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논문검색은 역시 페이퍼서치

> 국문학회 > 국문학연구 > 16권 0호

국문학연구검색

Journal of Korean Literature


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 반년간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1598-2076
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 16권 0호 (2007)

허균의 불교적 사유의 형성과 <山狗偈>

김풍기 ( Pung Gi Kim )
국문학회|국문학연구  16권 0호, 2007 pp. 7-29 ( 총 23 pages)
5,800
초록보기
Sanguge(山狗偈; The Tale of a Mountain Dog) is art allegorical work of Heo Gyun that portrayed the subject by otherizing it. It has the quality of allegorical poetry or fable that criticizes the people by setting up the other, the target of criticism, as the allegorical character. Simultaneously, it shows the aspects of takjeon(托傳), a literary form that expresses oneself through some other character, such as the dog in this case. If we could say that the other exists in the place of absolute exteriority that escapes the eyes of the subject or the self, we could discover a strange mixture between the self and the other. That is, there is the mixture of the self that places the other on the outside and the self that desires the other. This could provide some clue as to how Heo Gyun`s Buddhist ideas were formed. In his late teens, he read an enormous amount of Buddhist texts when he befriended the Buddhist monks since he came in touch with them as the friends of his second eldest brother, Heo Bong. Hence, his Buddhist thoughts were being formulated, but with the difficulties going on in his real life, they were only captured as the ever faltering self or the shaky perspective. Sanguge was created within this context. On the surface level, fictional narrator is Heo Gyun himself and the dog is a being used to criticize the people. In this context, the life of the dog is what Heo Gyun aims for. He shows the character of the dog to rebuke and warn the people. However, the image of the dog is not used simply to show the internal landscape of Heo Gyun. An obvious narrator appears in the work, and through his words demand people to reflect on things by comparing human with the dog. This is the point where Heo Gyun`s text starts to show ruptures in thoughts. Even if the narrator was defined as Heo Gyun himself, he is still oscillating between the dog as the ascetic and the people who are still confined in their desire. He cannot support one idea dearly, and he simultaneously has both aspects. This reveals the characteristic of his ideas. It is negatively understood as ambiguity, but it is also perceived as an important space where different thoughts are accepted, marinated and the new avenue of thoughts are opened, Sanguge is an important work that shows this particular internal landscape of Heo Gyun.

주체와 타자의 시각에서 바라본 여성영웅소설

이지하 ( Jee Ha Lee )
국문학회|국문학연구  16권 0호, 2007 pp. 31-57 ( 총 27 pages)
6,200
초록보기
Heroine Novels have been evaluated reciprocally. There are opinions that these novels show strong consciousness of women because heroines achieve social success against men and deny the role of women under the men`s control. On the other hand, some insist Heroine Novels still expose the ideology of Confucian Patriarchy. This paper examines these problems on the viewpoint of the Subject and the Others. In these novels, heroines who struggle with discord between sex and gender establish subjectivity through they deny women`s role and dress up as a man. In this case they contribute to show women`s capacity and confirm equality between men and women. These novels deserve attention in that point considering circumstances of the late period of Joseon Dynasty which tighten control of women. However these novels have limits not to accomplish subjectivity of general women because heroines can not perceive the trobles as general problems of whole women and they try to overcome personally and neglect somebody to achieve their success. As a result, Heroine Novels have significance in raising attention to women`s problems under the strong patriarchy, but at the same time they have limits that can not get thorough recognition of women`s condition and proper solutions.

우리말 노래 창작의 사상적 기반 -주체와 타자에 대한 담론을 중심으로

임주탁 ( Ju Tak Yim )
국문학회|국문학연구  16권 0호, 2007 pp. 59-101 ( 총 43 pages)
8,300
초록보기
From the era of the Silla Dynasty through that of the Joseon Dynasty, the cultural elite of Korean society had been deeply involved in the composition, transmission, and preservation of the songs composed and sung in Korean, adjusting their attitudes whenever their ideological stance on the Korean language and the idea of the self changed. A rough chronological outline of significant historical moments in this regard is as follows: 1. Gyunyeo (均如) and Iryeon (一然), renowned Buddhist monks from the Goryeo Dynasty, recognized and emphasized that universal truth could be learned and reached through Korean vernacular, as well as through the Chinese language. Owing to this endorsement, the cultural elite of the nation participated actively in the production and consumption of Hyanga (鄕歌), popular songs orally transmitted in Korean, especially during the periods of national crisis, such as the invasions of the Kitans (契丹族) and the Mongols (蒙古族). 2. King Sejong (世宗) of the Joseon Dynasty was working on this very legacy when he invented the Korean alphabet Hangul and used it to compose Yong-bi-eo-cheon-ga (龍飛御天歌) to glorify his royal ancestors. In doing so, he provided his people, who could speak only Korean, with an opportunity to read and learn about the ancestors of the new dynasty, who, he believed, were now immortalized in heaven. 3. The idea that Gyunyeo and Iryeon shared with Sejong had gradually weakened since the lint half of the sixteenth century, when two Confucian scholars, Tweghyeh (退溪) and Yulgok (栗谷), developed alternative discourses on the Korean language. While Tweghyeh denied the value of Korean as a language for philosophical truth, Yulgok seems to have been more optimistic about the capacity of his mother tongue. Nevertheless, they both composed songs in Korean-respectively, Do-san-sib-i-gok (陶山十二曲) and Go-san-gu-gok-ga (高山九曲歌)-to describe the self-sufficient lifestyle of the Junzi (君子), or man of virtue, seeking truth in the world. Their emphasis on a premeditated set of rhythm in composition, however, provided an ideological basis for the syllabic verse known as Sijo (時調), which became popular among the cultural elite in subsequent generations. 4. Between the end of the seventeenth century and the beginning of the eighteenth century, another group of Confucian scholars noted that the popular songs sung by the common people might be in some sense more appropriate to express natural emotions of the Koreans than the highly artificial syllabic verse form of Sijo. Damheon (湛軒), for instance, maintained that the Koreans should distinguish themselves from the Chinese as they were the subject of their own thoughts and emotions. It was under the influence of him and his colleagues that the once-disregarded genre of Hyanga was rediscovered and revitalized to appear frequently in contemporary song collections. The history of the Korean songs had thus been affected by the ways in which the cultural elites of Korean society defined the relationship between the Korean and the Chinese language, and, consequently, by the ideas of the self or subject that they had cultivated. When they were able to widen their idea of the self to embrace the common people, the cultural elite of the Goryeo and Joseon Dynasties did not hesitate to recognize Korean as a poetic and philosophical language, whereas, when they needed to differentiate themselves from the common people, they disregarded the very linguistic medium that their social inferiors used to communicate and compose songs, as well.

문학 감상에서의 주체와 타자 -<혼쥐> 설화의 문학치료학적 감상과 교육적 가치-

이인경 ( In Gyung Lee )
국문학회|국문학연구  16권 0호, 2007 pp. 103-130 ( 총 28 pages)
6,300
초록보기
This research is to analyze "Soul-mouse story" in terms of literature therapy and apply them into the field of education. Where the literature classes are held is the field where student`s narrative, literary narrative and teacher`s narrative interact. Therefore, it is a big mistake that literature education has been focused on examining the literature itself or on simply implanting educators` viewpoints and philosophy to the students. The ultimate goal of literature education should be to enrich students` sentiments and their lives through literary works. In order to achieve this goal, educators` sentiment should be healthy. This research is to report examples of literature therapy attempted with the medium of folktales to enable students, who desire to teach Korean literature, to acquire sound self-narrative. As the result of this study, all students who participated in the literature therapy have admitted that their trauma was cured to a great extent and they got encouraged to realize their merits. In conclusion, this research proved that "Soul-mouse story" was very effective for them to be well-qualified teachers.

이응희(李應禧)가 시로 쓴 백과사전 <만물편(萬物篇)>에 대하여

이종묵 ( Jong Mook Lee )
국문학회|국문학연구  16권 0호, 2007 pp. 133-164 ( 총 32 pages)
6,700
초록보기
In the seventeenth century, the encyclopedic writing was introduced from China and the description of all things classified by a type was prevailing. It is notable that Yi Eung-hee, one common noble man whose anthology, Okdamyugo had not known to the world wrote the Poetic Encyclopedia, Manmulpyeon, based on this stream. Manmulpyeon followed the refined style as a poem, but the information about things the poem contains beats Jibongyuseol or Domundaejak, which were the similar kind of works, in quantity and quality. Furthermore, Yi Eung-hee produced a series of poems about all 47 kinds of mountain birds and water birds at that time, which was like a bird encyclopedia. The poem describing all things including nature in a series of poems by Yi Eung-hee was one of the most conspicuous works in Korean Chinese poetry history and cultural history.

<열녀함양박씨전>(烈女咸陽朴氏傳) 연구

최지녀 ( Jin Yeo Choi )
국문학회|국문학연구  16권 0호, 2007 pp. 165-186 ( 총 22 pages)
5,700
초록보기
This paper aims to clarify the close relation between main idea and formal features of Yeleohamyangparksigeon烈女咸陽朴氏傳, written by Park Ji Won朴趾源(1737~1805). A preface and main biography which is consist of two virtuous women`s story constitutes Yeleohamyangparksigeon. Superficially three parts look contradictory, the first criticize excessive dying of the women, especially in lower class, in defense of her husband`s chastity, the second introduces the anecdote of a old woman maintained her faithfulness to her husband in spite of her sensual desire and the third praises dead woman in lower class died for her nominal husband after holding his funeral. Preceding researches understood the main idea of the work is in the first or second and the third is just the gate to the first and the second. In their place Park Ji Won assumed critical attitude to the customs of virtuous woman, in consequence the application of the preface which is rare to the prose and the title role is almost meaningless. But the attitude to the customs of virtuous woman of Park Ji Won is explicitly displayed in the preface, that is he affirmed the faithfulness of the higher class women but criticized self destruction of higher class women and the faithfulness of the lower class women. The former message is presented in the third, the latter in the second. Also the contrast of two women`s story helps understanding the real inside of virtuous woman in Chosun-Dynasty.

19세기 시조창 대중화에 대한 재론

이유진 ( Yu Jin Yi )
국문학회|국문학연구  16권 0호, 2007 pp. 187-213 ( 총 27 pages)
6,200
초록보기
Many studies have claimed that sijochang spread to the lower classes to such an extent that it effectively became a popular genre in the 19th century, and this assertion is now generally accepted as fact. Considering that sijochang is not difficult to perform and can be performed without instrumental accompaniment, it is only natural that sijochang should spread. However, there is some doubt whether the ordinary folk in the 19th century enjoyed sijochang, which had been mainly enjoyed by the men of the upper classes and professional musicians in the 18th century. The arguments concerning the popularization of sijochang in the 19th century hitherto have depended on the existence of the anthology Namhuntaepyeongga, which was commercially woodblock printed in 1863. Many scholars have regarded Namhuntaepyeongga as a collection of sijochang lyrics and presented it asevidence of the popularization of sijochang in the 19th century. However, it is not clear whether Namhuntaepyeongga is a collection of sijochang lyrics intended for singing. There is the possibility that the main purpose of Namhuntaepyeongga was to offer an anthology for reading rather than for singing. This paper reopens the discussion of whether or not sijochang became a popular genre in the 19th century, based on materials other than Namhuntaepyeongga, and then carefully examines the purpose for which Namhuntaepyeongga was published.

국민대학교 소장 한글본 『동패낙송(東稗洛誦)』 연구

백승호 ( Seung Ho Baek )
국문학회|국문학연구  16권 0호, 2007 pp. 215-253 ( 총 39 pages)
7,400
초록보기
This essay studied the structure and the meaning of newly found Dong Pae Nag Song which is belonged to GugMin University library. Dong Pae Nag Song belonged to GugMin University library is written with gracious court calligraphy. It contains 8 fouteilles. It is a korean translated version of ancient chinese Dong Pae Nag Song. The aspect of translation in Dong Pae Nag Song belonged to GugMin University library is: first, while ancinet chinese changed with ancient korean, the specific information such as names, geographical designations were omitted or alternated with common nouns; second, the korean version Dong Pae Nag Song emphasized on a dramatic effect by extending the conversation between characters and showing the mental state of the character; In the translation of complicated chinese, it was summerized or modificated; fourth, there are totally original contents which were not contained in chinese version. This tendency means the korean version has narrative figures rather than informative figure because of changing language.

2006년도 구비문학 분야 연구 동향

정재민
국문학회|국문학연구  16권 0호, 2007 pp. 257-286 ( 총 30 pages)
6,500
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초록보기

2006년도 고전소설 분야 연구 동향

이지영
국문학회|국문학연구  16권 0호, 2007 pp. 287-306 ( 총 20 pages)
5,500
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초록보기
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