글로버메뉴 바로가기 본문 바로가기 하단메뉴 바로가기

논문검색은 역시 페이퍼서치

세계문학비교연구검색

The Comparative Study of World Literature


  • - 주제 : 어문학분야 > 국문학
  • - 성격 : 학술지
  • - 간기: 계간
  • - 국내 등재 : KCI 등재
  • - 해외 등재 : -
  • - ISSN : 1226-6175
  • - 간행물명 변경 사항 :
논문제목
수록 범위 : 17권 0호 (2006)
6,400
초록보기

한국의 러시아문학 연구 현황과 문제점 분석

엄순천 ( Soon Cheon Eom )
6,800
초록보기
Korea studying of Russian literature has been continuously developing since 1920. Since 1920 until Feb. 2005, individual volumes of studied Russian literature published in our country, I had been completed the . The number of study books on Russian literature which were published in Korea until Feb. 2005 is 123. They are a total of 1,506 volumes including 218 volumes of theses for a degree, 1,165 volumes of theses for study, and I classified them by authors, genres, ages, publication time, etc. to systematize the present situation of Russian literature. In case of study books, theoretical books were most published as 123 volumes, and regarding the times, 39 volumes were published in the 1990s. Also, regarding a thesis for a degree, it was most activated in the 1990s and the number of theses for a degree during the period is a total of 109 volumes. Regarding theses for study, theses for study were most published in the 1990s and the number of theses for a degree during the period is a total of 519 volumes. After 1980s specialists of Russian literature in Korea mainly researched about A.S.Pushkin and M.F.Dostoevski. Also, Korean study on Russian literature during all period of studying was thoroughly focused on realism. 85 years has already passed since Korean study on Russian literature developed systematically on academic grounds. The statistics value presented on thesis is incomplete, the growth in the accommodation of Russian literature and its status will be uncovered more obviously if a more complete bibliography on the studying of Russian literature is made.

므로젝의 <공해상에서 Na Pelnym Morzu>에 나타난 생존논리

정병권 ( Byung Kwon Cheong )
6,300
키워드보기
초록보기
, At High Seas, by Slawomir Mrozek (1930 - ) is a one-act play that shows the simple and essential structure, and the huge role of power in human society. Three European well-dressed gentlemen - the Fat One, the Medium One, and the Small One - do not have anything left to eat anymore on a raft on high seas. Not knowing how long the journey is still going to last, they are all hungry and want to eat. The Fat One wants to eat one of the two other men on the raft and expects that one of them will voluntarily say: "Please help yourself to me." But of course, nobody does it. The Medium One, however, quickly realizes the situation in which he is captured; he therefore sides with the Fat One and supports him always resolutely without thinking twice; he agrees with whatever the Fat One proposes on how to choose the victim. In the play, the reader also finds out some background information about the three gentlemenand how they manipulate the information to their advantage. The Fat One is actually a rich count who has a castle and servants, but he lies that he is a poor orphan. He insists that it would be unfair if a poor orphan like himself would be sacrificed to the well-to-do Small One. Thus he tries to disguise his true intentions behind the arguments of "historical and social justice." As he believes that the Small One has to eventually become the victim, the Fat One tells him: "You should go into our stomach; by doing so, you will be not only be remembered a hero, but also an unselfish, self-sacrificing altruist." Seeing that his death is otherwise inevitable, the Small One comes up with a lie: he tells his companions that he is poisoned. Unfortunately for him, the other two ignore his statement. In the end, the Small One has to give up under the pressure of the two, and declares that he has decided to sacrifice himself for the others. He says that he has at last found the aim of his life and takes on the role of a false hero who dies for his companions. In this gradual but unavoidable change in Small One`s attitude towards the Fat One, we see the use of power and the existence of hierarchy in human relations.

할리우드 웨스턴과 치카노 웨스턴

전기순
5,600
키워드보기
초록보기

갈레아노 작품에 나타난 역사적 현실과 창조적 형상화

유왕무 ( Wang Moo Yoo )
6,300
초록보기
La obra literaria supone y manifiesta una realidad; sea del espiritu del autor, del mundo que lo rodea o de las interacciones entre ambos. Por lo tanto, arraigado en lo historico, el testimonio nace de una situacion problematica y conflictiva en la cual se desestabiliza el estado habitual del mundo. La obra Dias y noches de amor y de guerra de Eduardo Galeano es una especie de conversacion con la propia memoria del autor. Todo lo que aqui se cuenta ocurrio, el autor lo escribe tal como lo guardo en su memoria. En esta obra Galeano busca revelar el verdadero rostro del continente escondido detras de la mascara oficial o quiere contestar con la verdad a las mentiras. La novela se escribe desde el exilio espanola del autor y es precisamente esta distancia temporal y espacial de la tierra oriunda que contribuye a una vision homogenea del continente, unificado por la experiencia comun de la represion politica y la marginacion socioeconomica de las vastas mayorias de su poblacion. La novela se escribe como un testimonio personal y colectivo de la dictadura, como homenaje a sus victimas y a los que sobrevivieron el apocalipsis historico. A pesar de desplegar un fuerte tono denunciatorio, la novela cae en el esquematismo ideologico. El escritor logra establecer un equilibrio entre el aspecto intimo y colectivo de su escritura, evidenciado en el movimiento dialectico entre los opuestos como la vida y la muerte, el miedo y la alegria, el pasado y el presente, lo intimo y lo publico.
<< 1 2