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논문검색은 역시 페이퍼서치

어문론총검색

Eo Mun Lon chong ( Korean Language and Literature )


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1225-3928
  • - 간행물명 변경 사항 : 어문논집(~1963)→어문론총(1964~)
논문제목
수록 범위 : 54권 0호 (2011)

한글 필사본 음식조리서의 텍스트언어학적 연구

안의정 ( Eui Jeong Ahn ) , 차경희 ( Kyung Hee Cha ) , 남길임 ( Gil Im Nam )
6,900
초록보기
The purpose of this paper is to analyse the aspects of the change in 17-20th century Korean culinary manuscripts from a text linguistics point of view. To achieve this aim, we undertake a diachronic research of the diachronic corpora which is composed of 27 culinary manuscripts. In addition we analyse some modern Korean cuisine recipes to reveal the text linguistical differences between historical culinary manuscripts and recipes on these days. In section 3, we investigate the characteristics of macro structure of culinary manuscripts and figure out hierarchical structure of theme. In section 4, we look into the characteristics of micro structure of them regarding the notion of reacceptance. The reacceptance is one of the most importance mechanisms for textual cohesion, especially in the expository theme-development text such as cuisine recipes, read-me and so on. For this we undertake quantitative analysis of reference items and reveal the change of the mechanism. In section 4, we demonstrate empirical evidence of variation between the recipe texts of the early periods and those on these days, and demonstrate the process of dramatic changes within and acorss texts over time.

<게우사>에 나타난 "가정"에 대한 인식과 그 의미

유귀영 ( Gui Young Ryu )
6,500
초록보기
A novel "Geusa" vividly shows Joseon`s social circumstances in the 19th century. There are three main characters in this novel: Kisaeng Yuiyang, Walja Moosook and Moosook`s wife. The purpose of this study was to examine the awareness of the three characters on ``family`` based on earlier discussions about this matter. As for Yuiyang`s way of looking at family, she just sticked to the socially accepted contemporary paradigm and sought after life stability. Moosook was indifferent and irresponsible for his family though he must play the central role as the head of the family. His wife tried to manage her household, but she was just one of passive and ordinary contemporary women. Concerning the meaning of family for these characters, they placed significance on financial conditions as a means to establish and maintain family, and such a view was linked to the contemporary social circumstances of the 19th century. Basically, there was a vertically hierarchical order in family. The head came first, and then his wife and concubine respectively ranked second and third. In this novel, however, the hierarchical order was reorganized depending on their weight, namely how much each of them took the initiative in their family. Yuiyang was given the most weight as she was most active in managing their household, and Moosook was of the least significance. That was the reverse of the hierarchical order of contemporary family members, and it seemed that it was rooted in the change in values in the 19th century`s Joseon Dynasty.

<회심가>의 이념구도와 청허 사유 체계의 상관성

전재강 ( Jae Gang Jeon )
6,100
초록보기
The monk CheongHoe is considered one of the famous Seon muster of the middle Choseon dynasty. He composed one piece of Buddhist Gasa named in Korean, lots of Gatha(偈頌)s and essays in Chinese throughout his life. He differed from other monks by his composition of Gasa in Korean and Gatha in Chinese, and especially in his way of Buddhist teachings and the way he expressed it in his Gasa. I studied the relationship between and CheongHoe`s thinking style. Firstly, I found that CheongHoe expressed his thinking frame of the accord between Confucianism and Buddhism, Seon and chanting in his . He thought the ideal Buddhist paradise named JeongTo(淨土) is same to the ideal Confucious paradise named YoSoon world. So he persuaded all general people to practice Amitable(阿彌陀佛) chanting and Confucian ethics at the same time in order to go to the Buddhist paradise named JeongTo(淨土) and the ideal Confucian paradise named YoSoon world. But next to this, he taught the Buddhist people the JeongTo practice that is the way of chanting in his Gasa . And he introduced two kinds of chanting those are the westhern JeongTo(西方淨土) and mind JeongTo(惟心淨土), and explained how to chant them each. Plus he described the all Buddhist people doing chanting practice, although they were Seon muster in the later part of his Gasa . Secondly, I researched CheongHoe`s thought which were the accord among Confucianism and Buddhism, Taoism in general thinking, the accord among Seon Buddhism(禪) and theoretical Buddhism(敎), chanting Buddhism in Buddhist thinking. Even though he insisted two kinds of accords among them in his life, he expressed the accord between Confucianism and Buddhism, Seon and chanting in his . The reason why he expressed the accord between Confucianism and Buddhism in his Gasa is that he intented to propagate Buddhism more widely and effectively in Confucian Choseon dynasty without severe criticizing from Confucian people. And he expressed the accord Seon and chanting in his in order to let more people follow chanting practice. In addition, I confirmed the fact that the Seon muster CheongHoe is the writer of Gasa by comparing the Buddhist Gasa with CheongHoe`s thinking style. He expressed the accords between Confucianism and Buddhism, Seon and chanting in his in order to propagate Buddhism more widely, in order to have more people practice chanting.

정지용 시의 탈근대 정서 연구

권정우 ( Jeong Woo Kweon )
5,900
초록보기
This paper aims proving that we can find out post-modern emotion in Jeong, Ji-yeong`s poems. He considers that mystique is very important in modern society. Mystique in his works can`t be found out in classic works of literature. Natural wonders is ideational in classic works of Traditional society, but we can be instilled with a sense of awe when we read Jeong, Ji-yeong`s poems especially his Mountain poems. He shows off his real sensibility in his poems. In his poems poetic narrator has the view of a modern, but he already realizes the worth of tradition. By the sense of mystique he critics modern society in which people can hardly feel mystique.

기행문에 나타난 제도와 실감의 거리, 근대문학

박진숙 ( Jin Sook Park )
6,500
초록보기
The Survey and Preservation Work of Historic Remains in Korea, enforced under Japanese assimilation policy, is closely related with travel essay. Travel courses projected as school excursions or group sightseeing mostly coincides with the place of this work. These school excursions and group sightseeing have contributed to formation of sightseeing courses as well as popularization of travel. The objects of these travel projects were encouraged to return to writings, which resulted in producing the essays of school excursion, sightseeing, and pilgrimage to old capital cities. Consequently, the agents, who produced these travel essays, should be explained with the contemporary policies or systems. On the other hand, the distance between system and real experience feelings is made into a narrative device owing to the reflective characteristics of travel. As a result, the group sightseeing courses appeared as plots in full-length novels at the end of Japanese rule over Korea. There are narratives with which each protagonist of those novels are bringing the agonies of life to a settlement through the courses of P`yongyang, Kumgang Mountain, or the Wonsan Beach, etc.. These narratives can be said to be results of real experience feeling and reflective characteristics, which were the genre protocols of travel essays.

최재서의 문학과 정치: 낭만주의론과 지성의 의미 변화

박현수 ( Hyun Soo Park )
5,900
초록보기
Choi Jae-seo`s Criticism is based on the sense of balance between literature and social or political consciousness by Yeats`s romanticism. As reviewed in his early essay on Yeats, his pro-romanticism was, not only superficial knowledge, closely connected with his emotions and experiences. Even focussing on the limit of romanticism in some essays, he did not deny all the possibility of romanticism. In his essays on intellectualism(modernism), the conception of intelligence also was revised in the category of romanticism and the sense of balance. His intellectualism was the detail modification of those. He appropriated ``intelligence`` from the romantist point of view. He found out intellectualist methods to overcome the limit of romanticism. For that reason, he always placed high value on ``the ordering of romanticism``. His sense of balance in his early essay on Yeats was maintained in his theory of intelligence. In the early essays, ``intelligence`` was neutralized notion without any value judgment. After 1937, the notion was changed into something associated with social or political consciousness. Irrespective of a subtle difference in meaning, the two notions were altogether well-balanced conceptions between intelligence and outward politic action. But had lost this sense of balance, he put his heart and soul into pro-fascist activity that emphasized the importance of politics. In that activity, his well-balanced intelligence(``action as un-acted action``) gave place to ``muscular activity``. His pro-fascist activity was a tragic result of the wholly failure of his sense of balance.

전봉건의 전쟁시 연구

이승규 ( Seung Gyu Lee )
6,400
초록보기
The paper considered the war poetry of Jeon Bong-Geon by dividing his life into 4 periods. The paper tried to show the meaning of his war poetry in the modern poet of Korea as well as his poet world by researching the war poetry, which has been biased to a certain period or has been treated fragmentarily in his poet world. The war poetry of 1950s reflects his experience in battle field and shows powerful modernism effect. His poet is meaningful in that it displays the sense of field and embodies anti-war consciousness by escaping from the habit of war poetry supporting the ideology of current system. He created poet that contemplates war or expresses a negative recognition directly in the period of war. He did not consider the realistic alternative plan but selected eros as the orientation of poet. In 1960~70s, he wrote the war poetry groping and healing the wound of war in daily life. 「6·25」series in the middle of 1980s has the characteristic to testimony history and oppose war by using repetition technique and displaying the figure of heartless war and the tragedy of human in front of war. Jeon Bong-Geon constructed his unique reality orientation beyond modernism by introducing war to the center of poet, facing reality and history and embracing them.

미디어와 그 시적 은유에 관한 소고

이주열 ( Ju Yeoul Lee )
6,300
초록보기
The 21st century has shown us the creation of different form of new media such as smart phones and Twitter, evolved from cell phones and computers. This paper shows detailed research on forms of poetic metaphor in the earlier times. First, using television as the material, poet Park, Nam-Chul introduced "display" media as a work of art. Here, we can find the form of poetry in which image and sound are simultaneously converted to the type image. Although the technique used in the poem is as destructive as the characteristic clarity of television, it also conceived the aesthetics of sizzle metaphor, making it possible to predict the sense organ of the text Next, poet Ha, Jae-Bong showed in his poem anonymity and openness of the internet, one of the most powerful forms in popular culture established until this day. Fitting to the internet communication characterized as non-linear, non-linear metaphor is bred to keep order and stability while appearing as chaos at the same time. This paper or analyzes the instability of the poetical circles that are not only being deprived of attention from the popular realm and academia but are also showing signs of mutual lack of interest among themselves, and focuses on the role of the public reader as a remedy to this. First, a direct survey was conducted to investigate the attitudes held by members of society toward poetical works. Despite the fact that as long as poetry is an art it should display the rigorous creative spirit demanded of those aspiring to reach the highest stage of artistic culture, with few exceptions many so-called poems published today are merely combinations of insipid words or enumerations of sentences that are apparently devoid of any kind of serious contemplation. This is also a general problem of Korea`s literary community in which literary magazines constantly spring up like mushrooms after rain. Thus many professional readers - literary researchers or critics - are still holding poets accountable for the problems of these works and looking for answers from among them. but this paper puts forth the perspective that it is not appropriate to place all responsibility for the atrophy of the genre known as poetry on the poets.
6,100
초록보기
"Mal"(language) in the novels of Seo Jung-in functions as a means of perception for the world not merely of writing. Mal, as a principle of thought, comprehends the ins and outs of the novel, including the theme, narrative character, descriptive principle etc,. Starting with measuring the gap among Mal, writing, and life, Seo`s works have sought for the answers of ``Why write?`` and ``How to write?`` This tendency stands out as a change of form in written in 1980s and then the expansion in . Noticeably, the dialogues in and are far from daily words and filled with extended length of knowledge ranging from the eastern to the western civilization and the past and the present, appearing quintessentially unfamiliar. Figurative language uses, symbols and references in the novels of Seo demand that the readers be equipped with fresh approaches. In this way, Seo`s works reach to the tragic contemplation of Mal, which he has pursued throughout his writing career. The conversations in novels frequently deal with Mal, while they trespass the boundaries of time and place, steering through mythology, history, philosophy and ideas. Especially in the philosophical pondering on the issue of language, Seo tries extended fields not only of Confucianism, Buddhism, Taoism, but also of Plato, Heracleitos, Greek Mythology, Ezra Pound in terms of views on language, economy and history. All this aims to enlarge the territory of Mal by reading it with fresh view on the legacy of eastern and western ideas. Focusing on pairing principles like chaos versus order and natural form and transformation, Seo pursues the change and expansion of the notion of Mal. The progress from chaos to transformation shows the essential strategy of Seo`s writings which maneuvers Jung Myung of Confucianism, Nature in progress of Taoism and perspectives on language and economy of Ezra Pound. This internal modification emerges on the surface of Seo`s writing after , abandoning the traditional form of novel.
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