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논문검색은 역시 페이퍼서치

어문론총검색

Eo Mun Lon chong ( Korean Language and Literature )


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1225-3928
  • - 간행물명 변경 사항 : 어문논집(~1963)→어문론총(1964~)
논문제목
수록 범위 : 57권 0호 (2012)

경북지역 구비문학 연구의 현황과 과제

김기현 ( Gi Hyun Kim )
5,600
초록보기
This paper examines the Present state and Research-Direction of Oral-Literature on Gyeongsangbuk-do district. To this end, for things were examined : first, the Research of a present state, the scope of genre are folklore, folksongs, song of shaman, Pansori, Talchum[mask-dance], riddle, proverb. ; second, the research-direction of Oral-Literature ; third, the research of Oral-Literature that need to be dealt with in the future, as well as their present and future ; As a result, the conclusion is reached that research of a Oral-Literature is always engaged with the present, No matter how long the item of Oral-Literature have been transmitted, if it is not researched in the "hear and now", then it cannot be said to be an item of Oral-Literature. Also, the methods of transmission as well as the content transmitted must change according the changes in the environments of our lives. Just as languages are formed, grow, and become extinct, items of oral transmission, which are comprised of words, are also formed, grow, and become extinct. That is, item of Oral-Literature find their significance as constantly changing entities that exist in the present, not as fixed entities. The objects of research of Oral-Literature, inclusive of folk culture, has diachronic and synchronistic feature. therefore Oral-Literature has to research into syntagmatic-relationship and paradigmatic-relationship on Oral-Literature and move trans-disciplinary view-point develop new method.

영남권 섬진강변 언어의 문화 공간적 의의

김정대 ( Jung Dae Kim )
6,900
초록보기
This paper is intended as an investigation of what is the characteristics of the borderland language from the viewpoint of reformational direction, by surveying a part of Hadong regional dialect in Gyeongnam, used in Seomjin Riverside facing Yeongnam Area. The subjects of investigation is as follows: First, sentence intonation and simple vowel system in the phonological aspect. Second, interrogative sentential endings in haera style(해라체) and objective case marker in the morphological-syntactic aspect. Third, ``ha-(do)`` generic verb, ``na(me), neo(you), jeo(himself/herself)`` personal pronouns, ``saekki(straw rope)`` and ``balchae(wicker rack attachment for an A-frame pack)`` in the lexical aspect. We could find out five important facts through this discussion as follows: Firstly, in the many components such as phonological, morphological, syntactic, lexical and semantic ones, Hadong regional dialect keeps parallel pace of the characteristics with other Gyeongnam regional dialect, although we didn`t refer to every one of them in this paper, Secondly, some parts such as sentence intonation, eul/reul accusaive case marker, ``ha-(do)`` generic verb and ``saekki(straw rope)`` are influenced strongly by Jeonnam regional dialect. Thirdly, the personal pronouns of Hadong regional dialect such as ``nae (내), ne(네) and je(제)`` corresponding to standard forms of ``na(me), neo(you), jeo(himself/herself)`` respectively are a series of words whose center of the reformation is Hadong and whose influence spreads around some areas. Fourthly, the forms of interrogative sentential endings in haera style(해라체) show us very interesting paradigm, because there are admixture of Gyeongnam or Gyeongsangdo style of dialect(-go?), Jeonnam or Jeollado one(-nya?) and that is peculiar to the Hadong one(-ne?) in the forms. Fifthly, we think the simple vowel system in Hadong regional dialect was established on the system of Gyeongsangdo regional dialect and was affected some elements of Jeollado regional dialect. But it seems that this subject requires more efforts.

근대 영남지역 문인의 사상적 지향과 지역성

박현수 ( Hyun Soo Park )
5,800
초록보기
This paper is aimed at examining the locality of Yeongnam region in Korea and the philosophical orientation of modern writers in Yeongnam. Modern writers in Yeongnam region were influenced by the ideas of Yi Whang, ``Joori theory``(theory which was developed independently in Korea from Chinese dualistic philosophy of Chu-Hsi and stressed particularly the role of the formative or normative elements, Li, as the basis of the activity of Ki). Later, they turned from Joori theory to socialism. It can be called ``third conversion`` in Korean Modern literature. Their conversion was achieved on the basis of the affinity between Joori theory and socialism, idealistic world-view and attitudes toward emotion and reason. Therefore this conversion is not a absolute break away form Joori theory, but an interim break away. It can be called ``Confucian socialism`` or ``conservative progressivism``. It is the locality of Yeongnam region in Korea and the philosophical orientation of modern writers in Yeongnam. Because of this locality and the philosophical orientation, the works by modern writers in Yeongnam had hybridity. They had various literary tendencies and wide variations. But this locality was incompatible with modern literature. In the end, this locality precluded modern writers in Yeongnam from becoming desirable modern writers.
5,900
초록보기
As a category of basic vocabulary, body lexeme is provided with strong characteristics of extended meaning. As a result, there can be several polysemy expansion derived from the basic meaning. The paper will do some comparative analysis on polysemous words of "얼굴" and "瞼", in order to distinguish their correspondence and disparate in the field of semantic extension. By the analysis, we can confirm that the characteristics of polysemy expansion of the two languages are made up by factors of motivation. The primary meaning of "얼굴" in Korean language is self-respect, and the secondary meanings are appearance, expression, face, judge, reputation, represent, central part and soon. We can find that the factors of motivation, such as the similarity of main body and function, contiguity of main body and attribute, approach in spatial position and the similar of parts and whole, play an important part in the process of secondary meaning expansion. It can also be named as trope according with the regulation of metaphor and metonymy. Then we can see the word "瞼" in Chinese language means face in primary meaning, and expression, appearance, dignity, front in secondary meaning. Compared with "얼굴", the secondary meaning of "瞼" is slightly simple because there are no meanings like judge, reputation, represent orcentral part, so the vacant positions filled with map, person, symbol. As there are common ground in 4 meanings of "얼굴" and 3 meanings of "瞼", they can be taken shape in correspondence. The secondary meaning of front in "瞼" can not be found in "얼굴", so that can be considered as their disparate. Furthermore, the surrounding space meaning of front can not be showed in Korean language,it also reflects the similarity of above and forward in the body. In conclusion, by the comparative analysis on the meaning of "얼굴"and "瞼", we can find that the correspondence or disparate comes from the homogeneity of cross-culture and the heterogeneity of language environment. From this we can find out there are community in cognitive habits and fields at all times and all over the world. It also shows that secondary meanings of the two countries are influenced by differences in language environment in history, custom, tradition, modes of thought and experience.

융합성의 관점에서 본 훈민정음의 창제 원리

백두현 ( Doo Hyeon Baek )
8,200
초록보기
This paper addresses various elements that converged in the Hunminjeongeum script system and discusses their origins and characteristics. Foreign, traditional, and originally adapted elements converged in Hunminjeongeum as in a process of chemical fusion. By identifying these elements and analyzing aspects of how they work, this paper tries to explain principles central to the creation of Hunminjeongeum. This analysis of elements that merged in Hunminjeongeum and their operating principles will contribute in a major way to understand the principles behind the invention of the Hunminjeongeum script. The first section presents the definition of convergence used in this paper. In the second section, assuming that the Hunminjeongeum script system is an entity in which various elements fused, I identify and analyze individual elements and examine their implications. The third section discusses each element`s significance according to the range of its application: some elements were applied only partially in the invention of the script system, while others played a role throughout the entire process. In the fourth section, I divide all elements into three categories, "foreign," "traditional," and "original," and discuss their significance. If I may apply architectural metaphors to these elements, they can be summarized as follows. The elements of Sung Confucianism implied in Hunminjeongeum - the three basic components theory, the five elements theory, the yin and yang principle, and the way of Xiangshu (images and numbers) - correspond to the (theoretical) bases of the Hunminjeongeum script system. The trisect syllable structure and the principle of final sounds using the same consonants as initial sounds, designed after the Phags-pa script and the traditional Korean borrowed-script system, are like the pillars of the building. The five speech-organ system and the clear and thick sound system, taken from Chinese phonology, as well as the three concepts of "tongue retraction," "sound depth," and "mouth-retraction" - original adaptations of Chinese concepts for the vowels - correspond to the tools that cut the lumber and chisel the stone. The invention of ideographs imitating speech organs for the shape of initial consonants, the system of adding strokes according to the force of the sound, and the hieroglyphic design of basic characters for vowels, imitating the sky, earth, and man, are like the design principles of the building. The principle of adding strokes to the predesigned basic forms of vowels and using compounds is the most original of all the principles used in the invention of Hunminjeongeum. The combination of all the above-mentioned methods resulted in the construction of the house of Hunminjeongeum. King Sejong`s goal in building this house was to make the lives of his subjects easier. The structure of Hunminjeongeum that King Sejong built is one in which many elements from foreign and traditional scholarship as well as an originally developed methodology converged. In this study, I try to analyze the multiple dimensions in which various convergent elements operate and to understand their significance. Hunminjeongeum can be seen as a crystalloid in which various theories of foreign scholarship, a traditional borrowed-script system, and the original adaptation of pre-existing concepts converged creatively. The Hunminjeongeum script system is the result of the creative convergence of these various elements with in the brilliant mind of King Sejong.

부산의 공간성과 언어문화

이근열 ( Geun Yeol Lee )
5,600
초록보기
Having a specifically bound geographical domain as its common ground, a dialect is a region-specific language that represents the values of the concrete regional area. Speaking of the Busan region, it is the very area that has experienced a number of social transformations caused by various historical factors and incidents. In the course of its societal shifts, Busan has encountered full-scale structural transformations which are attributed to numerous factors including occasional changes in the administrative districts, the migration of the Korean-War refugees, and the new inflows of industrialization-induced population, Such a transformation is still on the rise. Situated in the periphery of the Gyeongsang Province, Busan continues to generate its own unique culture. And many locality-specific aspects of the Busan culture exhibit a great deal of semblance with the linguistically represented counterparts currently prevailing across the region: its culinary culture, ball-game culture (exclusively in the baseball stadium), singing-room (a.k.a. Noraebang) culture, film festival culture, Jagalchi (fish market) culture, and so forth. Taking the ball-game culture for instance, the baseball craze can be interpreted as a sign of the local solidarity in relation to the migrating population, Such a peculiar trait-derived from the unique historicity-has demonstrated a tendency to increase the general frequency in the use of a certain register or idiomatic expression like ``Uriga namiga`` literally meaning "Are we strangers to each other? (Of course not!)". And this kind of peripherality-based solidarity often gets expressed in the form of a bold and blunt utterance, a particular prosody, and a simplest stylistics and, quite intriguingly, is viewed as the explicitation of the spirit of resistance. The cohesive force thereof can grow bigger and faster. In terms of the film festivals held annually in Busan, the underlying component and driving force can be said to be the general tolerance of the Busanites, the coast-side population once considered to have weak cultural infrastructure, The Busanites` sense of tolerance-the ability to put together, watch, and listen to diverse stories of others impartially-has been consolidated by their own experience of a cross-cultural understanding obtained through its modern history of heterogeneous cultural formation. This kind of cultural uniqueness, too, sees similarities with the mode of linguistic reception in that foreign elements of different tongues get accepted and integrated into a single framework. To sum up, as is conspicuous in the examples provided, the culture of the Busan region shows that the particular properties and traits of its language are entirely dissolved in the culture itself. If viewed from a Gyeongsang-Province-based perspective, that is, with the Gyeongsangdo`s common conceptual constituents (i.e. cognitive universals, if there is any) set as the main criteria, Busan`s cultural attributes may be (mis-) translated as something quite discrepant and peculiar only. But, on the other hand, such characteristics can be understood as salient realizations of its unique integrative and cohesive framework when the main focus is placed on the cultural-cognitive properties of the Busan region, which are constantly under the influence of its unique locality.

행정용어 사용에 대한 정책적 개입 현황과 과제

황용주 ( Yong Ju Hwang )
5,800
초록보기
In this paper were classified as direct intervention and indirect intervention on the administrative terminology use. And in this paper discussed the enactment of pre-and post-intervention status that Framework Act on the Korean language established a new turning point in the Korean policy. Also a way to reduce the current administrative term used for the problem was presented. Not directly intervene in the administrative term used for primarily take issue foreign language is the use of foreign characters (Roman) and difficult to use. Policy makers, however, be taken seriously on this issue is. Part of the Nation to intervene in the use of language is in the public sphere. Administrative term public domain because it will be less side effects, according to the Nation`s use of language intervention. Rather a term for an administrative policy interventions can help people`s understanding. Public language that can be easily and accurately understand the rights of the citizens.

<동도악부(東都樂府)>의 문학적 형상화와 "동도(東都)"의 의미

손대현 ( Dae Hyun Son )
5,900
초록보기
The purpose of This study is to explain what is the core story of by Kim Jong-jik and it`s functionalities, although the rich and powerful period of the Silla Dynasty was the periods after the unification of three nations, he figured the former period in . First of all, it supplemented mutually In case of describe the historical facts and poem separately in by doing deliver atmosphere and emotions when historical events happened more effectively. It is also making instructive intention can be delivered to reader exactly and burningly by reappearing Shilla ; Dongdo(東都), through harmony of various method and form of description. And Kim Jong-jik who was choosen the areas that focused on Shilla, especially Dongdo, and the historical facts that correspond closely with Confucian instruction, was reappearing Dongdo by choosing the main character to the upper class ; nobility, who were lead the nation. This were materializing effort of subjects to embody the ideal world. But People lived very painfully due to natural disasters and the violent of corrupt officials in Yeoegnam area(嶺南) at his time. So he appreciated as important selecting government official and the role of scholars for improving of the very poor reality in Yeoegnam area. Therefore, his positive awareness of the Dongdo was function to the opposite clause criticizing the very poor reality in Yeoegnam area and to the critical mechanism criticizing the reality of the positive. And it was functioned the justification to strengthen of the control of Confucian scholar for the country. In these meaning, was the work that Kim Jong-jik`s ideal to embody the ideal world to realise the principles of royalty was expressed.

신라 설화에서의 존재 간 소통 양상과 의미 -삼국유사 자료를 중심으로-

이강옥 ( Kang Ok Lee )
6,500
초록보기
This article investigates the diverse relationships between people and people, people and the divines, people and ghosts, and people and animal or plants in the folktales and anecdotes of the Silla period. The stories in the Silla era functioned as facilitating the relationship between people and people more flexible, and helped solve difficult problems of the society. The unbriddled imagination of the Silla people enabled them to have relationship with other beings. In the stories of Silla appeared dragons, diverse kinds of animals, plants, ghosts, Buddha, and Bodhisattva. Open-mindedness of the Silla people not only made it possible to have relationship with other beings but widened the space of their meetings. This obliterates the boundaries between the living and the dead, this world and the other world, the terrestrial world and the celestial world, etc. They are not disconnected with each other. They meet together and communicate with each other. In Silla stories, dragons, diverse kinds of animals, plants, ghosts are connected to one another, and appear as independent beings. As independent beings, they can understand the language of people, and can express their thoughts and feelings to people. They have serious problems or special intentions. So They talk about their own problems and intentions. As results, they sympathize and communicate with each other, and obtain good outcomes. These characteristics correspond with the Buddhist teaching that we should not be attached to anything in this world and transcend all the discriminations.

상주문화권 시가문학 연구

이상원 ( Sang Won Lee )
6,000
초록보기
This study set out to establish the concept of the Sangju Cultural Area and examine the characteristics of the literature of poems and songs in the cultural area. The Sangju Cultural Area is one of the six small cultural areas of Yeongnam, encompassing Mungyeong(문경), Hamchang(함창), Sangju(상주), Seonsan(선산), Gaeryeong(개령), Geumsan(금산), Jirye(지례), Seongju(성주), Indong(인동), and Chilgok(칠곡). The Sangju Cultural Area is geographically characterized by high in west and low in east, claims a unique linguistic status as the language of northwest Gyeongbuk, and has comprehensiveness to embrace many different ideologies. The Sangju Cultural Area was compared with the Andong Cultural Area to see whether those characteristics were also found in its literature of poems and songs. As a result, a couple of characteristics were identified as follows: first, as for the attributes of authors, the authors of the Sangju Cultural Area were aggressive with going into government service compared with their counterparts in the Andong Cultural Area. Second, as for the genres, Gyeonggichega(경기체가), which was created in abundance in the Andong Cultural Area, was not found in the Sangju Cultural Area. Instead, Gasa(가사) took a huge percentage in the Sangju Cultural Area. Third, as for the perceptions of literature of poems and songs, while they valued usefulness in the Andong Cultural Area, they gave priority to lyricism in the Sangju Cultural Area. Finally, the Sangju Cultural Area put importance on comprehensiveness in the aspect of literature by embracing the literature of Yeongjwa and that of Yeongwoo and combining the poems and songs of Yeongnam and those of Honam.
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