Kim Chunsu left the stamp of his own individuality on a world of poetry, nonsense poetry, through deconstructive imaginations and unique experiments. 「Cheoyongdanjang」,regarded as his masterpiece in the nonsense poetry, resists and reacts universal awareness that represents realities and worlds such as history, ideology, and violence.「Cheoyongdanjang」is still regarded as the nonsense poetry―even though Kim Chunsu wrote psychological trauma like distress and anxious that human being feels. He is, in my opinion, apoet who poetizes it through unusual experiments and symbolic representations. 「Cheoyongdanjang」`s part 1 shows reveries of the boy, Cheoyong, dreaming beautiful world and methods of romantic irony. Part 2 indicates amusing experience of self-reflexive trauma, which comes out of an unconscious desert in extreme reveries. In part 3, Kim Chunsu heals his trauma by writing poems, and which represent, expose, and dismantle the violence of history. Part 4 appears his poetry spirit; he pursues nihilistic world recognizing difference or``everything is infinite`` as paradox. 「Cheoyongdanjang」depicts Kim Chunsu as a human being and recreate dramatically lonely childhood, adolescence, and senescence. This essay considers ``nonsense`` as inexplicable, not meaningless; he embodies the constant repetition of ontological pain. Life is not dialectical, metaphysical. We live in a dream world; we do not know. That is to say, life is meaningless. The works examined in this paper demonstrate the healing process of Kim Chunsu who turns his trauma into universal experience by writing poems. A more new approach to Kim Chunsu`s poetry is needed in order to develop programs and methods that make people experience the process of healing by reading poems; although they are not literature major.