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논문검색은 역시 페이퍼서치


The journal of chinese language and literature

  • - 주제 : 어문학분야 > 중어중문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1226-735x
  • - 간행물명 변경 사항 :
수록 범위 : 68권 0호 (2019)


崔秢僔 , 關美
중국어문학회|중국어문학지  68권 0호, 2019 pp. 7-31 ( 총 25 pages)
The DongfangShuo of the Han Dynasty were not only a humorous, witty and ridiculous madman, but also a literary courtier who was versatile and politically motivated but unable to perform. However, with the evolution of the times, more miscellaneous miscellaneous stories and folklore have appeared one after another. Influenced by the thoughts of Buddhism and Taoism, the image of DongfangShuo is constantly evolving and gradually transformed into a dignified god. Under the background of cultural communication and communication in the Han culture circle, the unique image of DongfangShuo was also introduced to South Korea through word of mouth or documentary. The Korean literati reinterpreted according to their own comprehension and triggered the legend of the DongfangShuo. In the later generations, when the image of the DongfangShuo is reshaped, it incorporates more of its own subjective feelings, in order to obtain the sustenance and comfort of the soul, because people of all walks of life can find their own psychological needs and satisfaction in the DongfangShuo. With the influence of religion and the pursuit of the people, DongfangShuo’s evolution from the historical image to the legendary image gradually got rid of the embarrassment of the autocratic imperial power, and pinned the people’s longing for freedom and eternity with the image of the happy world.

당 대력(大曆) 시기 강남 시회

중국어문학회|중국어문학지  68권 0호, 2019 pp. 33-56 ( 총 24 pages)
After An Lushan Rebellion, in Yuezhou (越州) or Huzhou (湖州) areas were poetry gatherings initiated by literators and poet monks that gathered to regional governments and to communicate each other. In early Dali era, Bao Fang (鮑防) and in mid- and later Dali area, Yan Zhenqing (顏眞卿) were in the center of those poetry gatherings in Yuezhou and Huzhou, respectively. These local government officials provided writing environments that are relatively liberal away from the political authority. leading to an opportunity for the literary writing become freed up from existing poetry dogma. For the literators participated in Jiangnan area’s poetry gatherings, literature was not a method of expressing their concepts on the feudal ethical code or moral discipline any more, nor a method to show up to high official for their successful career. Rather, literature was just a way to express themselves and a method to make every endeavor for mutual communication or amusement. Generally in poetry gatherings, they used writing methods of same themes (同詠) or different themes (分題) or else different rhymes (分韻). However, Jiangnan’s poetry gatherings had a certain characteristics of an experiment from the liberal atmosphere and amusement and made lots of phrases-linked poems (聯句詩) or lyrics (歌詞). This is different from the practices of Chang’an Ten Dali Talents, in the same era, who mostly used different themes and different rhymes or made Fenghe poems (奉和 詩) and replying or reply-offering poems (贈答詩). This is because phrases-linked poems were more adequate for the characteristics of sociality, sociability, amusement, and/or experiment. This explains that those poetry gatherings had changed into a gathering that is more like a romantic and art-appreciating ones oriented to literary writing and amusement, leaving off from political authority and having relatively liberal recognition on poem writing. Also in Jiangnan area poetry gatherings, they tried to learn about literators of Southern dynasties’ such as Xie Lingyun (謝靈運) or Wang Xizhi (王羲之) and returned to the poetry traditions, delicate and artful. These, affected after mid- and later Tang dynasty’s poems to become more like Southern dynasty’s ones. Literators in Jiangnan area affected later era’s literature via communicating in poetry gatherings and enhancing writing artfully. Meng Jiao (孟郊) participated in Jiao Ran (皎然)’s poetry gatherings in Huzhou. He led research writings with Han Yu (韓愈) through the experiences of the poetry gatherings. Gu Kuang (顧況) also participated in the Hangzhou poetry gatherings where Jiao Ran actively participated. Later, these two became the core of the poetry gatherings in Chang’an or Jiangnan’s Su-Hang (蘇杭) area.
John Webb’s An Historical Essay Endeavoring a Probability That the Language of the Empire of China is the Primitive Language is a most interesting text in the history of Western Sinology. It uses many sources, including the Christian Bible, Jesuit texts about China, records of Chinese history, and western texts on universal language and history. Using these sources, Webb asserts that the language of China is the primitive language in Genesis. Antiquity, simplicity, generality, modesty of expression, utility, brevity are its proofs. In todays view, Webb’s theory is very absurd and inaccurate. However, in the development of Western Sinology, it is very important because of its position as the first Western text that enquires the Chinese language. Until recently, Western Sinology or International Sinology has not been fully acknowledged in Korea. An observation of John Webb’s book gives us a chance to research the historical background about the Western knowledge on China.
3D animation < White Snake(白蛇: 緣起) >(2019), which was produced as the source narrative as one of the four major Chinese old story, is considered to have successfully implemented the artistic status of traditional Chinese aesthetics. In this study, we analyzed the aesthetic sensibility that this animation embodies, focusing on the ‘Yi-xiang(意象)’ and ‘Yi-jing(意境)’ of ‘Piao-yi(飄逸)’ as the Chinese traditional aesthetics concept, which are based on the Taoist ideology. This study is a consideration of the artistic landscape pursued by traditional Chinese aesthetics and the way its aesthetics combine with modern high technology, and a basic work for the systematicization and modern application of traditional Chinese aesthetics. The aesthetic concept of the term ‘Piao-yi(飄逸)’ followed the theorem of Ye-Lang(葉朗), a Chinese philosopher. He showed that the concept evolved from the mental horizon of 《Zhuan-zi(莊子)》 philosophy’s concept ‘You(遊)’ to the artistic aesthetic sense of ‘Yi(逸)’ and shaped specifically in poetry of Tang dynasty(唐詩) and a landscape drawn in black and white(水墨山水畵). 3D animation < White Snake(白蛇: 緣起) > succeeded in shaping the traditional Chinese aesthetic concept mainly through the harmony of the character’s shape and spatial background. Through this analysis, we could also confirm that the concept of traditional Chinese aesthetics serves as a major driver of artistic creation even in China’s modern popular culture.
The movie The Wandering Earth(流浪地球), which was released across China on Feb. 5, 2019, and set the second-highest-ever box office record following Wolf Warriors(戰狼)Ⅱ, not only became a huge hit in China, but also brought about a kind of cultural syndrome. Chinese media have claimed that the previous perception that successful SF films can only be made in Hollywood has been shattered by the success of The Wandering Earth. And they praised The Wandering Earth for paving the way for a Chinese-style SF, not a typical Hollywood SF. They said The Wandering Earth’s success was made possible by the addition of Chinese narratives to large-scale capital and high-tech, which are essential for SF films. But there are other reasons why The Wandering Earth has gained more attention than box office success in China. That’s because The Wandering Earth is a film that embodies the ideology of the “a community with a shared future for mankind(人類命運共同體)”, a key discourse of foreign policy pursued by the Xi Jinping regime. What is the “a community with a shared future for mankind” ideology and why has it emerged so important at this point? The “a community with a shared future for mankind” has emerged as a key ideology for discourse competition with the U.S. and has gained important strategic value as a justification and propaganda tool for carrying out the “The Belt and Road Initiative(一帶一路)” project. Taking a look at the process of establishing the “a community with a shared future for mankind” ideology as a core discourse of foreign policy and giving important strategic value by linking it with “The Belt and Road Initiative” after the 18th Chinese Communist Party Congress, we can see how China is trying to establish relations with the world and the U.S. and lead in what direction.

최근 중국문제 독해를 위한 방법적 시론

중국어문학회|중국어문학지  68권 0호, 2019 pp. 135-156 ( 총 22 pages)
This thesis is a kind of research note for comprehending China issues that have become a global topic nowadays. This could be a methodological attempt to connect the ‘reality’ as actual feeling and ‘studies’ as system. Under this context, this thesis focuses on the attempt to form the ontological thickness or method of realistic state called China. The China issues exist in the form where the issues in diverse layers are entangled with each other. The current topic is the ‘One Belt One Road’ which is promoted by China while the United States has raised the trade dispute as an action to it. However, the origin should be understood in the aspect of self-motion of capitalistic world system after the World WarⅡ. The change in the coordinate and status of China within the capitalistic world system becomes a fundamental reason for this conflict. However, considering the recent trend of discourses, the width of issues seems to be beyond the level of modern capitalistic world system. Currently, the power games between China and the United States are going on surrounding the norms of civilizational history and hegemony of order. At least, the issue of ‘civilization’ has been considered as reality in the field of discourse for a long time. Unavoidably, this kind of expansion of reality asks such fundamental questions about connotation and denotation of ‘Sinology’. In the future, the sinology should embrace this thickness created by reality.

한자능력시험 선정 한자 고찰

文英喜 , 文準彗 , 朴智英
중국어문학회|중국어문학지  68권 0호, 2019 pp. 157-177 ( 총 21 pages)
This paper concretely contemplates 3,500 Chinese letters, the first-grade in Chinese letter proficiency test, that are carefully selected by three institutions, The Society for Korean language & literature(한국어문회), Korea Association for the Promotion of Hanja Education(한자교육진흥회), Korea Test Association(대한검정회) respectively. Among those three institutions’ selection of first-grade letters, the following paper has identified 3,022 of common letters and found out each Chinese letter varied greatly in terms of level(grade). Also, explanation of the Chinese letter showed a difference from one institution to another in the extent of 12% to 30%. Such variations make the contents of learning differ severely depends on which institution the learner chose, and it is considered to affect learner’s Chinese letter proficiency ability heavily. Therefore it is inappropriate to be taken as nationally certified examination. The effort of the three institutions unifying the selection of Chinese letter and matching grades and explanation on each Chinese letter for diminishing confusion and increasing the reliability of the certified examination is needed.


중국어문학회|중국어문학지  68권 0호, 2019 pp. 179-194 ( 총 16 pages)
The study takes the use of the pronoun “Benzun(本尊)” as research object, using BCC corpus we have made an investigation and analysis of some related materials. Firstly, we focus the discussion on the semantic and pragmatic analysis from the synchronic angle. Secondly, we explore the grammaticalizational process of “Benzun(本尊)”. Lastly, we explain the main reasons of formation and the use of the pronoun “Benzun(本尊)”.

이중 언어 말뭉치와 분석기 개발

중국어문학회|중국어문학지  68권 0호, 2019 pp. 195-239 ( 총 45 pages)
Corpus dealing only with a single language has been used in the past in corpus linguistics. In recent years, however, bilingual corpus that deals with multiple languages beyond its limits started to appear along with the emergence of the bilingual corpus analyzer exploiting this concept. The existing analyzers are mostly monolingual, however, and there are only a few corpus analyzers that handle two languages simultaneously. In this paper, the author will analyze the existing corpus analyzer and present a new corpus analyzer model that collects all necessary functions for language research.
The paper analyzed the current status of Chinese curriculum restructuring in the secondary schools based on the types of reform classified by a review of previous studies on curriculum restructuring. It further designed a teaching model to activate the integrated theme-based class which is not widely implemented and examined its effectiveness by expert reviews. It was observed that most Chinese education restructuring in the secondary school classrooms assumed passive types of change. Content adjustment such as removal, addition, or replacement was being actively implemented regardless of the school level or the instructor’s teaching experience. On the contrary, order adjustment elicited similar rates of positive and negative responses, while more experienced teachers tended to show a lower rate of practicing the adjustment. Furthermore, more active reform was not widely carried out, such as using self-developed in-house textbooks or integrated theme-based class. Based on such status quo, a model of integrated theme-based class was devised and its efficiency was investigated involving the actual teaching of in-service Chinese teachers. The result revealed that the model conformed with students’ interest, the purport of the curriculum and future-oriented line of education. It was also evaluated as a class that made students familiar with Chinese characters, that helped them get closer to peers and that helped them have a better understanding of artistic shapes and expand their ability to express.