This study examines the characteristics of Sinjaehyo`s Paktaryong(박타령) as a revised version of Pansori(판소리) Hungboga(홍보가). Paktaryong has two contradictory intentions in it`s poetic diction and the way of exposuring subject. In it`s poetic diction, Paktaryong contains flowery words in Chinese Character and peoples spoken language. In it`s way of exposuring subject, Paktaryong describes both the nobles Yangban`s(양반) aspect, and peoples critical tone. This contradictory dualism of Paktaryong result not only from Sinjaehyo`s social status but also from the contradiction and conflict in the middle of 19th century.