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논문검색은 역시 페이퍼서치


The Journal of Korea Culture Technology

  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 반년간
  • - 국내 등재 : -
  • - 해외 등재 : -
  • - ISSN : 1738-9755
  • - 간행물명 변경 사항 :
수록 범위 : 6권 0호 (2008)

일반 논문 : 북한의 한문학 연구동향과 한문 교육, 고전소설 연구 현황

전영선 ( Young Sun Jeon )
North Korea classifies Chinese writing with Archaism. The Chinese writing education is the level which learns a Chinese character from North Korea. North Korea sees a Chinese writing negatively. Language policy of North Korea is negative in Chinese writing research and Chinese character education. North Korea emphasized the purity of language at 1966 when introduces cultural language. The core of the trimming language enterprise was to Change a borrowed word with our language. The enterprise which is important is to change a Chinese writing with our language. In spite of Our language first of all policy, The Chinese character actually was necessary. Consequently From junior high school 1 grade, the Chinese character is teached. Learning revolutionary words is more important than Grammar and comprehension in Chinese character education of North Korea. Classical novel Is researched from the viewpoint of Cultural heritage protection. There are two kind meaning in classical novel. the one is made in old days, the other is to be dramatized In order to be culture the people. When it comes to dramatizing the classical novel, the important thing is reflecting a class consciousness well. The standard which is important the class characteristic appears well, including a patriotism.

일반 논문 : 북한 정권초기 문화 권력의 대중지배 전략 연구

김지니 ( Ji Ni Kim )
The research sees how did North Korea apply a culture and art, prepare what kind of policy and a system and operate, in order to educate north korea people, there is a goal which analyzes. The art for an art becomes fixed at last on 19th century latter halves. Until before the art religious, in compliance with a political goal for a proposal act and a purpose, or with political propaganda was created and was applied. Capitalism, the democratic nations entered and contemporary history circuit they guaranteed the freedom of infinity in art and the artist. Opposes hereupon, communism, the socialist states‘Art’and‘Artist’Even that must be provided, for the purpose which is ultimate and according to principle and rule of the nation. The society which is North Korea as well‘ The art’for an art ; Does not recognize.In North Korea‘Art’Comes true the silver political community and a politic subject with the tool for being recognized and being applied. From this research analyzes popular dominative strategy of cultural power in North Korea political power early stage. This research restricts in the timely object of the research which sees until the before middle of 1960’s. Until before middle of 1960’s the common people artistic organization, the artistic group, atristic spatial which is maintained, operated and completed. Even to 1960’s after that‘Artistic popularization’The popular dominative strategy of North Korea which leads a policy was continued. but, new organization and the group and space did not increase and were not magnified. The research which sees‘the poilcy of Artistic popularization’is how to lead and what kind of strategic organization and the group, space are propelled, and where the North Korea popular dominative strategy should have been come true bitterly . This research sees how did it applied effectively in politic realization, social change and crisis of north korea under the popular dominative strategy of North Korea.

일반 논문 : 시치료를 위한 시창작교육의 실제

김지훈 ( Ji Hun Kim )
This study intends to grope for another new methodology for the education of poetry composition. The education that has a simple process of 〈Composition→ Criticism〉can hardly lead to a desirable result any more to the generations that are closer to images rather than letters. It is urgent for it to create new contents. The term made by an American sociologist, David Riesman, ‘the Lonely Crowd’, tends to increase day by day. This has resulted in more ‘invisible patients’who are suffering from various mental diseases. Human beings are getting more fragile mentally and their value is greatly damaged on account of such incidents as the murder case in the middle of the street of the day, an arsonist setting fire to a national treasure to get attention, and the suicidal behavior from getting hurt in the off-line space. These are the faults resulted from the education that teaches‘Patience is a virtue that one endures even in absurdity in silence.’The author thinks that this is an absolute point of time to make as a contents the‘education of poetry composition through poetrytherapy’. Poetrytherapy is an alternative medicine using poetry and can be seen as a process for treating mental diseases like psychotic disorders. In other words, poetrytherapy has two attributes of prevention and treatment, and aims to analyze psychological factors and use poetry actively to resolve such problems unlike previous treatments depending on drugs or other kinds of medical equipment. Now is the significant time for the literary education to develop enhanced curricula or contents. In this sense, this article discussed as a method of literary contents, the‘educational practice of poetry composition for poetrytherapy(clinical cases)’. It develops its points including the first one,‘the time for active imagination’and the second one,‘the time for establishing self-identity. Active imagination is different from passive illusion of reckless imagination and is a method to objectify the images of unconsciousness actively and separate ego intentionally. In other words, active imagination is a work to interpret one’s emotion into certain phases. This has positive functions to be used in poetrytherapy as well as to express one’s dream and unconsciousness. The establishment of self-identity through poetrytherapy provides factors that enable a person to confirm his being and position in the virtual space of literary works, which has not been possible in reality. This process of space discovery is a good way to find self-identity.

일반 논문 : 최인훈의『광장』에 나타난 분단현실 인식과 의미 연구

김명준 ( Myoung Jun Kim )
This research is purposed to observe the character of ideology and the symbolic meaning of space in Kwang Jang. In addition, it presents how a writer recognized the reality of divided country and signified such facts with focusing on the writer’s reaction. Yi, Myoung-jun, the protagonist of Kwang Jang got furious and disillusioned at the dark side of ideology through experiencing three cases: ‘violence case at S police station’,‘self-accusation at Labor Herald’and‘a conflict with released hostage in the process of a neutral power’. In this novel,‘S police station’is judged as ritual place to resurrection and ‘a cave’is symbolized for the space of union and birth. It means that the writer switched external social despairs to internal love affairs. Yi, Myoung-jun, lived as a watcher between reality and ideal, finally did not overcome the conflict world and fell into the situation because of the rules of reality. His ideal dream revealed just a day-dream that cannot come true in reality. Eventually, he realized a neutral power, which he believed in a slim chance of new life, was merely‘an island in fantasy’, and then this seemed to be a natural conclusion of an ideologist. The writer, Choi, In-hun’s descriptive recognition basically leans on individual sense of western modern. He presents external society to come true and internal love to keep relation ship through a character. Furthermore, the writer symbolizes these two worlds for open square and closed room, and also hope for reconcile both. In order to do this, he has a descriptive strategy to show a conflict such as different ideology and hypocrisy power through figuring out a problematic individual.
This thesis is about Toistic features of several characters in Seong SeockJae``s novel named 「Hwang ManGeun said so」. Toist regards``return to nature``as the most valuable wisdom of life. Hwang ManGeun is the one who thoroughly keeps Taoistic life even though he is in trouble adjusting to a social system in his society. Hwang ManGeun has two different kinds of spirit. He believes people would be peaceful if they don``t pursue the value of wisdom (from Lao-Tse``s DoDukKyeong). The other belief is although people achieve something, they don``t try to get the profit of that achievement. This is the basic mind that Hwang ManGeun has and is how he manages society and neighborhood. In addition he practices the spirit of emptiness and criticizes the world which is suffering in poverty by greediness. Author``s viewpoint toward the world corresponds with the viewpoint of characters in his or her novel. Seong SeockJae``s writing is totally Taoistic itself." Small Talk"is one of the essential qualities of novel and is the same as the value of Taoist - returning to nature. This way of writing makes readers feel more comfortable and makes them realize that novels are in pleasure, not in seriousness.
Seok-joong Yoon called as a great master of children’s songs created about 1300 children’s song poems for 80 years. The central point of his extensive literature is a child’s mind. His mind of a child can be summarized as follows: It has no border and can talk with animals and plants, trees and stones, and all nature in the world. In his collections of poems How Thankful It Is and So Nice To Meet You that were published when Yoon was over 80, he said “hello”to nature such as animals, stones and plants. He recognized human being and nature in the same position like a child in these collections of poems, and his recognition was de-egocentric by giving the equal personality to objects or each part of body that we usually think just as useful medium, through having a positive conversation such as“ How thankful it is” or“ So nice to meet you”, and shaping ethical relation to them. Yoon’s rocognizing style reveals that human is not the only being that reigns over nature, ruins the environment and treats the life lightly by objectifying nature and the matters, based on the man-centered thoughts, but as a part of the nature, we should live together with them. His ecological recognition that is reflected in two collections of poems published when he was over 80, can be interpreted as his comprehensive recognition of literature, from the point of the evening of his life. In this material dominated, exceedingly competitive society, the ecological recognition of the world reflected in the collections of poems How Thankful It Is and So Nice To Meet You shows a way to harmonize human being with nature by our getting out of egocentrism and materialism. Also, it’s very meaningful to prevent human being from oppression by materials and let them think worthy themselves.

일반 논문 : 소설을 활용한 문화콘텐츠 스토리텔링 창작방법

최수웅 ( Soo Wung Choi )
Recently, it has various tried to create cultural contents with applying fiction in cultural industries. However, such tendency seems to look merely temporary phenomena. This is because there are lack of theoretical studies, although we can find few examples for evidence. Literature and cultural contents acquire meaning when the user appreciates them. Therefore, new methodology of creative storytelling will be desperately required. There are three ways to the methodology of creative cultural contents with applying fiction. To begin with, reconstruction of plot : In order to transform fiction into contents, it need to delete first the character of letter in its plot. It means that plot should be divided with story and description. Story which has universal feature will be used directly or applied some parts to the contents. However, description which reflects the character of a medium will be reconstructed into the new form of each genres. In this part, creators can add their own ideas. Consequently, storytelling is able to replace the function of plot. Second, storytelling focused on space : Through combination of time and space, fiction acquires concreteness and forms meaning. On the other hand, space is a crucial feature for progressing storyline in cultural contents. As a result, an unit of storytelling will be divided according to the change of space, and connected to next scene. Finally, construction of scenes : the step of making a scene produces several effects. At first, it expresses the time of happening in the specific part. Also, it realizes characters’mentality and psychology. In addition, creators can symbolize many informations through a special scene. It is expected that more effective methodology would be prepared in the process of transforming literary works into cultural contents.
進入現代社會以后, 中韓兩國都經歷了工業化和城市化的發展。 工業化和城市化的急速發展, 給廣大農村帶來了前所未有的變化, 其中大量剩余勞動力的産生和往城市的流動, 着實成爲蔚爲可觀的景象, 特別是在中國隨之大量農民的流入, 新産生了 ``農民工`` 這個最具中國特色的新詞語。 中國農民工這一極其普通的群體, 參與城市的經濟社會活動, 爲中國的工業化和城市化做出了極大的貢獻, 但是與他們的勞動力付出相比, 他們的待遇和所處的環境是極不相稱的。 "農民工", 這個稱謂的背后, 隱藏着太多的艱辛與苦澁, 不公與無奈。同樣在韓國的70年代工業化, 城市化革命中, 農村和廣大的農民成爲了無可奈何的犧牲品, 他們在韓國城市化中決不可能成爲主體, 農村被工業化所遺忘, 農民則被城市化所歪曲, 他們失去了世世代代生存的樂園, 隨着現代化的加速, 傳統的風俗習慣或文化得到否定, 人們賴以生存的廣大農村也隨之解體。在中韓兩國的這種現代化背后, 都存在市場原理的作用。 傳統農村社會的解體或大量農民的跨區域流動, 迅速進入了小說敍事當中。 在70, 80年代的韓國, 諸如李文求, 黃晳暎, 趙世熙, 宋基淑等作家在自己的創作中都反映了這一時期的重大社會變革, 以及在這種變革中的農村社會的解體, 農民的破産和無産階級化的過程。 在中國, 80年代, 特別是隨着改革開放更加深入的90年代而出現的大量農民工, 使作家都把創作描了廣大的農村以及農民, 去關注農村社會的變化, 塑造農民工的形象, 以此來反映了中國社會的巨大變革。 譬如, 從2000年前后開始國內絶大重要的文學刊物, 重要報紙都在刊登和報道城市農民工的生存境遇和勞動環境, 影視作品也極力塑造農民工的形象, 爲政府的決策提供了現實依据。 像賈平凹, 閻連科, 劉慶邦, 羅偉章, 孫惠芬, 李肇正, 荊永鳴等作家都創作了反映農村變革和農民工生活的作品。本論文將以羅偉章和李文求的農村, 農民小說爲分析文本對象, 以比較方法分析中韓兩國在現代化過程中農村社會以及傳統价値的演變在小說作品中的敍事方式, 分析現代化衝擊下的農民的流動特点, 從而探索兩國農民小說的異同点以及産生此類現象的社會文化原因, 試圖梳理中國農民工的形象特点以及未來的走向或出路, 對農民工帶來更加全面客觀的認識。
本論文以金學鐵的代表長篇小說『說파, 海蘭江』與『激情時代』爲中心考察了小說語言的公式性與非公式性즘樣근主題的表達方式聯系以及즘樣形成小說的敍述模式。 在本論文中所謂的小說語言幷不是單單的標准語和方言的問題, 也不是修辭學的槪念。 타是在社會, 理念的角度上用的, 又是直接參與內容與形式的一方面。『說파, 海蘭江』是金學鐵的第一篇長篇小說, 又是中國朝鮮族的第一篇長篇小說。 此小說以標准語與單一語言的構詞來嚴格遵守50年代中國的主流談論, 而且體現出公式文學的典型的特征。 但是80年代中后期創作的『激情時代』 通過풍富的方言的使用和以民衆談論爲基礎的各種各樣的語言的重新解釋體現出非公式語言的典型的特征。 同一個作家的小說在語言, 主題, 形式等方面體現如此明顯的差異更加鮮明地體現小說語言的社會與理念的特征.
本論文主要考察了近代以及近代性和現代主義文學槪念(定義), 也談論了其槪念的相互關系, 最后談論了現代主義文學在韓國文學中的特征。 近代以及近代性這個槪念在韓國文學中仍然有爭議, 與타關聯的現代主義槪念的理解也如此。 近代以及近代性, 現代主義槪念是不是自生的。 1930年代的韓國文學中出現的現代主義思潮是通過日本接受的西歐的東西。 現代主義思潮在西歐先興起, 西歐的現代主義文學具有非常濃厚的文明批判意識。 而韓國的現代主義文學把西歐的文明作爲追求的對象, 因此不像西歐的現代主義文學缺乏文明批判意識。 但是殖民地下的知識分子的彷徨和苦悶的描寫, 富有特定時代的氣息。 這成爲韓國的現代主義文學的特征。
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