day shall be sensed. However, these tales cannot function as an absolute influence on the work, but rather remain as insignificant factors. It is decided that the influence of the prose literature that was conveyed in that day worked more than the influence of the tale. The influence of the Chinese literature forms among the prose literature is thought to be absolute. The Chinese literary works where a tiger appears had a long history up until HoJil was to be produced, and such various works were created for many people, so these kinds of works made a decisive influence on the creation of the work. At the same time, in the work, the style of arranging the writing in the book Shigyeong (Book of Odes) has been confirmed. That is, it was able to firm that the style of arranging the writing in the Confucianist scriptures acted as a basis for the creation of the work. Besides, the personification novel and apologue novel are also applied to the creation of the work through a visible and invisible background form. The various literary styles of both the present and former generations which had been so diverse were able to be confirmed, giving shape to a fundamental groundwork in the creation of the work. However, outside of such domestic sources, author Jiwon Park`s act of going on a trip to China acting as an absolute background and source of influence for the work is important as a result that is obtained in the literary work.

이효석의 시와 수필 연구

김미영 ( Mee Young Kim )
6,800
초록보기
The purpose of this article is to explain how to fill up a gap exoticism between traditional taste in novels written by Lee Hyo Suck, with analyzing poems & essays as secondary genres writings. Lee Hyo Suck had written 168 essays, 16 poems, and 3 scenarios, 15 reviews and drama. His style in secondary writings are poetical lyrical and his main subjects are family, nature, market, flowers, ets. In the secondary genre writings, he describes ordinary lives of petit bourgeois. The subjects of these writings are composed the nature admiration and rural lyricism, a petit bourgeois``s ordinal lives, pursuit of the beauty. He didn``t mind domestic or exotic culture & products. He has revealed his open mind about differentiation. We could read his thought which he has gotten concern about Chosun and western``s culture. He thought oriental and occidental culture were accompanied by each others in equally. The sympathy, lyrical recognitions on world in Hyo Suck``s secondary writings are resulted from his subjectivism as well as from his will in order to fuse heterogeneity into one. The hybridity from heterogeneities in intelligent person`s mind were common in the period of colonialism that Japanese Imperialist had made. That is the only way that flee from cooperating with Japanese Imperialists. His literature are stood up antagonistic relationships on general cosmopolitanism to localism.

「“단기고사” 중간서」의 저자 문제

김주현 ( Ju Hyeon Kim )
6,300
초록보기
This study is formed as part of a study on the unearthing of Shin Chae-ho`s works and the establishment of his authentic text. I tried to make clear in this study who the real author of "Preface to Republication of Danggigosa"(檀奇古史重刊序) was. It was included in Danjae Shin Chae-ho`s complete works. So I made a scrutiny in its style, form, and etc. The preface was written in Andong China in 1912. At that time, Shin Chae-ho lived in Vladivostok of Russia and shouldn`t go Andong. And its style is different from his. Besides he had not mentioned Danggigosa(檀奇古史) in any his books. When Lee Hwa-sa edited Danggigosa in 1949, he involved the preface in it. In the preface, Danjae told that he wrote it upon his friend, Lee`s request when he went to Andong. Lee, editor of Danggigosa knew who the preface wrote. Firstly, 1 elucidated the preface should not be Danjae`s by revealing differences between his works and the preface. Secondly, I compared the preface with Lee``s book, for exemple Uiyoungshilgi(義勇實記) and Eonhaengnok(言行錄). Lee had probably met Danjae in 1914, owing to an affair of Gwangbokhoi(光復會). He read many Danjae`s works and accepted Danjae`s thought and style. Eventually he wrote the preface by taking a page from Danjae`s books, especially "the relationship between history and patriotism", "Gwangbokhoi``s announcement." Therefore, the preface is not Danjae`s but Lee`s. Now we regard this work as not belonging to Shin Chae-ho`s complete works. And we need to reexamine the complete works of Shin Chae-ho more accurately in the future.

서정주 시의 구심적 공간 메타포 연구

박선영 ( Sun Young Park )
6,900
초록보기
In this study, by analyzing spacial metaphor of centripetalism that appears in Midang`s poems in the middle and later period using the Hrushovski`s theory of the frame of reference, the researcher examined newly produced poetic meaning and tension, and extension and renewal of his recognition being revealed thereby. In Chapter 2, the researcher discussed the metaphor of ``inner`` space that appears in his poems such as (Fragrance of a Chrysanthemum) and (Inside a Pine Tree), etc. In his poem , heterogenic space frames of reference such as ``inside fragrance of a chrysanthemum``(fr1), ``sky``(fr2), and ``inside room``(fr3), and in his poem , space frames of reference such as ``inside a fine tree``(fr1) and ``the Republic of Korea``(fr2) are combined as metaphoric relations and have mutual reactions and thereby returning to hometown becomes concretized. Such spacial metaphor of ``inside`` shows an aspect of transferring from plants` space to human`s space. In Chapter 3, the researcher discussed spacial metaphor of ``bent`` appearing in his poems such as (Watching a cold orchid) and (Bent), etc. In his poem , heterogenic space frames of reference such as ``the empty sky``(fr1), ``another province``(fr2) and ``Pyungyang``(fr3) interact, forming metaphoric sequences and thereby suggesting ``returning to hometown``. But in his poem , four heterogenic layers such as ``bent road``(fr1), ``orchid``(fr2), ``force``(fr3), and ``monster serpent``(fr4) form metaphoric sequences and thereby suggest paradoxical force that is immanent in being bent. Although this concretizes Midang`s optimistic and affirmative attitude for life, on the other side of it, extremely realistic and negative aspects also exist. In Chapter 4, the researcher discussed spacial metaphor of ``a hole`` appearing in his poems such as (A hole of a gold ring), (My honorable person is sleeping), and (My wife), etc. In his poem , various layers`` frame of reference such as ``a hole of a gold ring``(fr1), ``the ocean``(fr2), ``sky``(fr3), ``mind``(fr4), and ``inside a wind instrument``(fr5), and in his poem , heterogenic space frames of reference such as ``corner of a pillow``(fr1), ``sky``(fr2), and ``hole of a pure gold ring``(fr3) interact, forming metaphoric sequences and thereby concretize conquest of separation or endless love. Especially, spacial metaphor of ``a hole`` is based on space of centripetalism by means of ``condensation``, but in the aspect that this again drives centrifugal space by means of ``extension``, this is distinguished from spacial metaphors of ``inside`` and ``bent``. As such, spacial metaphor of centripetalism in Midang``s poems in the middle and later periods is indicated as spacial metaphors of ``inside``, ``bent`` and ``a hole``. In general, spacial metaphor of centripetalism produces various layers`` frame of reference and forms metaphoric sequences, and by means of interactions of frames of reference, poetic meaning and tension are created. At this time, frames of reference with multi-layers are Midang`s complex thoughts with various layers, and the course of their changes shows extension and renewal of his recognition well.

『국민문학』의 좌담회 연구

이원동 ( Won Dong Lee )
6,300
초록보기
The aims of this article is to explain the discourse of Joseon-kukminmunhak, for researching the symposium of 『kukminmunhak』. The discourse of Joseon-kukminmunhak intend to blend in korean and japanese living korea, and plan to make a new identity. Japanese demand to be study japanese identity of a korean. but korean take the ground that the discourse of Joseon-kukminmunhak has to seek for originality of Joseon-kukminmunhak. Korean and japanese don`t have methods of bridging the gap of a difference of viewpoint. What was interesting, the process of development in the discourse of Joseon-kukminmunhak, is that Korean`s theory is more bold and delicate than Japanese`s. This is why as follows. Firstly, Japan don`t fight against China and America without Korean`s helping under the Total war. secondly, Japanese don``t give a universal truth as regional hegemony to korean. That`s why Korean lead the discourse of Joseon-kukminmunhak. But discourse of Joseon-kukminmunhak works as covering up a unfair relationship between Korean and Japanese.

성(性)의 모더니티를 바라보는 세 가지 시선

전영복 ( Young Bok Chin )
6,800
초록보기
This study on novels written by Kim Dong-in, Yeom Sang-seob, and No Ja-yeong in the early 1920s, considered how sexual modernity had been formulated and defined to provide the basic form of daily experiences in modernization project. We put an comparative analysis on three writers` works, centering on the view about divorce and chastity which was essential issue of sexual modernity in 1920s. In 1920s, Kim Dong-in and Yeom Sang-seob contributed in dividing modern subject into two and formulating modern patriarchy, through sexual modernity. That is, Kim Dong-in became conscious that it was not until failing to achieve the unity of body and soul in love that he could get over egocentrism. Although he realized the ethics of the others and the ethics of family, it was just unisexual that it could be obtained only through self-awakening of male. And Yeom Sang-seob, emphasizing cultural education and self-awakening, kept negative view on sexuality and ecstasy. But he showed the power system of patriarchy completely in the point that he objectified women and subordinating them to modern patriarchy through chastity discourse. In contrast, No Ja-yeong suggests new chastity to pursue the divinity of self-pleasure from a liberalistic point of view, intend to pursue romantic love thoroughly, claim divorce for self-realization, and care for the chastity with lover. While she kept romantic view on sex, her egocentrism showed the limitation to make reality just pleasure. In short, divorce and chastity in these three writers` works show a variety of sexual modernity at the time when male-dominated modern patriarchy was systemized in 1920s. It should be noted here that Kim Dong-in and Yeom Sang-sub didn`t show conversational relation about sex listening to women`s voice but one-sided self-monologue and representation, while No Ja-yeong tried to keep conversational relation listening to women`s voice. As No Ja-yeong, however, was regarded as a popular writer and neglected from Korean literary history, also neglected was sexual modernity based on the view of equality of both sexes.
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