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논문검색은 역시 페이퍼서치

어문론총검색

Eo Mun Lon chong ( Korean Language and Literature )


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1225-3928
  • - 간행물명 변경 사항 : 어문논집(~1963)→어문론총(1964~)
논문제목
수록 범위 : 53권 0호 (2010)

지역어 자원의 문화 콘텐츠화를 위한 방안

강정희 ( Jeong Hui Kang )
5,100
초록보기
This thesis is to discuss the possibility of developing regional dialect as cultural contents and its problems. The result of the discussion is as follows. Firstly, there have been no discussions about the development of regional dialect as cultural contents at all. Secondly, making endangered regional dialect as cultural contents is one of the ways to preserve regional dialect. Thirdly, the absence of professional scholars is the biggest problem in this developmental process. Fourthly, academic organizations for training cultural story telling, and raising authors are necessary.

지역문화자원의 스토리텔링 전략과 가치창조 -이사부 사례를 중심으로

이창식 ( Chang Sik Lee )
7,200
초록보기
The civilization cultural resources which includes an local cultural assets is becoming the source of cultural-contents industry. Wherever Hanryu(Korean Wave) and glocalization are emphasized, the discussion is active for the original form and the true identity of local culture and intangible cultural assets. In this writing, the substantiality of the cultural study and the future as a matter of cyberspace were discussed through Isabu`s original resource. Also it pays attention to the discussion of faction(fact + fiction) genre. Gim Isabu faction creating industry is progressive. Isabu contents depend on the historicity and the credibility as sources. The important thing for Gim Isabu digitalization is to procure original resources. It is also important to create value and character in a story. In the main text, methods for storytelling of Isabu were presented. The cultural contents industry has a competitive power. Even though research and creation are two different ways, the application technique of fundamental study and the mass culture goods of scholar civilization are looking for new routes by sharing the result of a specific theme and storytelling marketing. The instances which show the force of fusion educational system are abundant. The scattered cultural heritage in every area will be also transformed to a old product which shows future values by new creators. The status of the humanities will procure the identity and authenticity as a strong basic learning for continuous creative industry.

구상문학관의 현황과 발전 방향

김재석 ( Jae Suk Kim )
6,100
초록보기
This paper is made to grasp the present state and to study the direction of development on the Gu Sang Literature House in Waegwan. Its problems are summarized as two: one is weak locality of this literature house and the other the poor management programs. Gu Sang, the poet was born in Seoul and even when he stayed in Waegwan, his contribution to this community was not so much. Moreover in his works there are few whose background and atmosphere was Waegwan. So the programs which make up for these weak points are necessary, nonetheless the present situation is not. Now only the writing class is run and so it is urgent to develop the programs which lead to local residents participating. To overcome these problems, it is crucial to examine the core of Gu Sang`s literary world. It was the Korean War that connected Gu Sang with Waegwan. In his literature the war is dealt with great consequence so it is needed to relate this fact with Waegwan. This connection between the characteristics of his literature and Waegwan makes it possible to establish the theme of ``the peace beyond war.`` He thought that we, Koreans didn`t fall into the feeling of being victimized though we went through the terrible war and tried to seek for the hope to overcome the ruins of war in human beings. His awareness like this was well reflected in this theme. If Gu Sang Literature House can change into the Theme Literature House of ``The Peace Beyond War``, it can be the unique literature house in the world not to mention in Asia. To develop into the Theme Literature House of ``The Peace Beyond War``, the project exhibition will have to be substantially held. Centering Gu Sang, the various materials on peace and war must be exhibited. If we deal with only Gu Sang, it will be difficult to continuously secure the small themes which can attract visitors` attention. However if various small themes on Gu Sang and the literature of war and peace are enlarged, many meaningful project exhibition can be held here. To do so, securing the materials during the Korean War and the original copies of works which belong to the literature of war is very important. That is, to make sure fully the materials which play an important role in the literature of war and peace will be able to hold the high leveled academic seminar, which will contribute to enhance the quality of Gu Sang Literature House.

담화 자료의 비언어적 요소의 전사 방법 연구

김현강 ( Hyun Kang Kim ) , 송재영 ( Jae Young Song ) , 신유리 ( Yu Ri Shin )
5,700
초록보기
This study aims to examine the necessity of analysis of nonverbal elements on discourse, and describe the method of discourse material transcriptions. In previous studies, discourse analysis has focused on verbal elements. Nonverbal elements, however, take an important role in communication: not only does it complement the verbal element. The non-verbal element substitutes or conflicts with the verbal elements expressing a different meaning from the verbal elements alone. Therefore, for a complete understanding of discourse, nonverbal analysis is foreseeable. In this study, we will analyze head movement, face expressions, upper body and lower body movement, hand movement, and smiles. These are all nonverbal elements that happen between communicators in person during exchanges. Background pictures, sound effects, and subtitles are also considered to be nonverbal elements of communication though the difference between the two groupings are face-to-face exchanges; and video-type exchanges such as television programs where the exchange would be between the show and the viewers. Since this will study will focus only on television programming, further studies will be needed to satisfy the various purposes of discourse studies. This study will focus on building the transcription and annotation criteria of nonverbal elements on discourse analysis. Diverse genres of discourse should be added. Developing a program to transcribe and annotate the nonverbal elements simultaneously with the verbal elements, should also be included in later studies.

"말다"의 문법적 위상 정립을 위한 통시적 연구

박지연 ( Ji Yeon Park )
7,300
초록보기
This paper addresses a diachronic study on the grammatical status of ``malda``. ``malda`` in modern Korean has shown a little attention on the grammatical category as a result of grammaticalization. This present study is an analysis of ``malda`` within ``grammatical category`` and its diachronic changes in historical corpus. The grammatical category of ``malda`` was ``middle verb`` in middle Korean. Middle verb has usages of transitive verb and intransitive verb, and in diachronic change middle verbs were divided into transitive verb and intransitive verb by morphological changes. ``malda`` was not separated into transitive verb and intransitive verb but becames grammaticalized. This change occurred especially during the period of 18C to the early part of 20C. A two-pronged approach which are ``grammatical category`` and ``diachronic changes`` takes it as a focal point for solving problems related to ``malda`` in modern Korean.

"달-[熱]"의 통시적 파생어 분화

송지혜 ( Ji Hye Song )
5,800
초록보기
``Dal-``(달-) has been a simple word and also a base of derived verbs ``dari-``(다리-), ``dalgu-``(달구-), ``dalhoi-``(달호이-) and so on since the 15th century. ``Dal-``(달-) has meant ``heat up`` since the 15th century in Korean. ``Dal-``(달-) is used with [+solid], [+liquid] and abstract nouns. ``Dari-``(다리-) showed up since the 15th century is analysed into a base ``dal-``(달-) and causative suffix ``-i-``(-이-). ``Dari-``(다리-) was used with [+liquid] or [+solid]. When ``Dari-``(다리-) was used with [+solid], it meant ``iron``. And there was ``dalhi-``(달히-) in the 15th century. There were derived verbs analysed into a base ``dal-``(달-) and causative suffix ``-Xo/Xu-`` in the 15th century. Those verbs were ``dal-o-/dal-u-/dalgu-/dalho-``(달오-/달우-/달구-/달호-). These verbs were used with [+solid], especially ``metal``. There were derived verbs analysed into a base ``dal-``(달-) and causative suffix ``-Xo/Xu-`` and passive suffix ``-i-`` in the 18th and 19th century. Those verbs were ``dal-ho-i-/dalhoi-``(달호이-/달회-). These verbs were used with ``body`` or ``face``, and meant ``flush``.

문장과 담화 층위에서 본 상투어의 기능 -"사과, 감사, 호명하기를 중심으로

조민정 ( Min Jeong Jo )
7,400
초록보기
The lexical meaning or discourse meaning of "choisonghamnida, sillyehamnida, kamsahamnida, yoboseyo" etc has been studied separately in lots of researches. But these expressions are different from other verbs and words in syntactical, morphological, and pragmatical perspectives. For example, these have closed property in morphological, conventionality in some situation, and what is more these are used as discourse meaning and discourse markers in discourse. So this study proves that firstly, these expressions like "choisonghamnida, sillyehamnida, kamsahamnida, yoboseyo" are classified as "Conventional routines" in Korean Education based on these common characters. Secondly, These expressions have basically lexical meaning, and routines in some situation and discourse meaning and function as a discourse marker in a discourse.

노계(蘆溪) <상사곡(相思曲)>의 내용적 특성과 그 의미

김성은 ( Sung Eun Kim )
6,400
초록보기
is a Gasa work of Nogye that is known to public thanks to the discovery of "Yeongyangyeokjeung" in 2004. is not far different from other works of Nogye in a sense that it incorporates similar or same phrases used in other works and adopts expressions used in precedent literatures. However, the substance cordially contains ``adoring heart to other party`` which is under debates that some former researchers interpreted it as admiration to the King whereas others interpreted it as pitiful love of man and woman who are not able to meet. A teller in a poem is a projection of the writer. The substantial characteristics of based on the teller`s character and recognition is that this poem exposes male teller to the surface, and the ``adored other party`` is recognized as an Absolute. The teller misses but resigns to meet again so the poem exposes the teller`s sorrow and pain but no concern or anxiety for his adored one without blaming. Nogye did his best as a soldier facing war, but he chose to return to home town when the war ended because of the changed social aspect that soldiers were no more respected and now despised. But when he returned to home town, he found there was no servant remained so he had to farm by himself. Furthermore, inhumanity among people was spread and his family became poor because he could not take care of them during the war when he was a soldier. Nogye tried to overcome the situation with Confucianism but he was always suffered with internal conflicts due to sorrow of frustration and lingering desire to promote himself being high class officers. Such conflicts are found in the that the teller, as a man, misses the ``adored party`` and describes himself so sad and sorrowful but eventually the teller resigns and returns to ordinary life. The reason why is excluded from the collection "Nogyeseonsaengmunjib" may be because it describes the writer`s internal conflicts relatively honestly so is not thought to be appropriate for a collection like "Yurimjeon". Nevertheless, is not seem to be a poem which decribes a loving heart for a woman, judging from the fact that it recognizes the value of the adoring party so much, it misses the adoring party without blaming, and the writer wrote this poem for a government officer ``Sangju Busa`` though he was younger than the writer.

지역문화콘텐츠의 장기 지속을 위한 인력 양성 방안

김광욱 ( Kwang Wook Kim )
5,500
초록보기
Although the term of ``cultural contents`` has been used over 10 years in human studies including Korean literature, there are still many people who ask back what ``cultural contents`` are. Looking back on the point when literature and cultural contents began to be combined, we can find that there was mutual cooperation between academic and industrial circles having expectation that it would help solve each other`s difficulties. In the beginning, academic discussion was mostly the type of reporting cases to develop cultural contents; however, since there was no proper methodology then, it was just basic-step discussion to grope for better methodology by sharing their trial and error through case report. Yet, this was just mere basic-step discussion, but the ultimate goal is to generalize or theorize individual problems found in each case or draw a structural system from it. Now is about the time for us to move our focus of discussion to more macroscopic and structural problems in order to find out ways to produce high-quality cultural contents. If literature does not include cultural contents as its study area temporarily, it is needed to grope for measures to continue the cases to make literature as cultural contents longer. This article has examined what university should do in order to foster an environment that can develop local cultural contents consistently in the industry of cultural contents. Largely, it can be summed up as education, research, and establishment of infrastructure for social entry. This paper suggests several measures such as educational processes to cultivate expert manpower, research to excavate materials to produce high-quality local cultural contents, and cooperative networks between industrial and academic circles to supply export manpower favorably. However, the measured suggested in this paper are based on limited experiences of some universities, so this discussion exhibits a clear limitation. There could be difficulties in applying those measures to other universities as they are for expansion, and sometimes, such consideration itself may not be impossible. This needs to be regarded as trial an error and continue to be modified and complemented for improvement. It is thought that such process itself is the course to establish sustainable infrastructure for local cultural contents. To point out problems in universities, this study chose as the subject of criticism ``the storytelling contest`` of a local autonomous entity a little distant. It is quite a safe method for a university to maintain some distance from a local autonomous entity or a company and shoot an arrow of criticism in the name of commercialism or administrative opportunism. However, to do so, the situation is not very favorable in the inside or outside of universities. The field that can provide substantial support from theoretical perspectives should be aided aggressively. ``Culture`` is not something that can change with an individual or a field but an area requiring far stronger mutual cooperation since ``cultural contents`` ranging over the area of industry. Even though businesses of local autonomous entities to revive their local culture seem bureaucratic and ineffective or companies related with cultural contents look tinged with commercialism, it may be the time to regard them considerately as partners generating culture that can give impression and happiness to the public living in this era.
6,500
초록보기
This paper started with an aim to identify the popularization strategy of Kim, kyo-je novel in 1910s. He was a professional writer belonging to 『Oriental Seowon』(東洋書院). As writers belonging to a publishing company have a tendency to be influenced by its business policy, the popularization strategy of profit making, which 『Oriental Seowon』 pursued, was seen in the novels of Kim, Kyo-je as well. When 『Oriental Seowon』 resumed in 1912, novels were produced and published in its own printing house and bindery. Because it was thought that publishing companies would experience financial difficulties without selling books. So the active popularization strategy made the publisher print novel series with an intention to show the differentiation from classical novels. In addition, books were sold at a discounted price, and at branches and by post for customers in the country. Kim, Kyo-je also tried to make his novels popular actively to sell his novels to the public. Considering the fact people were internalizing Confucian ideology due to Japanese policies in the Japanese compulsory occupation period, he placed the preservation of Confucian value as an axis of the narration in 『Chiaksan』(치악산) and 『Microscope』(현미경). In other words, the novel reflected the public`s desire and psychology. In terms of the public`s desire, the translated novels were the same. As the public`s curiosity on the West was increased when Joseon became civilized, Kim Kyo-je gave a good deal of space to the introduction of western civilization in 『Airship』(비행선) and 『JijangBosal』(지장보살) to correspond with the public`s desire. Readers continue to read books because of mainly their curiosity and inquisitiveness. Unless information is provided, readers cannot help stop reading to gratify their curiosity. Kim Kyo-je used the cancellation and disclose of information resulting from reversed narration as a popularization strategy. The control between cancellation and disclose appeared in both creative novels and translated novels revealed the fact that Kim Kyo-je complied with the management policy of Oriental Seowon to pursue profits with maximized sales. However, it was said that their popularization strategy was not successful. There was excessive competition between publishers in a small book market with limited number of readers. Discounted price proved it well. The publishers at the time usually sold books at a discounted price, which led to press publisher`s finance seriously hard to their closing, not economic gains. At that time, in spite of those various strategies 『Oriental Sewon』 and Kim Kyo-je failed in selling books due to the tough situation like this in a book industry.
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