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논문검색은 역시 페이퍼서치

중국산문연구집간검색

The Collected Papers of Chinese Prose


  • - 주제 : 어문학분야 > 중어중문학
  • - 성격 : 학술지
  • - 간기: 연간
  • - 국내 등재 : -
  • - 해외 등재 : -
  • - ISSN : 2234-4861
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 5권 0호 (2015)

論文 : 淺朝鮮半島변文述略

담가건 ( Jia Jian Tan )
5,700
초록보기
Korean Peninsula lies to the east of China. In its history, significant anthologies like Parallel Prose of Koreans(Dong Ren Zhi Wen Si Liu), Anthology of Korean Prose(Dong Wen Xuan) and so on to a large extent reflect the achievements of parallel prose. As early as 470s, a few of parallel prose written by Baekje civil officials were still in existence. Since then, eminent figures came forth with large numbers, and over a thousand year, parallel prose can be found in the collected works of literati in large quantities. The achievements of Ancient Korean parallel prose embody the affiliation shared by Chinese and Korean culture traditions. Furthermore, these works enjoy multiple document value out of their extensive concern for politics, diplomacy, learning and aesthetic.

論文 : 「東文選」“表箋”類作品編纂背景略論

진이추 ( Yi Qiu Chen )
6,100
초록보기
Tongmunson, compiled in the early period of Chosun Dynasty, is a 130-volume anthology collecting works of multiple genres. Thanks to the compilers especially governmental positions at Sung-mun-won, for whom it was convenient to collect literatures, the anthology included some 14 volumes of memorials and letters(Biao-Jian). That has a close bearing on the significance of memorials and letters in the Chosun Dynasty’s diplomacy and imperial examinations. In fact, the distinct editiorial way of memorials and letters in Tongmunson followed a previous compiling style of some collections of poems and essays, and that showed their own style: Merge entitled“biao-jian”was inspired by some Chinese reference books and Korean collected works such as Yang-Cun-ji, Han-Mo-Quan-Shu, also achieved the objective effect of maintaining the dignity of previous classics, Chosun Dynasty’s official documents such as “Jian”, etc. Under the partially influence of some compiling thinking reflected in Donginjimun-saryuk and Song-Pa-Bang, Seo Geojeong, etc. the compilers chose no title of secondary classification according to the content of memorials and letters in Tongmunson. Some details in the process of compiling embodied Seo Geojeongs’ intention to avoiding Tongmunson appeared the tendency of reference books.

論文 : 論海東“王、駱”任叔英的변文創作

권혁자 ( He Zi Quan )
5,300
초록보기
Ren Shuying was called "Xu-Yu, Sijie", is a famous parallel prose writer of joseon dynasty, and known as the "Integration of the military Pavilion preface" in China. Due to his own thoughts and the change of literature, also influenced by the literary atmosphere, so he opposed to parallel prose. But it was difficult to practice on account of in the imperial examinations, diplomacy, entertainment and so on in real life, therefore he produced ambivalence. For officialdom experiences fewer, daily topics presented is more, his prose mainly scenery lyric poetry, content and form is relatively free, it was rare in north Korea times prose creation. His creative characteristics can be summarized as: scenery description show multiple style, great articles grand and beauty, small pieces of fluent and seiko, with poetic characteristics; Daily practical writings are partialed to easy, artistic conception muddy melting.

論文 : 辭賦변句“事對”小議

허결 ( Jie Xu )
5,500
초록보기
In Liu Xie’s Dragon-Carving and the Literary Mind (Wen Xin Diao Long), he came up with four types of parallelism, namely, the lexical parallelism (“Yan Dui”), the factual parallelism(“Shi Dui”), the antithetical parallelism (“Fan Dui”) and the synonymous parallelism (“Zheng Dui”). He prone to quote sentences from Fu to uphold his idea that “the factual parallelism is difficult to write”. Such difficulties rest with both the “literary form” and “writing style” of Ci Fu, especially the latter aspect. The banality, absurdity and redundancy in writing Fu which are caused by the factual parallelism may to some extent explain the meaning of “difficulties” raised by Liu Xie. Besides, studying the factual parallelism in Fu composed before Tang dynasty, we can take a look at the application, development ,merit and demerit of the factual parallelism in parallel sentences among Ci Fu in such three aspects, that is, the changing of time, the selection of themes and the alternation of past and present. While Fu composed during the Western Han Dynasty prefer the lexical parallelism to the factual parallelism because the writers pay more emphasis on Confucian Classics Argumentation (Jing Yi), since the Eastern Han Dynasty, Fu-writers tended to use the latter type of parallelism more frequently out of their preference for historical facts. What’s more, the transformation of Fu from studying “Li” (Wu Li,the nature of objects) out of objects to understanding “Li”(Shi Li, the truth of affair) by using literary quotations also fit in with the tendency of historization in composing Ci Fu. As for the emphasis on “judging people by their eloquence (Qu Ren Yi Yan)” and the revival of the lexical parallelism which were put forward by people of Song Dynasty in their Fu composed for imperial examinations are of significance for the history of Fu in rendering introspection to the tradition of the lexical parallelism.

論文 : 從龍『筋鳳髓判』到『事類賦』 -“변文類書”小議

곽성 ( Xing Guo )
5,300
초록보기
“Genus-book of Parallel prose”,means a writing form to edit encyclopedia. From collecting allusions point, it belongs to Genus-books; while from organizing writing point, it is regarded as parallel prose. These documents are represented by Longjinfengsuipan in early Tang dynasty and Shileifu in early Song dynasty. The paper focuses on Genus-book of Parallel prose and discusses its process of origin, development and declining. Its evolvement and significant meaning in the Genus-book and Parallel prose history are also discussed.
6,100
초록보기
In Chinese literary history, 『Guoyu』 does not attract much attention. In fact, it deserves careful study not only from literary perspective but also from historical one. In this paper, by analyzing the intention of 『 Guoyu』``s writing techniques, it is believed that the historical material in 『 Guoyu』 is not selected in a casual way but centered on some consideration such as ruling by rite, people-orientedness, loyalty and pardon. 『Guoyu』 took records the word primarily history book, it``s content contains has loyally is massively crafty to the character, beautiful friendly disgusting appraisal.

論文 : 略談南朝변文之難讀 -以任昉文爲例

양명 ( Ming Yang )
한국중국산문학회|중국산문연구집간  5권 0호, 2015 pp. 101-123 ( 총 23 pages)
6,300
초록보기
Those paralleled prose composed during Southern Dynasties are mostly having a feature in common that in order to create novelty of literacy, writers tends to separate or abbreviate words when referring to classical allusions. A situation could be obviously observed that the connections between sentences and paragraphs are always implicational. This rhetoric device, as is called “Qian Qi Nei Zhuan” by pre-modern literati, endows readability with difficulty and otherwise creating a sense of aesthetic peculiarity. This thesis tries to analyse some of Ren Fang’s works as example, thus inducing some conclusions as a preliminary inquiry into this issue.
초록보기
This article aims to compare and analyse the contents and the forms of the two lettets, 「the letter sent again after 19days(後十九日復上書)」by Han Yu(韓愈) and 「the letter of petition for Sir Li Yijian(上門下李夷簡相公陳情書」by Liu Zongyuan(柳宗元). The two letters are similar in the contents of theawareness of the realistic situation, the view of an ideal politician, and the perspercive of men in power. Though, those are different in the attitude toward the perspective of men in power. Though, those are different in the attitude toward the conclusion of the comparison, the attitude toward self and society, and the conclusion of the comparison, the attitude toward self and society, and the attitude toward self and power. Through the contents of the letters, we can discover the view of “self”and “world” on Han Yu and Liu Zongyuan. Futhermore, we can also find that the letter of Han Yu tends to be Rational, while that of Liu Zongyuan tends to be emotional.

論文 : 張岱 散文 硏究

이은진 ( Eun Jin Lee )
한국중국산문학회|중국산문연구집간  5권 0호, 2015 pp. 140-163 ( 총 24 pages)
6,400
초록보기
The purpose of this paper is to analyze the trend in writing style of prose from the late Ming Dynasty to the early Qing Dynasty, through deriving comprehensive understanding of Zhang Dai``s works. Zhang Dai left literature works in diverse genre over not only poem, but also play and academic prose, although he generally is well-known for Xiao pin wen. It is well revealed in his literary prose that various observations were described in detail, and he always put efforts on revealing the true face of the figures. Furthermore, he tried to expose his patriotic spirit as well as practical statecraft in historical works, and tried to popularize knowledge in academic works.

양계초 문학관에 대한 신채호의 수용양상

조보로 ( Bao Lu Zhao )
한국중국산문학회|중국산문연구집간  5권 0호, 2015 pp. 164-184 ( 총 21 pages)
6,100
초록보기
This thesis has a purpose of showing the Liang-QiChao’s influence on Korean poetics in the time of enlightenment on a comparative literature. Korean intellectuals must have realized many facts for themselves while discussing utility theory in the time of Korean enlightenment, when they faced different kinds of circumstances, utility theory, nevertheless, is considered to be influenced by Liang-QiChao’s in many parts, considering that the contents they discussed and the vocabulary they used. Therefore, his work as well as Liang-QiChao’s poetics spread fast among Korean world of poetry and did help Korean intellectuals in many ways, who were working on enlightenment and social reform at that time. Korean intellectuals in the time of enlightenment like Sin, Chai-ho thought poetry of one method, which they could reform Korean society and politics and save their country in crisis as they accepted Liang-QiChao’s poetics. This thesis contains discussions. First, positive acceptance of Liang-QiChao’s poetics revolutionism. It can be said that Liang-QiChao’s work was introduced to Korea thanks to his Patriotic Enlightenment Thought in his work, even though his expressive technique in his work is hard to ignore. Second, both 「Eumbingsilsihwa(음빙실시화)」and 「 Cheonheedangsihwa(천희당시화)」 have argued that new western culture and thought should be accepted through poetry. Third, both 「 Eumbingsilsihwa」and 「Cheonheedangsihwa」 suggested the unification of the written and spoken language.
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