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논문검색은 역시 페이퍼서치

어문론총검색

Eo Mun Lon chong ( Korean Language and Literature )


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1225-3928
  • - 간행물명 변경 사항 : 어문논집(~1963)→어문론총(1964~)
논문제목
수록 범위 : 52권 0호 (2010)

국어 문법에서의 "가" 보어 설정 문제 -심리형용사 구문의 NP2를 중심으로-

유현경 ( Hyun Kyung Yoo )
6,300
초록보기
This paper examines the complement as a sentence element in Korean grammar. In school grammar, only `되다(doeda)` and `아니다 (anida)` NP2 are designated as complements. However, the NP2 of psychological adjective constructions can also be classified as complements in addition to `되다(doeda)` and `아니다(anida)` NP2. This study defines `가(ga)` complements as all arguments required by the predicate in addition to subjects and objects, and describes their characteristics. The so-called `mandatory adverbial` cannot be considered a complement because it shows characteristics different from `가(ga)` complements. The characteristics of `가(ga)` complements can be summarized as follows: 1) they are mandatory; 2) they comprise theta-role themes; 3) they cannot form the head noun of relative clauses; and 4) omission of the attaching particle ` 가(ga)` is permitted. These four characteristics of `가(ga)` complements can be used to identify constructions that require a ` 가(ga)` complement. Thus, by clarifying that within the Korean grammar system a `complement` may have sentence element characteristics that differentiate them from subjects, the results of the current study suggest that nominative case particle `가(ga)` should be considered a separate homonym of complement case particle `가(ga)`.

애류 권덕규의 생애와 국어 연구

허재영 ( Jae Young Heo )
6,600
초록보기
Guweon, Deokgyu(권덕규, 1890~1950), as a disciple of Ju Sigyeong(주시경), and as a scholar, had protected Korean, and the language itself before and after the colonial period. To organize the statement stated out in this writing is as follows. First, Guwaeon Deokgyu birth and thoughts are in indivisible relationship with Ju, Sigyeong. Especially after death of Ju, instead of Kim, Dubong(김두봉) who became a refuge in ShangHai and Choi, Hyeonbae(최현배) who was studying in Japan abroad, he recreated "JOSEONEO YEONGUHOI(조선어연구 회, Association for Research on Korean Language)" domestically and led Korean research. This achievement was not only for love of his teacher but also for the love of Korean literature itself. Second, Guweon`s korean research method stated by "Necessities of Choseon Language(Korean) research" are regulated by "practicality" , "scientific", and "applying methods". Considering all these aspects, we can find out that his Korean research is on the basis of not only on practical way but also in scientific way to advance possibilities of applying. Third, we have divided Guweon`s Korean research into "Language and Korean Language theory", "Marking of the phoneme", "Research of vocabulary, Language origins and consideration". His Korean literature research has the basis of linguistic nationalism, which was created after death of Ju Sigyeong, and has close relationship with process of Korean literature`s law(standardization).
초록보기
This paper researched what would be the future of oral transmission depending on the change of bearers` viewpoints and philosophy, especially about the `folktales related to ancestor memorial rites`. This study had been proceeded as follows. I had some students who were at college or graduate school appreciate the `folktales related to ancestor memorial rites` and make descriptions of their impressions. And then, I compared their various impressions and interpretations found in their descriptions with the storytellers` messages deduced from the folktale versions they narrated orally. As the result, I found there is a great difference between the two. The students, that is the younger generation, do not agree with the sense of values Confucian ideology, that the storytellers emphasize in their folktale versions. In contemporary Korea family culture, there coexist the nuclear family and the large family. So, The younger generation is in a confused state of values Confucian ideology. Especially the young women are oriented towards the nuclear family around the husband and wife rather than the large family around the traditional patriarchal dignity. In Conclusion, I suppose that the future of oral transmission of the `folktales related to ancestor memorial rites` is not good. Because it seems that the most bearers, who should hand over Korean folktales in the future, would not willingly transmit `the folktales related to ancestor memorial rites`.

이상 문학에 나타난 자연 표상 재고(再考) -“성천” 체험을 중심으로-

권채린 ( Chae Rin Kwon )
6,400
초록보기
This writing noted the point that nature is not the other of modernity but, as such, modern product, looking at Lee Sang literature as a text fully showing the secret recognition of the modern subject and dynamic aspects with which nature coincide. Lee Sang is the modern subject who called nature as an equivalent to a human being. With Lee Sang, at last, the meaning and arrangement of nature comes to begin to be reasoned from the standpoint of modern `knowing`. Especially, the essays that addressed `Seongcheon` experience is a text allowing for review of honest dynamic reaction when a modern individual who escaped from incantation contacts original nature. One of the largest features in Seongcheon experience lies in space representation and Lee Sang`s complex internal consciousness that reappear with heterogeneous emotion and images. First, Lee Sang reads nature by bringing main virtues of modern metaphysics. To Lee Sang, nature means quantification, complanation, a homogenized subject, that is, a model of scientific interpretation. Such recognition as Lee Sang`s originated from viewing the nature of Joseon as a world of `the past` and `self-sufficiency` where creation or a change is popularly used, and ultimately is related with critical reasoning against the traditional flow of Joseon. But Lee Sang already predicted that the modern reading of nature would fail at last. The scientific reading of nature could not but become a kind of misunderstanding. Thus Seongcheon experience is represented with a complex text where horror and attraction, fatigue and worry are coexistent, and furthermore shows a separative world in which reversal of the value of nature and civilization appears. Lee Sang`s attitude showing self-separation is a kind of play. Lee Sang is a producer sneering at his own defeat behind modern mask and conceal himself, not knowing defeat, This is Lee Sang`s wittism.

「현대미술의 요람」의 필자 확정 문제

김미영 ( Mee Young Kim )
6,700
초록보기
"The Cradle-land of Modern Art" is an important article published on May, 14th~23th, 1934 in Me-il-Shin-Bo, a famous daily news paper in Japanese Colonialists ruled Korean Peninsula. The name of writter`s that article is Kim-Hae-Gyeong, 金海慶with Chinese character. Kim-Hae-Gyeong was entirely unknown person in Korean Modern History. Yi-Sang is a very famous poet, novelist, painter & architect in Korean modern history. Yi-Sang is pen-name. His real name is Kim-Hae-Gyeong. But the Chinese characters of his real name is not 金海慶but 金海卿. This essay want to prove this article`s writer is Yi-Sang. "The Cradle-land of Modern Art" deals with how to be changed & improved from middle age`s art till modern art in Western culture. This article focused & emphasized role of Cezanne to develop the modernization of fine art. The writter said real modern art had begun cubism. In the future, cubism, vorticism. fauvism, surrealism, dadaism etc are going to be popular. Those are based on expressionism. In the same time, most Korean painter`s article about western art history was focused on impressionism. But the art book published Bauhouse emphasized role of Cezanne & expressionism. Yi-Sang was under the influence of Bauhouse as an architect & painter. In addition, the writing style of this article are very similar to Yi-Sang`s. Yi-Sang has liked using different pen-name, every different genre essay or literature. The conclusion of this essay is quite within the realms of possibility that the writter of "The Cradle-land of Modern Art" is Yi-Sang.

김소월 「시혼」의 이기론적(理氣論的)고찰

김지혜 ( Ji Hye Kim ) , 권유성 ( Yu Seung Kwon )
7,000
초록보기
This study aims at clarifying that Kim, So-Wol`s poetics is based on LiKi(理氣)philosophy. And this is to show the distinction between Western ideas like Romanticism which is accepted by Kim-uk and So-Wol`s traditional poetics. The results are as follows. First, So-Wol is realized paradoxical sense which can find out positive meaning from negative thing and overcome Western dichotomy by LiKijimyo(理氣之妙) principal means that Li(理) as Hyungisanja(形而上者: metaphysical thing) and Ki(氣) as Hyungihaja (形而下者: physical thing)are neither divided nor united. Second, So-Wol emphasizes that immutable character of Sihon(詩 魂) on his poetics because he wants to show Li`s character as inevitable cause and right. As he authorizes Sihon(詩魂) ontological and axiological character of Li, Sihon(詩魂) has Good truth and thereby has good effect for society. Unlike Kim-uk`s romanticism, to display subjectivity on So-Wol`s poetics is based on LiKi philosophy has a effect for society, because the subjectivity has a moral sensibility. Last, like Li and Ki, Sihon(詩魂) is manifested on poetry by Umyoung(陰影), so poetry is valuated by not Sihon but Umyoung. But So-Wol contradicted himself by asserting that Umyoung(陰影) isn`t discussed merits and demerits. This is explained by considering LiKijimyo(理氣之妙). Ki is a manifestation of Li, therefore when we see poetry as Ki with view is based on authenticity, Ki is not a thing of judgement. But when we poetry with view is based on substantiality, Ki is a thing of judgement. In conclusion, So-Wol intended to include not only eternal nature but also substantiality on modern poetry with LiKi(理氣) philosophy.

현해탄의 정치학 -제국의 법질서와 식민지 주체의 정화술-

김혜인 ( Hye In Kim )
6,500
초록보기
Since the modern age, the image of the `Hyeonhaetan(玄海灘)` was positioned to Korean people as a passage to an empire, a place of racial suffering, and the world of romantic romance, etc. By the way, the moving experience of Hyeonhaetan has a close relationship with the identity construction process of colonial subjects placed under the law of an empire. In the moving process to the Hyeonhaetan, the colonial subjects get to experience a process that corrects their identity as `Joseon people` called by the law of an empire by transcending the class, gender and position, etc. And the governing technology as well as self-technology were also realized at the same time. This was realized through a Busan-Shimonoseki ferry(關釜連絡 船), which is a `contact zone` that colonial Joseon people and imperial Japanese people can be crossed each other in aspects of the class and gender. Namely, the colonial subjects went through a process that re-establishes in the class and gender layer, not racial layer through this contact. The identity transformation and renewal, construction and correction processes of colonial subjects placed in front of the law of an empire surrounding the Hyeonhaetan were continuously reappeared when student soldiers go to war in the latter half of the colonial period or in case of returning to Joseon for the Period of Liberation. Since the Liberation, the law of an empire was replaced with the law of a nation-state, but the space of the Hyeonhaetan still became a place of purification techniques of postcolonial subjects.

박목월 중기시의 은유 양상 -시적 자아의 초월성을 중심으로-

박선영 ( Sun Young Park )
7,100
초록보기
The purposes of this study are to explore in what metaphoric system the transcendence shown in Park Mok-Wol`s middle period poetry 『Ran·Gita(蘭·其他)』 and 『Cheong-dam(晴曇)』 generates poetic meanings and tension by employing Hrushovski`s metaphor theory and to unveil his conceptual expansion and aesthetic renewal in this process. In chapter 2, it is discussed that the material metaphor is formed in Park Mok-Wol`s middle period poetry and his transcendent desire is embodied. This chapter shows the aspects of mutation, from human level to material level and from material level to God`s level. In chapter 3, it is discussed that the plant metaphor is formed in his middle period poetry and his transcendent desire is embodied. This chapter shows the aspect that human level is mutated to plant level such as `tree` or it`s `fruit.` In Park Mok-Wol`s middle period poetry, which is formed plant metaphor and material metaphor, his transcendent orientation for overcoming the existence of the limitedness is being meaningful. By analyzing transcendent metaphor system shown in Park Mol-Wol`s middle period poetry, this study has a distinction from other studies that has discussed poetic awareness in the same period poetry.

완전한 존재를 향한 불가능한 꿈 -최재서의 "국민문학" 담론의 심리 구조-

이원동 ( Won Dong Lee )
6,000
초록보기
Choi Jae-seo attempted to change korean literature`s direction, because he judged that the korean culture was split. He thought that the cause of this situation was the Western ideas as culturism, individualism, and rationalism, and suggested an alternative as nationalism armed with Japanese spirit. But he still used the culture as the concept of center in his theory. He defined culture as the best value, which needed to disseminate. Certainly, the best value meant nationalism armed with Japanese spirit. On this wise, culture as the best vale was the method of overcoming the spilt between the intellectual and the people, the family and the individual, the consciousness and unconsciousness. Meanwhile, the discourse of Choi Jae-seo`s kukminmunhak, in so far as he dined culture as value, was not perception but belief. His theory was ideology as a fantasy and illusion. After the 1943, He overtly emphasized the importance of increased production and martial spirit. This time, he thought the korean didn`t understand the nationalism armed with Japanese spirit, he thought that`s the biggest problem. He thought korean had the talent to be a excellent worker and soldier, but they did not have the nationalism armed with Japanese spirit. Therefore, he hoped that the korean intellectual enlightened the korean people. But They did not do that. In the end, Choi Jae-seo`s theory produced an effect that korean`s lack, this means, they didn`t understand the nationalism armed with Japanese spirit.
6,200
초록보기
This study aims at identifying correlations between perception and walk of life of Kim Uk(金億) who concerned poems of modern times in Chos□n,(朝鮮) Dynasty by understanding his intension and purposes of translating Tagore`s collection of poems, Gitanjali. In particular, Kim Uk in the 1920`s published his own various collections of poems starting with Dance in Agony and was totally fascinated by Gitanjali after he published its translated version. This is not unrelated to the fact that Tagore won the Nobel Prize for Literature as a non-Westerner as well as a poet in India which was a colony of Great Britain. In other words, Kim Uk recognized similarities of the ideas appearing in Tagore`s Gitanjali to those of Westerners, which resulted in mistranslation in generally translating thou from Christian perspective along with translating thou which is a god as a poetic subject appearing works in Gitanjali as a king. In the perception of Kim Uk who sought for the ideology and mentality that the modern poems in the Chos□n, Dynasty had to pursue, there was the international poet Tagore representing the East representing the East, and as a result of consideration on the reasons Gitanjali could be recognized in the West although he was a Easterner, he made mistakes translating thou as a king. His translating process embodied Tagore as a Eastern poet who became an international poet and attached contemporaneity as a same Easterner to Tagore. This is related to desires of contemporaneity to capture situations that the world of poetry in Chos□n, Dynasty had to pursue in order to be included in the international literature. These points are the results of lack of understanding the perception on the East as other appeared from when Yeats evaluated Tagore and it can also be an implication of the contradiction recognizing the East as others of the West from when Tagore was called as the representative poet in the East.
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